Drag Race RuCap: “House of Fashion”

Janelle Monáe is this week's extra special judge.

CLÁUDIO ALVES: Five episodes and four weeks in, Drag Race season 15 finally delivers an episode that isn't criminally ill-paced. Sure, the beginning is rushed as fuck, and there are still no judge deliberations to be seen, but it’s miles better than the previous episodes. Some would call this a filler episode, I wager, as no storyline moves forward in any significant way. Nevertheless, “House of Fashion” left me satisfied in a way I hadn’t felt yet this season.

NICK TAYLOR: The truncation of the reading challenge was a clear sore point, but it’s maybe my only complaint in what’s otherwise a well-paced episode of television. It looks like dropping a few contestants really has eased up the editor’s gas pedal. This week’s elimination keeps “House of Fashion” from being as paradigm-shifting as Snatch Game, but it’s about the best showcase for all of the queen’s talents so far...

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Drag Race RuCap: Supersized “Snatch Game”

Neither are we, Aura. Neither are we.

NICK TAYLOR: Boy, the merciless editing of MTV’s reinstated 40-minute format really fucked the Snatch Game. I’m struggling to find a truly positive note to say about this as an episode of television - yes, this arguably did a better job of showcasing the queen’s talents than last week’s episode, but it might just be the nature of the challenge itself. Some of the queens were so poorly incorporated they might as well not have participated! Reality TV always involves manipulation and compression, but it feels bad to see these talented queens have to fight for fucking airtime...

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Drag Race RuCap: "All Queens go to Heaven"

Is this heaven...or hell?

CLÁUDIO ALVES: This week, the talk of the town within Drag Race fandom is length. It's not inches we're talking about, sadly, but minutes. After that supersized premiere, episode 3 of season 15 brings us down to reality and the format the show is taking for its new home of MTV – 40-minute episodes. Last time RuPaul's Drag Race had such limited runtimes was Season 9, but they had less competing queens. Even after Irene DuBois' elimination last episode, we're still at 15 bitches, making this episode a frantic amuse-bouche that tastes unbalanced, unstable, unhinged...

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Drag Race RuCap: “One Night Only”

So many queens! Too many?

CLÁUDIO ALVES: The most popular drag contest on television (sorry Dragula) may not be called RuPaul's Best Friends Race, but writing for The Film Experience sometimes feels like it. I've met fantastic people over the few years I've been writing for the site, and some have become close pals. Indeed, it's rare that a day goes by without me chatting the house down with the fabulously-haired Nick Taylor. But, of course, when Drag Race's on the air, those conversations devolve into jokey recaps (rucaps!), so it seemed fitting to fuel that enthusiasm back into the site that made us friends in the first place. Though our usual TFE write-ups may lean serious-minded and long-winded, we can be fun and tight. That said, please don't hold us to that promise – we'll try, and that's good enough…right, Nathaniel?

Without further ado, let's dive into the supersized Season 15 premiere...

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More Thoughts on "The White Lotus: Sicily"

SPOILER ALERT:  DO NOT READ UNLESS YOU HAVE VIEWED ALL SEVEN EPISODES.

by Eric Blume 

One of the things that separates The White Lotus from many other TV programs, which are usually divided amongst several writers and directors, is that the show has a very, very specific point-of-view.  Even though other great television series (Succession, Severance, etc.) have a unified tone and the individual episodes are kept in harmony by the showrunner, it’s a different thing to have the same person actually writing and directing every episode.  Mike White views the universe and views characters comically.  He sees the world as an outsider does, with an arched eye towards human behavior, and he sees people as funny and full of contradictions.  He also lends to White Lotus a truly gay sensibility, in terms of the way he frames his actors, the way he films male and female bodies, and the way his empathy shifts between characters in a roundelay of surprising reveals, each character granted grace notes, psychology, and humanity... 

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