Hello, Gorgeous: Best Actress of 2017

A new series by Juan Carlos Ojano

This year’s slate of nominees showcase five performers strategically placed within the vision of their respective films right from their introductions. Whether introduced in a scene with actual spatial detail that immediately relates to the core of their characters or configured within the film’s style and tone in a more general sense, none of our first glimpses of them are deficient in meaning and purpose. It is probably not a coincidence that most of these performances appear in Best Picture nominees (and the one that didn’t probably came close too), a rarity in the Best Actress category.

Are you ready? The year is 2017...

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On Gladstone and Scorsese's Mollie Kyle

by Cláudio Alves

Oscar voting opens today, and, for once, some of my favorites are poised to thrive on the nomination ballot. Because of that, it might seem overkill to write FYC pieces, those love letters by another name. Even so, as it's a time for advocacy, I shall articulate why some of the year's best cinematic achievements deserve to be recognized as such. Today, I find myself inspired to make the case for Lily Gladstone, a virtual lock for a Best Actress nomination who might win it all. And to think some said going lead would ruin her Oscar hopes. 

As Mollie Kyle in Martin Scorsese's Killers of the Flower Moon, she breathes life into a dark chapter of American history. Gladstone illuminates the tragedy of a woman and people betrayed, forsaken by individuals who claimed to love them and systems who exploited them under the guise of protection, brutalized by greed and white supremacy…

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Hello, Gorgeous: Best Actress of 2018

A new series by Juan Carlos Ojano

Happy New Year, fellow actressexuals! To start 2024, we return to this series with a banger of a year. 

One thing noticeable in this lineup is that the majority of these actresses are in films with clear auteurial vision. Two of them (Aparicio, Colman) worked with established directors that, by this point, have signature sensibilities and visual choices that are now being associated with them. Two of them (Lady Gaga, McCarthy) are in films directed by (relatively) new filmmakers that are beginning to hone their technical and directorial inclinations by this point. One of them (Close) worked with a director that is well-known and recognized in his home country.

Another thing to note: Lady Gaga marked her feature film debut as a lead actor while Aparicio was nominated for her first acting role ever.

Are you ready? The year is 2018...

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More Category Confusion: LEAD or SUPPORTING?

by Cláudio Alves

Category confusion is always a hot topic in the Film Experience comment section. It's been debated across this awards season, from regional critics honors to the major precursors, from the smallest indie flick to some of the year's biggest blockbuster offerings. So. It's only logical for the LEAD or SUPPORTING polls to make a return. Last time, the lot included Killers of the Flower Moon, Passages, Barbie, and much more. Now, let's redirect our collective attention to newer releases, including the much-discussed May December. Are Charles Melton and Julianne Moore co-leads alongside Natalie Portman? Let's discuss…

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Hello, Gorgeous: Best Actress of 2019

A new series by Juan Carlos Ojano

The Best Actress shortlist in this particular year is noteworthy in that all of them appear at the very beginning of their films.  Three of the five are in the very first shot of their films. One is the first person we see in the film. Meanwhile, another film begins with a different actress (a younger version of the character), but is still the character of the nominated performer.

While not always indicative of how centered they are in the respective narrative of their films, it is nevertheless a striking gesture that informs how we were supposed to enter their stories. Even in two instances where there are other leads aside from the Best Actress nominee, the five films featuring these actresses position them as navigators of their own stories.

Are you ready? The year is 2019...

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