Beauty vs Beast: Lesbian Love Song

Jason Adams from MNPP here -- at the Tribeca Film Fest last year I weirdly reviewed two movies involving Alessandro Nivola and Orthodox Judaism. The first one is called To Dust and Nivola (along with his wife actress Emily Mortimer) produced it -- it stars Son of Saul's Géza Röhrig and Matthew Broderick as an extremely odd couple grappling with the afterlife. Here is my review, and you can watch the trailer over here. To Dust is finally hitting some theaters this weekend, and I highly recommend seeking it out. I really dig it.

The other movie I reviewed at Tribeca 2018 was Sebastian Lelio's Disobedience, which came out last year and which in a just world we'd be celebrating its several Oscar nominations just about now. Hey I did my part -- Disobedience got mentions in both end-of-year polls I have a say in, The Team Experience Awards here on this site as well as the Dorian Awards for the GALECA guild of LGBT critics. But being a great film is its own reward, and Disobedience will be remembered for a very long time as such. Now let's face off its Rachels -- McAdams is Esti, the one who stayed, and Weisz is Ronit, the one who went away...

survey tools

PREVIOUSLY Last week's Can You Ever Forgive Me poll was as close as two friends sweeping up cat turds could be, but Melissa McCarthy got the best of Richard E Grant in the end with 53% of the vote. Said /3rtful:

"Unprepared for how emotionally affected I would be by this movie. I think the casting of McCarthy and those initial cut trailers gave no clue of the emotional wallop this movie carries."

BIFA ❤️ "The Favourite" 10 Times

by Nathaniel R

Best Supporting Actor Alessandro Nivola

The 21st annual British Independent Film Awards were held today in London with sexy Russell Tovey hosting and The Favourite winning *GULP* 10 awards (that has to be a record at BIFA, doesn't it?). But the most wonderful surprise news around these parts is the Best Handsome win -- excuse us, Best Supporting Actor win for Alessandro Nivola. We were certain that he'd make it through the whole season with no hardware for his (typically) excellent work in Disobedience but BIFA happily proved us wrong. Nivola is of course something of an honorary Brit since he's married to a very fine British actress (Emily Mortimer) and has often worked in British cinema. 

The BIFA winners and a few more notes after the jump...

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Linkwarm off the Presses

Whooo. Thanksgiving week flew by and we're suddenly so very far behind on important news items, so a quick link roundup to get us back on track. Here we go...

• Variety Black Panther, Marvelous Mrs Maisel, One Day at a Time, and Crazy Rich Asians are all up for Humanitas prizes
• Variety Paul King, famous for making those delightful Paddington movies, will now direct a fantasy adaption of Time's Fool
• Coming Soon Alessandro Nivola, an actor TFE is always rooting for, cast in The Sopranos prequel movie. He'll play Dickey Moltisanti if that means anything to you fans of The Sopranos out there

More after the jump including Aquaman, If Beale Street Could Talk, the new Fosse/Verdon TV miniseries, deaths of showbiz legends, and more...

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Jason Gives Thanks

Team Experience members were invited to give thanks this week so you'll be hearing from a few of us. Here's Jason Adams... 

For all of the hairs on my head and the hours of sleep that I've lost in 2018 I do feel, just a little bit,  as if I've traded them in for a couple of worthy life lessons this year. Enough to make up for the state of the world? Not for all the hair and dreams that have ever been or ever will be. But I will say that feeling in a near constant state of emergency has made me a smidge bit of a better writer, and it's nudged me ever so gently towards getting some of my shit together. To paraphrase Ryan Gosling's schtick -- one small step for me, one giant leap (into the abyss) for mankind. Helluva trade. Here's some of the great stuff I'm thankful for the nudges from...

• Moviepass burned high and too too bright this year, echoing our migraines, but I'm thankful to the service at its height for letting me see Luca Guadagnino's Call Me By Your Name in the theater a personal record shattering 18 times - in a crazy world those six summer weeks learning about love and peaches with Oliver and Elio and Elio and Oliver were the only thing that made any sense to me. For a film so warm and sunny I'll weirdly forever associate it with walking through cold weather in Central Park to get to or from the Paris Theater, "Love My Way" by the Psychedelic Furs blasting in my ears. (I rounded up most of my writing on the film right at this link.) 

• Funny enough the end of 2018 belongs to Luca too, as the only music haunting my ear buds this Autumn has been Thom Yorke's by turns gorgeous, terrifying score for Suspiria. I'm thankful for that whole unholy beast of a film, bursting with ideas and emotions and Tildas...

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A Prayer For Alessandro

by Jason Adams

There's a scene set at the three-quarter mark of Sebastián Lelio's film Disobedience (which I reviewed right here) that shatters me into a million jagged little pieces every single time I watch it. Alessandro Nivola's Orthodox character Dovid has just had a heated argument with his wife Esti (a fabulously good Rachel McAdams) in which she's admitted she loves Ronit (the also fabulously good Rachel Weisz), the daughter of the just deceased Rabbi who's returned home after running away to New York. Dovid is a spiritual leader himself, on track to replace the Rabbi, and he has endless duties to attend to this week of Shiva, or mourning. 

And so Dovid goes to meet with some mourners who've just come in to town for the eulogy service (the Hesped) who it turns out are the choir who will perform at the ceremony. And they sing. The film cuts to a wide-shot - Dovid standing with his back turned to us in the center of the room, surrounded by mourners in black, all facing him. As Nivola turns towards the camera, slowly it moves forward in on him and trains in on his face as the singers crescendo - Nivola keeps everything in this moment internalized; his face hardly moves. 

And its devastating. It's the sort of acting moment that doesn't tear it up in Oscar clips, but it's all the more powerful for its restraint - typical of Nivola's gorgeously low-key approach whenever he goes to bat; think back on his singing scene in Junebug as well. And it's why I'm going to spend this whole awards season shouting his name in the middle of any Best Supporting Actor conversations I come across. 

I keep reading that the Supporting Actor contest seems thin at the moment, before the Awards Contenders all roll down upon us from Toronto and the like - so who are you rooting for Supporting-Actor-wise out of the films we've already seen in 2018?