Loretta vs. Roz: A Surprise Best Actress Win

Please welcome first time contributor Baby Clyde, weighing in on 1947, the year we're celebrating this week... 

Rosalind & Loretta, friends and Best Actress rivalsSuch a forgone conclusion was the result of the final award at the 20th Academy Awards, that the audience at the back of the Shrine Auditorium had already started filing out as Frederic March rose to announce the Best Actress winner. They soon stopped in their tracks as a huge gasp swept around the room. No one was more surprised than the previous year’s Best Actor champ who is said to have started reading the name of the expected winner, Rosalind Russell for Mourning Becomes Electra, before stopping and declaring that the awards was, in fact, going to rank outsider Loretta Young for the comedic trifle The Farmers Daughter. The next day noted gossip columnist Hedda Hopper, sitting directly behind her, reported that Russell had already started rising from her seat when Young’s name was called, but styled it out beautifully to lead a standing ovation for her good friend...

Loretta swept up to the stage with all the poise and elegance for which she was famous, wearing a voluminous green gown that would still cause a sensation on any red carpet today...

Click to read more ...

Emmy Watch: Lead Actress in a TV Movie or Miniseries

by Abe Fried-Tanzer

Will "Unbelievable" score big with nominations... or will its early release in the eligibility period be a problem?

This year’s Best Actress lineup for limited series and TV movies is populated with a LOT of deserving contenders. This category is no stranger to double nominees from the same project, with four instances occurring in just the past four years. In 2017, there were two sets of nominated actresses from the same shows, and it’s pretty likely that’s going to happen again this time…

Click to read more ...

And here's to you, Mrs. Robinson

by Cláudio Alves

Some days ago, as part of our 1981 coverage, we talked about Katharine Hepburn's famous Oscar record. She's the only actor to ever have won four statuettes, all of them in the Best Actress category. In that piece, the idea was put forward that, despite her amazing career, the actress wasn't deserving of most of those victories. She might have merited four Academy Awards, but not for those particular works. We didn't explore who should have won in the years Hepburn triumphed, mainly because there isn't a lot of consensus about the matter. Still, while that's true regarding the 1933, 1968 (a tie!) and 1981 Oscars, the same can't be said about the 1967 awards. In that Best Actress race, one performance has shined brighter than all others, gaining a legendary status that goes way beyond the Oscars. 

Since her movie is newly available to stream on Hulu, it seems like a good time to talk about Anne Bancroft as Mrs. Robinson in The Graduate…

Click to read more ...

Did Katharine Hepburn deserve four Oscars?

By Cláudio Alves...

Before we wrap up our coverage of 1981, we must talk about the Oscar record that was established that season and has never been broken since.

By winning the Best Actress trophy for On Golden Pond, Katharine Hepburn became the most awarded actor in Academy Awards history, with four victories. That's not the only factor that makes her awards run so interesting. Famously, she was part of the only Best Actress tie when she and Barbra Streisand both won in 1968. Then, there's the fact that her first win came from the biggest Oscar eligibility period ever (17 months, 1932-33) and that the gap between her first win and her last is the longest for any actor (48 years). All this and she was never present to accept her little golden men. Whether you love her or not, this Old Hollywood star was truly one of a kind...

Click to read more ...

In Defense of Streep's first Best Actress nomination

Before we close the book on our big 1981 event we thought we'd discuss a few of the leading ladies of the year. Please welcome guest contributor Gabriel Mayora !

In 1981, Meryl Streep was a breakout star, a buzzy and reputable theater actress who in only four years since making the transition from Broadway to Hollywood had garnered an Emmy for a hit miniseries and two back-to-back Best Supporting Actress Oscar nominations in ’78 and ’79 (both for Best Picture winners), winning the second time. It was time for her to turn into a full-fledged leading lady. Enter Karel Reisz’s The French Lieutenant’s Woman, the film that marks Streep’s first Best Actress nomination. Over the decades, this performance has gained a reputation for belonging in the “overrated” category. Was this nomination more of a symbolic gesture to solidify her status as Hollywood’s new leading star or appreciation of the performance itself?

A key scene in the last 10 minutes of the movie makes a convincing argument for why voters would have felt genuinely compelled to single out Streep’s dual turn among the top five lead performances of 1981...

Click to read more ...