Saturday, March 28, 2020 at 9:33AM THR Insightful piece about experimentation of studios and Hollywood's post-coronavirus future
Vulture "are the celebrities okay?" a funny piece about the bizarre social media of stars during quarantine
Awards Daily Contagion (2011) reframed
Boy Culture a huge celebration of Madonna's "Vogue" as it turns 30
More after the jump including showbiz obituaries, Marvel's What If?, and the cinema of 1962...
Wednesday, February 5, 2020 at 10:01PM This week, in advance of the Oscars, Nick Davis is looking back at the Academy races of 20 years ago, spotlighting movies he’d never seen and what they teach us about those categories, then and now.
This year, The Lion King joins Tim Burton’s The Nightmare Before Christmas (1993) and Kubo and the Two Strings (2016) as only the third fully animated feature to be nominated for the Best Visual Effects Oscar. I’ve read that tidbit in several places and assume that it must be true, according to people who know better than I do. I wasn’t sure why the movie that defeated Kubo, the 2016 remake of The Jungle Book, did not belong on this list, until I remembered that Mowgli was played by a living, breathing actor, Neel Sethi. Actually, what I mean is that I remembered Mowgli was in the movie, period. And I actually didn’t remember, I had to look it up. The Jungle Book, like an incredible number of films nominated for Best Visual Effects since the category got expanded to a five-wide field in 2010, made almost zero lasting impression on me. Like Best Original Song, it’s a division where I gladly release myself from seeing all the nominees. So, sorry, Lion King. Sorry, Endgame. Don’t get smug, Rise of Skywalker, you weren’t much better. And, until I proposed this series to Nathaniel, which partly exists to fill my own viewing gaps, sorry to Stuart Little, a movie that really tested my sense of the line between animation and visual effects, especially in the context of 1999. That line only gets blurrier as time goes on, so I thought I’d dig in a little...
Tuesday, January 28, 2020 at 1:00PM by Nathaniel R
With just 12 days till Oscar most of the big ticket races are feeling quite locked up apart from arguably Best Documentary Feature and Best Animated Feature. The latter is particularly volatile...
Sunday, January 26, 2020 at 10:00AM 
Will "Klaus" get the ultimate delivery -- an Oscar! -- in February?by Nathaniel R
Netflix had a very good night at the Annie Awards via their international outreach to animators. The TV awards were dominated by their anthology series "Love Death, and Robots" and the feature film prizes were hogged by Spain's Klaus (with 6 awards) and France's I Lost My Body (with 3). That's a surprising outcome for an awards night usually dominated by American blockbusters.
Curiously Frozen II, which is not nominated for the Oscar for Best Animated Feature, was the only one of the high profile American films to win a prize. Toy Story 4, HTTYD: Hidden World, and Missing Link all came up entirely empty-handed despite plentiful Annie nominations. Best Animated Feature might just prove to be the only true nail-biter on Oscar night.
The full list of Annie Award winners is after the jump...
Wednesday, January 22, 2020 at 11:37PM For those of you who haven't been around these parts forever, the title of our annual prizes is a bit tongue-in-cheek. We rarely feel bitchy about movies but instead live to praise them. The name comes from a roommate in college who, after hearing Nathaniel freak out when seeing a credit on the television and launch into feverish praise for an actor he'd never heard of said "you are such a film bitch"... the name stuck. This is our 20th year (gulp). Just to get us started each page is in tba form but we're ready to go with 3 appetizers (LINKS FIXED) for the 40 (!) categories...
