Oscar Category Fraud, By the Numbers

by Eric Blume

A few days ago, my fellow TFE writer Claudio flagged a website www.screentimecentral.com, which tracks the screen time and percentage of all Oscar nominees and winners.  Because Oscar category fraud has long been a heated debate here at the site, I thought it might be fun to play with the numbers on the site from the last 20 Oscars, to see what we might discover if, say, AMPAS instituted a time/percentage rule on who could be eligible for lead and supporting performances.

Now for those about to go crazy in the comments, settle down.  This is just a fun game.  We’re not suggesting there should be an implemented rule, but for the sake of stirring up a healthy, positive conversation, I’ve broken down some of the numbers, and it reveals a lot of interesting things...

Click to read more ...

Emmy Watch: Regina King in "Watchmen"

by Eric Blume

We here at TFE are big fans of Regina King, as you know.  She’s been performing in the business for over 35 years, and has weathered career ups and downs as all good working actors do. She's risen to the top of the field in the last few years with three Emmys for very interesting and strong roles in TV. 

Personally, I had split feelings about her Oscar win for Best Supporting Actress last year for If Beale Street Could Talk.  As a fan of her and her work, I was thrilled to see Regina King get an Oscar.  But I found Beale Street to be heavy-handed and unconvincing, and the movie gave her too few notes to play.  She brought everything she could to the role and the film, but it would have been more thrilling to see her win for a juicy, complex role.

Which makes what Regina King does on Watchmen so exciting...

Click to read more ...

A 'Blue Jasmine' Bonanza

by Murtada Elfadl

Over at Sundays With Cate, my podcast series about the films of Cate Blanchett, I just finished a three part miniseries about her Oscar winning performance in Blue Jasmine (2013). Something I thought The Film Experience readers might enjoy so I’m sharing with you. Here are some details about the miniseries:

Actor as Auteur

In part one we discuss Cate Blanchett as the real auteur of Blue Jasmine, and the many ways her performance makes her the author of the film.

The “Streetcar” Allusions

In part two, we talk about the similarities to Tennessee Williams’ A Streetcar Named Desire, the character of Blanche Dubois clearly is the blueprint for Jasmine. The many actresses who played Blanche - including Blanchett herself in a production of Streetcar directed by Liv Ullman - or were inspired by her. From the women in Pedro Almodovar’s movies to Gena Rowlands in A Woman Under the Influence (1974) to most recently Carey Mulligan in Wildlife (2018).

Jasmine and Her Sisters

And in the final part we discuss Jasmine and her sisters within the Woody Allen oeuvre. Annie Hall, Helen St Clair in Bullets Over Broadway (1994), Maria Elena in Vicky Cristina Barcelona (2008) and Cecilia in The Purple Rose of Cairo (1985), among others.

Those episodes are now available wherever you listen to podcasts or at Sundays with Cate. Let me know what you think?

The glory of Maggie Smith's "Judith Hearne"

by Cláudio Alves

Loneliness hurts. It infects body and mind, eating away at our sanity. We tell ourselves it's a voluntary thing, that it's a choice, but those lies can only work for a time. When self-delusion loses its power, desperation can set in, corroding the spirit and worsening it. Even in crowds, there's a sense of being alone and human touch becomes like bread for a starving man, a morsel feels like the world and its absence gives hunger pains. As time goes by, the will to get out of bed wains and constant bouts of crying can turn to self-hate and disgust. To cure the illness of lonesomeness is hard and some poor folk search for it at the end of a bottle. However, the prophylactic qualities of booze, like self-delusion, have an expiration date. The euphoria of drunkenness gives way to the shame of a hangover and the condition becomes unbearable. It's a chaotic spiral, out of control and ready to destroy our very souls.

The Lonely Passion of Judith Hearne (available on The Criterion Channel) is one of the best films about this subject…

Click to read more ...

What should have been Meryl's third?

by Cláudio Alves

Daniel Day-Lewis may be the best triple Oscar winner among actors, but that doesn't mean he's the best performer of the bunch. It just means that he's had the luck of getting awards for his very best efforts. Historically, if we can count on the Academy for something it is to award the right people for the wrong movies. That started early -- Katharine Hepburn won her first Oscar for Morning Glory in the same year she was eligible for George Cukor's Little Women?

In any case, neither Hepburn or Day-Lewis are the subjects of this piece. That would be Meryl Streep, the most nominated actor ever and proud winner of three Oscars. Her first two victories, for Kramer vs Kramer and Sophie's Choice, are usually considered among the best in their respective categories, but the same can't be said for her third triumph...

Click to read more ...