JA from MNPP here. This is making the rounds today, but perhaps you've missed it - from the new boxed-set of Batman blurays out this weeks comes the above audition tape from our most recent rubber-suited shadow dweller, Christian Bale himself! This was for 2005's Batman Begins of course, which began the whole Nolan era of Gotham and its gruff-voiced hero. Right off the bat (har) you'll see that Bale had that smoker's voice in mind for the character beneath the scowl - personally I was cool with it in Begins, but grew steadily sick of the affectation as the films wore on. (Although the same could pretty much be said of my take on the triology, give or take some Ledger.) But who's reading that opposite him? Might that be Lois Lane herself, one Amy Adams? To think what might have been with her in place of Katie Holmes...
Entries in Amy Adams (36)
With the major success of Lee Daniels' The Butler, second week at the top and already his highest grosser, one senses that Crazy Daniels can do whatever he wants next, carte blanche. Will it be that troubled Janis Joplin biopic as rumored? I actually hope so because I want Amy Adams to sing onscreen more (when don't I want singing actresses to do this?) and I think she could use some of the abandon that Lee Daniels seems to inspire in his actresses.
I liked her rare rougher edges in The Fighter so much. If it weren't for her meercat fixation that one time, the peak of her career might well be that porch scene with Christian Bale. What have you ever done with your life, Amy?
I like my life. I like my life [...]
All right. I drank too much. I worked in a lot of bars. And I ruined a lot of opportunities but I'm trying to do something better here. And so is Mickey.
Come on. Come on. People took several pieces of that heart already, baby. So bring that Janis Joplin biopic on!
Oh but now we're way off track. Where were we? The weekend box office...
01 LEE DANIELS' THE BUTLER $17 (cum. $52.2) Podcast & Review
02 WE'RE THE MILLERS $13.5 (cum. $91.7)
03 THE MORTAL INSTRUMENTS $9.3 *new*
04 THE WORLD'S END $8.9 *new*
05 PLANES $8.5 ($59.5)
06 ELYSIUM $7.1 (cum. $69) Podcast & Review
07 YOU'RE NEXT $7 *new*
08 PERCY JACKSON 2 $5.2 (cum. $48.3)
09 BLUE JASMINE $4.3 *wide* (cum. $14.8) Podcast & Review
10 KICK-ASS 2 $4.2 (cum. $22.4)
In limited release Wong Kar Wai's The Grandmaster led the newbies with $132,000 at 7 locations and Short Term 12 opened with $60,000 at 4 locations. If I controlled the world Short Term 12 (reviewed) would have opened on 1000 screens to sold out houses but the world is a poorer place because I do not and it did not. But go see it anyway! Fruitvale Station (reviewed) inched past $15 million and Una Noche, a Cuban film winning rave reviews that Glenn just discussed, opened with $18,500
What did YOU see this weekend? Why are you so quiet this weekend?
If the movie year has been uninspired thus far -- and what honest assessment of mainstream cinema wouldn't come to that conclusion? -- things will undoubtedly be looking up as we move out of the season of movies with only one thing on their mind (profit) and arrive at movies with at least two things knocking around in their heads (awards and profit) but hopefully more. I haven't been much interested in American Hustle up till now (for various reasons) but it dropped a grabby tease of a commercial yesterday so let's play the Yes No Maybe So game and decide how badly we want to see it now that there's something to get a hold of.
...like any part of Amy Adams, just pick one! The trailer and three-pronged breakdown after the jump...
Release dates are no Kryptonite for me. I can't be bound or weakened by them! I rejoined Panel Culture, a weekly comic book podcast, as their special guest for a discussion of Zach Snyder's Man of Steel five weeks into its successful run. Why did they wait this long to discuss it? They'll tell you.
Listen in and join the conversation about...
- Whether this Superman is successful as icon, hero and performance
- If this Lois Lane dynamic (or lack thereof) works
- How Michael Shannon's General Zod measures up to Terence Stamp's
- That surprising first half hour on Planet Krypton with Russell Crowe
- Tornados, mass destruction, and whether or not to save a life or keep on fighting
- What the sequel should fix or keep or jettison
And now the return of the 'Ask Nathaniel/Q&A' series wherein you asked me questions and I pick two handfuls to answer.
DAVID: Which actresses filmographies are you most disappointed in? I'm thinking in terms of actresses you admire and think are incredibly talented, but, for whatever reason, end up working in subpar films.
NATHANIEL: I think the popular answer here is Rachel McAdams but aside from Mean Girls I've never cared too much. The answer that came immediately to mind was Emily Blunt. It’s not that she’s making terrible films per se, it’s just that given how Oscar worthy she was in that plum comic part in Devil Wears Prada seven long years ago, and then how sexy she was in that blink and you’ll miss her bit in Charlie Wilson’s War soon thereafter, I expected her career to explode in the way, say, Carey Mulligan’s did post An Education or at least for her to be more direct competition for Anne Hathaway. I wonder why Blunt isn’t either in more demand or more interested in challenging herself. Maybe it's just bad luck. She seems to be working exclusively in indies that don't crossover, mainstream films that are quickly forgotten or headlining gigs which don't really work in some crucial way (Young Victoria, Adjustment Bureau). I’d love to see her really challenged either by a role or by an auteur. Will Into the Woods bring a happily ever after to that heat-losing career?
The second choice is Evan Rachel Wood who seemed to chuck what looked like incredible range and promise to the side for a long procession of Very Bad Girls. This was, in no small part thanks to her inarguable electricity in Thirteen (2003) but when you play variations on one theme too often you either become a superstar or people lose interest. I thought she was good in Ides of March (2011) but it isn't what she needed. What she needs is a total about face role.
JOHN T: The last foreign language film to clear $20 million was Pan's Labyrinth, almost seven years ago. What do you think it would take for a foreign language film to catch on in that way again?
Amy Adams, Oscar Tragedies, and a Beefcake Triple after the jump...