25th Anniversary: Alien 3 - the theatrical cut vs. the assembly cut

Tim here. With Alien: Covenant opening to #1 over the weekend, it's fortuitous timing that today marks the 25th anniversary of Alien³.  The 1992 sci-fi thriller is probably best-known today for two reasons: introducing music video director David Fincher to the world of theatrical features, and knocking all the shine off of the Alien franchise for the first time (and alas! not the last).

 Underperforming at the box office, and outright flopping with critics, Alien³ has never since recovered its reputation; if time has been kind to it, it's only because at least we can now say, "well, at least it's not as bad as Alien: Resurrection"...

Click to read more ...

Review: "Alien: Covenant"

This review was originally published in Nathaniel's column at Towleroad

If the famed director Ridley Scott were in art school, his professor would be yanking the paintbrush out of his hand — “it’s perfect, stop adding brush strokes!” His wife probably has to pull spices from his hands as he cooks. If you’ve been playing along with this Hollywood giant’s career you know that he can never leave well enough alone. I’ve lost count of how many “versions” there now are of his early sci-fi masterpiece Blade Runner (1982) and, after years of threats, that film will have a sequel this October, Blade Runner 2049, though Scott opted to pass the directorial reigns over to Denis Villeneuve (Arrival).

Having exhausted returning to that particular sci-fi well, Ridley has moved back even earlier in his career to the film that made him famous, Alien (1979). He’s now directed two prequels to it (Prometheus and now Alien: Covenant) and more films are promised. (Perhaps the controversial ending of 1991’s Thelma & Louise is the only thing that’s kept that film, the third member of his holy trinity of masterworks, free of his tinkering!).

So how’s the new film?

Click to read more ...

"Get Away from Her, You Bitch!": Revisiting the Alien Saga

By Spencer Coile 

The tagline for the first Alien film, short and deeply frightening, reads "In space no one can hear you scream." Written in tiny font, it is placed on the poster for Ridley Scott's first venture into the Alien-universe beneath what we soon learn is the egg from which the menacing title creature is born. The image is simple but punchy, rather like the power and artistry emerging from Alien, in very much the same way the monsters pop out of humans' chests. On paper, the series is simple. But only on paper. Revisiting the world of Ellen Ripley and co. as a lead-up to the release of Alien: Covenant this weekend, one thought kept running through my mind: these films are disurbing, because they get at the root of what it means to be a human, to be a monster, and to make sacrifices that benefit oursevles, but also the greater good. What may have started out as a cut-and-paste psychological horror from 1979 soon became a story that is deeply compelling and worthy of examination.

So let's put on our space helmets, grab our flame-throwers, and start exploring the storytelling of the Alien saga...  

Click to read more ...

When "Life" Goes Wrong...

by Nathaniel R

Stop me if you've heard this one before: a group of scientists are tasked with bringing samples of life back from outer space. Soon they are trapped in a nightmarish monster movie, as the alien life force picks them off one by one.

Life, the latest monster movie set in space, does a lot of things right despite its familiarity. Let's give credit where it's due. It hired capable involving actors in all the underwritten roles including Jake Gyllenhaal who we'll follow anywhere, even into deep space for a Alien ripoff. It's very handsomely lensed by prestigious cinematographer Seamus McGarvey. The direction by Daniel Espinosa (Child 44, Safe House) makes repeated smart use of the zero gravity setting, with well staged setpieces and even some unexpectedly beautiful compositions; the earliest casualty among the crew prompts the movie's eeriest morbidly pretty image. Apart from one confusing action sequence near the climax, the filmmakers seem to have a complete handle on the material.

So why then, is it unsatisfying? 

Click to read more ...

Bill Paxton (1955-2017)

By Nathaniel R

In all the hoopla and festivities surrounding Oscar night, we neglected to note the passing of an actor who has a real pop culture fixture since the 1980s. Bill Paxton died of complications in surgery the day before the Oscars. He was currently leading the TV adaptation of Training Day in the former Denzel Washington role (they had reversed the race dynamics of the leads for the series). CBS says the role will not be recast though they have not yet announced if there will be a second season.

Paxton's first credited feature role was as "Soldier" in the comedy Stripes (1981) but most people first noticed him in the mid 80s in the films of James Cameron and Kathryn Bigelow...

Click to read more ...