Christmas Classics: Little Women (1994)

A few members of Team Experience will be sharing posts on their favorite Christmas movies. Here's Lynn Lee 

You can have your Christmas Story or your It’s a Wonderful Life.  For me, my Christmas movie will always be Gillian Armstrong’s Little Women, which took its bow Christmas Day, 1994, and has kept a place in my heart ever since.  Even though it faithfully adapts a literary classic, the movie’s also a perfect encapsulation of the ’90s: besides Winona Ryder, for whom Little Women was something of a pet project, it also featured a very young Kirsten Dunst, fresh off her star-making turn in Interview With a Vampire, and Claire Danes, still in her Angela Chase days, making her big-screen debut, as well as a 20-year-old Christian Bale completing his transition from child to adult actor.

None of that, of course, meant anything to me when I first saw the film...

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Happy "Annette Bening Is Awesome" Day

by Jason Adams

When was the first time you took note of Annette Bening? I had probably seen her play Dan Ackroyd's wife in the John Candy comedy The Great Outdoors in 1988 but it was the next couple of years after that made a movie star out of her, coming to a head when she coupled up with Mr. Beatty for Bugsy. That film was released in theaters on this very day in 1991, meaning she's more or less been "a name" for precisely 25 years to the day.

And coincidentally five years after that - to the day! - Tim Burton's film Mars Attacks! came out, in which Annette gave what was up until this year my favorite performance of hers. As the space-cadet Barbara Sand she's a comic riot, tapping into the sometimes flightniess of her voice - Bening's voice has always been her secret weapon, switching between high and low registers with ease; one second she's confused, the next she's deep-throated with determination.

I wish that 20th Century Women was coming out today not only because I would love to go see it a third (and a fourth, and a fifth) time right this minute, but because it'd be a swell coincidence, making December 13th a lucky charm for the actress. 20CW isn't out until Christmas Day. But we'll sing its praises anyway! Nathaniel ain't alone in adoring the movie - I cannot get enough of it, and The Bening's performance as Dorothea has already in my mind shoved all of her other work out of the way and taken the acting crown. May Oscar feel the same!

Team Experience Finale: Golden Globe Gaiety

You must forgive your host for these next two and final Globe nom survey questions. Please blame the heavy NyQuill and other drugs for his terminl cold flu situation of the past 48 hours. After snubs and favorites, I asked the team which categories would make the Best Dinner Party and the Best Orgy. No really, I did. I apologize.

Here are the responses and I expect yours, too. Amuse me on my deathbed* in the comments please

*not really but that's what it feels like

WHICH CATEGORY WOULD MAKE THE BEST DINNER PARTY?

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Beauty Break: Ruth Negga For Vogue

Chris here with some leading lady gorgeousness. We're big fans of Ruth Negga's Loving performance here at The Film Experience, and hopeful for her Oscar chances in a crowded Best Actress year. Regardless of whether or not she is one of the eventual five nominees, you can bet on Ruth continuing to serve a fantastic fashion game all season long.

And wouldn't you know, she's on the January cover of Vogue! In the interview (after a stunning spread with costar Joel Edgerton in the November issue) the actress describes Loving as a "before and after" role for her, still a bit reserved to her newfound attention. But how can we not be in awe of her with a performance like this and her laidback charm - not to mention her fashion prowess! Check out the photoshoot after the jump...

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Why Amy Adams May Have to Sit This Oscar Year Out...

The news of Amy Adams winning the NBR delighted many and also stirred up the usual "The Film Experience hates her!" complaints in the commentary. We do not. Being frustrated by an actor's ubiquity and dullness at one particular annual event is not the same as hating them or their work. Amy Adams is a very fine actress. She has given many delightful performances, two of which would have even made non-controversial Oscar wins had she managed to actually nab the statue (Junebug or The Fighter).

Amy Adams (5), Albert Finney (5), and Glenn Close (6) are the living actors with the most Oscar nominations who have never won.

And it's true that she's quite amazing in Arrival, serving as the audience vessel to in two simultaneous and important ways that the movie couldn't succeed without: she's awestruck by what she's watching (she's our eyes and surely our facial expressions in the dark); apart from that awe she's emotionally and intellectually engaged with the events in order to grapple with them and suss out meaning which is what the audience is always doing when they're watching grand films that demands that they pay attention with both their heart and their mind.

But for all of that I don't think she's making the Oscar lineup and here's why...

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