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Jose here. London, bloody London, or rainy for that matter. It seems that as usual, it was either freezing, rainy or both at the BAFTA red carpet, and while sometimes the inclement weather makes for some truly adorable moments when actresses must accesorize accordingly (remember Marion's cute faces trying to stay dry in 2013?) sometimes it doesn't (Kate's gigantic umbrella in 2009 was a tragedy) This year we had two beautiful ladies showing us the right and wrong way to do it. Rooney Mara took on the red carpet in Givenchy Haute Couture which she chose to cover under a shapeless black coat. Once she removed it, there wasn't much to see either, she has worn this exact same dress at least 100 times by now. She gets points for being so funny/dismissive about the red carpet game though.
No, everyone's yelling at you"
...she said to a reporter who asked if she liked the experience.
Since BAFTA never televises live we learn the winners before we've seen any excerpts from the show. This kills the normal suspense (however non-suspenseful) of "and the winner is..." but if you're trying to preserve that we'll hide the winners until after the jump. We'll deal with the details later once we've seen clips!
Eight beauties for you this afternoon as we get closer and closer to Oscar and more and more awards are handed out. We'll know the BAFTA winners in a few hours (though they still don't televise it live making it hard to take seriously in this day and age) but here are four women from the pre-party.
Sandy Powell (just interviewed!), Dakota Johnson, Cate Blanchett, and Bel Powley. Was the dress code black and white?
Olivia Munn co-hosted the Academy's Sci-Tech Awards. Meanwhile at the WGA Awards, Adepero Oduye (gorgeous in yellow!) showed up to support The Big Short, Gina Gershon, and Diane Lane were also out on the red carpet. Olivia's busy but these other three deserve bigger roles than they've been getting -- they've got the talent and the charisma for them. Hopefully the guild members, all writers after all, will be inspired by their presence to create richer roles for them or actresses like them.
WGA WINNERS Original SPOTLIGHT Adapted THE BIG SHORT Documentary GOING CLEAR Television FARGO
We've every reason to expect that Original and Adapted will tilt the same way at the Oscars on the 28th but what do you think is running second in both races? We're guessing Inside Out (Original) in distant second and Room (Adapted) a closer second.
The Czech queer short "Peacock" won Best DirectorWith the Academy Award short nominees opening in theaters today, it's a good time to note that the Sundance short film jury handed out their awards this week. This year's jury of three was Key & Peele's Keegan-Michael Key, MTV's chief film critic Amy Nicholson, and Amazon Studio's Gina Kwon. Since Sundance is a qualifying festival for Academy Awards you might hear the name of some of these shorts again in about a year. One of last year's big winners, for example, was World of Tomorrow by Don Hertzfeldt. That's an Oscar nominee right now for Best Animated Short.
The 2016 Short Film Winners are as follows:
Grand Jury PrizeThunder Road (USA, Jim Cummings) an officer eulogizes his mother. Cummings is a producer/director with some shorts under his belt. U.S. FictionThe Procedure (USA, Calvin Lee Reeder) a horror short about a captive man. Reeder has made several horror shorts and directed one of the segments in that anthology V/H/S International FictionMaman(s) (France, Maïmouna Doucouré) This one is about a young girl in a Parisian suburb whose father returns from Senegal with a surprise, a second wife Non-Fiction: Bacon & God's Wrath (Canada, Sol Friedman) an elderly Jewish woman cooking bacon for the first time and reflecting on her life. This short also received an honorable mention from the jury at TIFF in September so perhaps it's a legit long list contender for next year's Documentary Short competition?
Animation: Edmond (UK, Nina Gantz) see the teaser above. This short has been making the rounds for a bit now. It recently won the BIFA and it's a BAFTA nominee this year but it did not make the longlist cut to 10 finalists for the current Oscar competition. Outstanding PerformanceGrace Glowicki won for Her Friend Adam (Canada, Benjamin Petrie) in which her boyfriend's jealousy spirals out of control. Special Jury Award for Best Direction:Peacock (Czech Republic, Ondřej Hudeček). Peacock bills itself as "a twisted queer romance" it's set in the 19th century and has something to do with the birth of an influential writer. The film promises "Suspense, laughter, violence, hope, nudity, sex, and a happy ending—mostly a happy ending."
With the Oscar nominees less than a week away, the British Academy of Film and Television Awards, or BAFTA as they're more easily referred to, can often be a real indicator of where AMPAS might be headed come Thursday morning. It used to be that the British were quite idiosyncratic in their tastes, picking homegrown, grassroots produce like Fish Tank. Unfortunately recent years have seen even the Best British Film category taken a much more populist bent. Therefore, it's their taste in American films that can often be a huge indicator of what energy the British contingent might inject into their Oscar votes.
Eligibility rules can often cause an issue - Murtada gave a rundown of any possible hiccups the other day - but recent years have seen studios keen to align the two continents as much as possible, to avoid situations like Charlize Theron's Oscar-winning turn in Monster turning up a whole year later at BAFTA. So, never fear - Trumbo's still here!
Tuesday, February 16, 2016 at 10:30AM 
