Wintry Hit Musicals and Anna Kendrick To The Rescue!

This time last year the instant if much-hated hit Les Misérables (2012) was topping Billboard's Top 100 Albums chart, powered largely by Anne Hathaway's belting through hacking fits from freezing pneumonia (or whatever she died of - she certainly wasn't dressed for the snow!). Fast forward one exact year: the instant and much-loved hit Frozen is topping Billboard's Top 100 Albums chart and at the same time it's crossing an incredible $300 million at the box office. That's quite a feat. No Disney toon has topped Billboard since Pocahontas 18 years ago and no Disney toon (sans Pixar) has crossed that box office threshold since The Lion King (1994)... though if you adjust for inflation it's closer to a Beauty & The Beast (1991) level of audience rapture. But still... that's quite a lot of rapturizing!

Fast forward to Christmas/Early January next year. Will it be Annie or Into the Woods moving the most discs/downloads? Both of them are opening for Christmas but -- happy news -- they're not the only movie musicals hitting us in 2014...

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Cartoons for a cold winter's night

Tim here. With a huge portion of the United States either under a heavy cover of snow, or about to become that way, it’s been hard to think about anything else but the deepest, coldest kind of winter. And with Frozen in a shockingly good place to win the weekend box office (in its sixth weekend!), even the movies themselves seem in on the act.

So I figured, why not give in? Frozen reminds us, after all, that wintry conditions can make for some beautiful cinema in the hands of the right artists. Think of Roger Deakins’ unmatchable cinematography in Fargo, or the vivid frozen hell of The Shining. [more...]

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Podcast: A Disney Double, "Frozen" and "Saving Mr Banks"

On a quiet Sunday Nathaniel & Katey get together for a Disney Double that we are surprised to realize we hadn't yet discussed as a group.

Is Saving Mr Banks a 'corporation knows best' propaganda nightmare or a rich investigation of artistic compromise or somewhere inbetween? Does the existence of Mary Poppins, automatically make Disney (Tom Hanks) the hero and P.L. Travers (Emma Thompson) the villain? We're more enthusiastic about Frozen. We see its gears and its formula and we don't necessarily love the song score but it transcends. Katey loves the message it's sending little girls.

Asides, as we do, to: Titanic, Tangled, The Hobbit, Blue Jasmine, and Meryl Streep in August: Osage County

You can listen to the podcast right here or download it on iTunes and let us know what you think of this Disney holiday double in the comments. 

Disney Double

Previewing the animated features of 2014

Tim here. It’s the last edition of my weekly animation essay for 2013, which would ordinarily be the best time for a year-in-review piece. However, the year has been so rough for animation (remember Escape from Planet Earth? Are you happy about that fact?) that it seemed better just to quickly move beyond it and pretend it didn’t happen. Let us instead look with clear eyes and hopeful hearts to the future, and take a quick preview of the animated features that will be scattered throughout 2014. This isn’t meant to be comprehensive, but if I missed anything big, feel free to point it out in comments.

Films to maybe hold out hope for:

-The Lego Movie (February 7). The concept, and the cameos by DC superheroes, scream “branding exercise”, but with Phil Lord and Chris Miller on-hand as writers and directors, there’s reason to be hopeful. The duo has gone 2-for-2 so far with Cloudy with a Chance of Meatballs and 21 Jump Street, and that’s not a track record to idly dismiss. Besides, the trailer reveals that its laziest sins (a “Chosen One” narrative, celebrity voice cast) looks to be applied with a more playfully ironic touch than usual. And the random sense of humor looks different from the usual family fare, at any rate: the bit with Wonder Woman’s invisible jet gets me every time.

Dragons, Boxtrolls and more after the jump

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Animated Feature Contender: Rio 2096

Tim Brayton will be looking at several of the contenders for Oscar's Animated Feature race. He previously reviewedThe Wind Rises, Ernest & Celestine, Frozen, and Letter to Momo. This week: Rio 2096: A Story of Love and Fury.

At times, one is reminded to despair for the English language. We have before us a certain Rio 2096: A Story of Love and Fury, named in the original Portuguese Uma História de Amor e Fúria, a superior title on two levels. One is that the “Rio 2096” business is an inelegant distraction. The other and more important thing is that in almost every Romantic language, the words for “story” and “history” are the same, and plenty of writers have gotten mileage out of that fact through the years. At any rate, describing Rio 2096 as something that’s both story and history at the same time is merely accurate. Whereas describing it as something that takes place in Rio de Janeiro in 2096 is accurate-ish, though it reeks of marketing to an audience that remembers when “adult animation” and “used-up future” were basically synonymous, back in the 1990s.

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