Thoughts I Had... on THR's Actress Roundtable Cover

The annual tradition commences. Thoughts that came to me in the order they came to me with a few interjections from others...

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Fences, His & Hers

The adaptation of August Wilson's Fences is under embargo so we're not supposed to review it. I notice that hasn't stopped anyone but I play by rules (sigh). Let it suffice to say for now that it's super. Denzel Washington stays out of the play's way and the play is so grand that that's all you need. Can we reverse time and have him do this for August: Osage County and Doubt? They both derailed themselves with nervous attempts to jazz up the material to be A MOVIE.

There's no awkward attempts to "open" Fences up, and that tightness, that feeling of no escape informs this in the same way it informed the plays of August and Who's Afraid of Virginia Woolf, which all use their single settings brilliantly to inform and confine and reflect the characters. Fences is just these characters (seven of them in total), this time (the 50s), and this place (Pittsburgh) and it's beautifully acted. 

P.S. So depressed that they aren't gunning for His & Hers Leading Oscars to match their His & Hers Leading Tonys.

Min-hee Kim's Secrets and Lies in "The Handmaiden"

by Chris Feil

Much of the praise for Park Chan-Wook's The Handmaiden has favored the director's twisted vision, the sumptuous design elements, or its grinning audacity. Sure the film is as immaculately crafted as all that talk has promised, but there one thrilling puzzle inside the film worthy of equal regard is the lead performance by Min-hee Kim.

For a film as plotty and opulent as The Handmaiden, you can understand how any performance might not be the first takeaway. But believability of the narrative's many twists falls largely on Kim's coolly dexterous shoulders...

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On Ruth Negga's emotional power in "Loving"

by Murtada

Ruth Negga gives Loving its heart and soul. From the very first frame, director Jeff Nichols relies on her expressive face to tell the story of Mildred and Richard Loving, the mixed race couple at the center of 1967 Supreme Court ruling that changed anti-miscegenation laws. The Lovings paved the way for generations of mixed race families. Nichols starts with Negga, his camera moving into a close up. A silent moment as we take in her big-eyed, made-for-cinema face. Then the line “I’’m pregnant” and we're swept right into this couple’s story. No need for us to see how they met and fell in love. Negga tells us the whole story with her face and delivery of that line.

Throughout the film, which puts the court cases to the periphery, it’s Negga's face that continues to tell the story...

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Happy 23rd Anniversary, Michelle & David!

On this day in 1993 the iconic Michelle Pfeiffer, then at the peak of her career, wed her very new boyfriend, TV powerhouse David E Kelley (who had three series on air at the that time - LA Law, Doogie Howser MD, and Picket Fences). Fun trivia notes and a few clips after the jump...

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