Gotham Nominees: Boyhood vs. Birdman vs. Budapest

The Gotham Awards juried nominations have recently surplanted the ancient NBR as the first real awards nomination/wins of the film year. That it happens in October is more than a little crazy, but what'cha gonna do? The New York centric film prizes, think of it as the Spirit Awards's East Coast Cousin albeit with far fewer prizes will be held on December 1st. Since they only have six categories and four separate juries (composed of critics and programmers), multiple nods aren't as easy to come by as they are at other shows but a handful of films managed it: Boyhood, Birdman, Dear White People, Nightcrawler, and Under the Skin.

BEST FEATURE 

• BIRDMAN
• BOYHOOD
• GRAND BUDAPEST HOTEL
• LOVE IS STRANGE
• UNDER THE SKIN

Very happy to see the intensely moving Love is Strange, in constant danger of being undervalued, show up. Especially since it didn't show up anywhere else. 199 films were eligible for these honors.

BEST ACTRESS (they don't have lead or supporting designations)

Big year for GUGU with Belle as breakthrough and a nom for Beyond the Lights

• PATRICIA ARQUETTE, Boyhood
• SCARLETT JOHANSSON, Under the Skin
• GUGU MBATHA-RAW, Beyond the Lights
• JULIANNE MOORE, Still Alice
• MIA WASIKOWSKA, Tracks

Given that Still Alice is only getting a qualifying Oscar run and there's no proof that it will even play in NYC by the end of the year (LA is the only required theatrical run) I think it's weird to nominate Julianne Moore at the Gothams, however excellent she is in the picture. I wonder what criteria they use for eligibility?

BEST ACTOR (they don't have lead or supporting designations)

• BILL HADER, The Skeleton Twins
• ETHAN HAWKE, Boyhood
• OSCAR ISAAC, A Most Violent Year
• MICHAEL KEATON, Birdman
• MILES TELLER, Whiplash

Interesting to see Oscar Isaac show up but not Jessica Chastain when the same nominating committee chose for both categories. 

BREAKTHROUGH ACTOR OR ACTRESS

• RIZ AHMED, Nightcrawler
• MACON BLAIR, Blue Ruin
• ELLAR COLTRANE, Boyhood
• JOEY KING, Wish I Was Here
• JENNY SLATE, Obvious Child
• TESSA THOMPSON, Dear White People

Slightly odd choices by the breakthrough committee. I love Boyhood and Nightcrawler but it seems weird to single out Coltrane or Ahmed from either, not only because they aren't the MVPs but because their performances just aren't at the same accomplished level as their co-stars. 

BREAKTHROUGH DIRECTOR

• ANA LILY AMIRPOUR, A Girl Walks Home Alone at Night
• JAMES WARD BYRKIT, Coherence
• DAN GILROY, Nightcrawler
• ELIZA HITTMAN, It Felt Like Love
• JUSTIN SIMIEN, Dear White People

BEST DOCUMENTARY

• ACTRESS
• CITIZENFOUR
• LIFE ITSELF
• MANAKAMANA
• POINT AND SHOOT 

I haven't yet seen Life Itself (I know I know) but I increasingly suspect, based on everything I've read about it, that hero worship is really getting in the way. It's not that I don't appreciate Ebert's work or that I don't understand the need to honor him for a special life in this very specialized field. But as with Oscars view of documentary, sometimes subject matter trumps execution in terms of awardage. Critics complain when that happens. Except when it happens to a movie about a film critic ;) I reserve the right to change my mind and consider it very worthy if I see it but I just wanted to point out that this is always a real danger in awardage for all groups, not just Oscar, the effect of subject matter trumping execution. 

Lunchtime Poll: Multiple Acting Oscars

I was all prepared to list the most Oscar winning Actors for a quickie top ten list. Until I remembered there were only six with 3 or more Oscars (for acting)

Four Leading Oscars
01 Katharine Hepburn
Three Leading Oscars
02 Daniel Day-Lewis
Three Oscars (Lead/Supporting Mix)
[Three-Way Tie]
03 Ingrid Bergman
03 Meryl Streep
03 Jack Nicholson
Three Oscars (Supporting)
06 Walter Brennan

YOUR TASK: Make it a top ten by filling slots seven through ten. Name the four actors who most deserve to join them as three-timers or the ones who seem most likely?

FYC: Marion Cotillard in 'Two Days One Night'

Jose here. You know how sometimes a performer will win a gazillion awards for their breakthrough performance and then never be recognized again, even as they deliver much more complex, superior work? It’s the “been there done that” syndrome, which has sadly made most awards groups forget all about Marion Cotillard, who is once again Best Actress material in Two Days, One Night (Michael reviewed it here)

As the recently laid-off Sandra, Cotillard is unforgettable. We follow her as she visits her co-workers’ homes asking them to help her win her job back. As some show support, others display contempt and pity, making for a harrowing moviegoing experience. The Dardenne brothers, who in the past have been reluctant to work with movie stars, put their trust in Cotillard and the payoff is evident. The actress sheds all her glamour and star presence to play someone so fragile it seems as if being filmed is causing her pain. Sandra doesn’t talk much, but her face says everything. In one of the film’s most devastating moments, the Dardenne’s give Sandra some inner peace through a song in the radio, not only do they allow Cotillard’s smile to finally shine, but they also highlight the actress’ ability to reshape herself according to the emotions of her character. All throughout the film, Cotillard seems to be physically smaller, something she did in her Oscar-winning performance as Edith Piaf. The trick is more powerful here because Sandra is a “regular human being”.

Throughout the film we feel her pain and at times it’s so unbearable that it made me wonder what someone like Lars Von Trier would do with such a vulnerable character. The Dardenne’s are much more sensitive than the mad Dane and give Sandra her dignity, but not without pointing out how willingly she submits herself to humiliation in the name of survival. During most of the film Sandra wears a coral t-shirt with a ribbon pattern, which I feel Cotillard chose for the character. It makes her plea even more heartbreaking, as she knocks on doors trying to be festive and optimistic, when inside she’s completely destroyed.

Many cinephiles thought this turn would finally bring her the Best Actress award at the Cannes Film Festival but it became the first Dardenne brothers’ film not to win a single award at Cannes. It was Marion's third straight loss at the festival (2012 Rust and Bone, 2013 The Immigrant) which is a head-scratcher considering who won in those respective years. As Two Days One Night gears up for its Oscar-qualifying release later this year, I can’t help but wonder, does Marion have to knock on every AMPAS’ member’s door to finally get nominated again?

Why do you think Oscar keeps ignoring Marion? Where do her recent performances rank among your favorites for each year? 

Meet the Contenders: Rosamund Pike "Gone Girl"

Each weekend a profile on a just-opened Oscar contender. Here's abstew on this weekend's breakthrough leading lady. Mild tonal spoilers follow

Rosamund Pike as "Amazing Amy" in Gone Girl
Best Actress

 

Born: January 27, 1979 in London, England

The Role: Based on the best-selling novel from Gillian Flynn, Pike plays the beautiful, ideal "cool girl", Amy Dunne. After she and her husband Nick (Ben Affleck) find themselves unemployed and strapped for cash, they move back to Nick's hometown of North Carthage, Missouri. But the marriage isn't the idealic relationship it once was and on the morning of their 5th wedding anniversary, Amy goes missing - with Nick as the prime suspect. To say more would ruin the film, but let's just say that Amy looms large over the rest of the story...

Reese Witherspoon bought the rights to the book, hoping to cast herself as Amy. But when David Fincher came on board to direct, he had a very specific idea of the character in mind, citing Carolyn Bessette-Kennedy as his model and considered well-known stars like Charlize Theron, Emily Blunt, Olivia Wilde, Abbie Cornish, and Julianne Hough (?!). Fincher went with Rosamund Pike because she wasn't as recognizable and he loved her "opacity" as an actress, having seen her in several films but never quite getting a read on her, allowing the mysterious character to remain so through her anonymity.

Previous Brushes with Oscar and Critical Takes after the jump...

Click to read more ...

Breaking: Streep & Blunt Trading Places

Top billed but so what?!

Meryl Streep has the first poster for Christmas release Into the Woods all to herself and the Witch is always the marquee role in Stephen Sondheim's musical on stage. But Meryl will be campaigned supporting. The news isn't technically "official" but it soon will be so we're playing a little game of switcheroo on the Lead Actress and Supporting Actress Oscar Prediction Charts.

Technically this reversal (at least from our expectations) is  probably fine as categorizations go: The Witch is a showy role but it's not a huge one and The Baker's Wife (Emily Blunt) is just as much of a major focal point of the show (winning the lead actress Tony for Joanna Gleason in the first production) and the wife has the clearest arc. So Blunt is our leading contender.

The takeaway, with far less competition (as of yet) in Supporting Actress, Meryl is probably looking at her 19th Oscar nomination. If Emily Blunt doesn't thoroughly own Into the Woods she'll be left out of the very competitive leading lineup which will make it the second time co-starring with Streep where she had a plum role but voters attentions were elsewhere.

And by 'elsewhere' I mean 'where the attention always is': on MERYL STREEP. 

Silly Trivia Alert: If nominated this will not only be Meryl's Fourth nomination in the supporting category after The Deer Hunter (1978), Kramer Vs Kramer (1979), and Adaptation (2002) but her Fourth for a role with a singing solo. She sang "Amazing Grace" in Silkwood (1983), "He's Me Pal" in Ironweed (1987), and "You Don't Know Me" and "I'm Checking Out" from  Postcards from the Edge (1990). Her voice is so expressive. Can't wait to see how she interprets "Stay With Me" in particular.