Berlinale goes for genderless acting prizes

There were quite a few comments the other day wondering why we hadn't shared the news that Berlinale, one of the world's top film festivals, will no longer be giving out separate Best Actress and Best Actor prizes. Instead they'll now be giving out two genderless acting prizes, one for a leading role and one for a supporting role. The reason we hadn't yet shared the news is that we found it self-sabotaging and depressing. A disclaimer before we continue: Before yet another angry comment explosion wherein we're accused of not having any perspective -- 'the world is burning, who cares about movie awards,' etcetera, you know the drill -- we must state upfront that we're fully aware that film awards are not the most important thing going on in the world. To which we must also state "duh!" reflectively and pre-emptively. But this is a film site, and a film site that is obsessed with film awards so please just let us do our thing. If you want to read about the world burning, you're at the wrong website anyway. This one is built for talking about arts and entertainment with a heavy emphasis on the filmed kind.

Now let's continue to the Berlinale topic...

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Emmy Review: Lead Actress in a Comedy

By Abe Friedtanzer

I’m still sad that Elle Fanning isn’t here for The Great and I can’t understand how Better Things gets nothing but rave reviews and somehow Pamela Adlon isn’t nominated? That said, the list of actresses here is strong, And you'd think that previous winner Rachel Brosnahan would be the frontrunner with last year’s tough competition, victor Phoebe Waller-Bridge (Fleabag) and six-time consecutive champ Julia Louis-Dreyfus (Veep) out of the way. The Marvelous Mrs. Maisel may be the comedy nominations leader, but Brosnahan isn’t likely to eclipse Moira Rose. 

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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Yes No Maybe So: Ammonite

by Nathaniel R

Okay. NOW it feels like prestige film season is about to begin... even though it isn't, not really, at least not in its traditional way. Behold the lovely poster for Ammonite, pairing two star profiles in ethereal fashion, The trailer is even more thrilling. Let's break down the Yes No and Maybe So of it all after the jump...

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Emmy Review: Lead Actress in a Drama

By Abe Friedtanzer

Last year’s winner in this highly competitive category – Jodie Comer – is back after her show, Killing Eve, performed much better than most thought it would. This race will surely be close, with a defending champion, three potential new victors, and one dark horse surprise (who I think may just win). 

I’ll try to avoid major plot details in my analysis – but if you'd like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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Almost There: Joan Allen in "The Upside of Anger"

by Cláudio Alves

Just as we did last week, today's Almost There was chosen by you, the reader. From a group of 2005 Oscar hopefuls, Joan Allen came out victorious for her work in The Upside of Anger. She got 25% of your votes, beating performances like Zhang Ziyi's watery Sayuri in Memoirs of a Geisha, Maria Bello's steamy turn in A History of Violence, and Scarlett Johansson's arresting Oscar bid in Match Point. All those actresses got closer to the gold than Allen realistically did, but she was still part of the conversation. After all, it's difficult to believe someone could watch The Upside of Anger and not want to shower its leading lady with accolades…

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