Animated Features of 2021... and first Oscar Predictions!

by Nathaniel R

This past year wasn't a particularly great one for animation but hope springs eternal and maybe we'll have a more competitive Oscar race next February? This will be the 21st year of the Best Animated Feature Oscar race. With 20 years of statistics we know what Oscar voters go for in this category and what they don't. They generally turn their noses up at sequels (unless they absolutely adored the first one). They will always honor at least one international title (but usually two) with a nomination, but they won't give them the win unless they absolutely have to. The animation studios Cartoon Saloon, Laika, and Aardman are widely respected by animators and will always be nominated if they're eligible... but it usually stops there as the wider voting body on the "win" defaults to big American studio animation and 70% of the time (literally) the wins go to the Mouse House for either Disney or Pixar titles. When it comes to animated titles from overseas they're a bit like they are with the Best International Feature category (even though it's different voters) in that they generally ignore Asian animation (with the exception of Studio Ghibli) and prefer European titles. 

With the recent announcement of the competitive line-up for the 2021 Annecy festival (one of the four most important animation events each year) we have a better sense of which international titles might crop up this year in the circles that love animated films. Surely at least some of these will submit to the Oscar race as well. So here's as many animated features as we could find that might delight animation-loving cinephiles this year

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Behind the Scenes of "Wolfwalkers"

by Nathaniel R

Today's must read is a memoir piece from storyboard artist Iker Madigan about working on Cartoon Saloon's Wolfwalkers.  There are all sorts of interesting tidbits including how difficult compositional choices are with the two dimensional "flat graphic style" that Cartoon Saloon is known for. Here's another interesting note. I've never heard animators described like this but it makes emotional sense:

Depending on the degree of freedom entrusted to them, story artists can exhibit qualities from both directors and writers. Truth is, they can be something like a cross between a second unit director and a script doctor. 

And the following, about artists who are part of "story teams" that most animated features employ, is the type of honesty you rarely get in such pieces...

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93rd Academy Awards: On the Best Animated Feature nominees

by Tim Brayton

With a day between us and the Oscar nominations announcement, it’s time to start digging into some of the categories that fly under the radar a little bit without the proper love and attention. For now, I’d like to walk you through the five films nominated for Best Animated Feature, ranked in order of how good I think their chances are of winning the big prize...

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FYC: "Ride Your Wave" for Best Animated Feature

by Cláudio Alves

There's nothing more wonderful about cinema, about art as a whole, than the ability to surprise. If I feel a film showed me sights I never thought possible, if it told me stories I could have never imagined, it instantly earns respect and a special place in my heart. Following that line of thinking, one must say that no other picture in this awards season surprised me quite as much as Masaaki Yuasa's Ride Your Wave. Mixing supernatural stylings and teenage melodrama, the Japanese director has managed to create one of the most painful portraits of loss and paralyzing grief in a long time. If you thought the sight of a girl talking to a water bottle would never make you tear up, think again…

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Interview: Pixar's Mike Jones on co-writing "Soul" and "Luca"

by Nathaniel R

Pixar's Soul centers around a music teacher Joe, who feels he missed his calling. He always wanted to be a famous jazz musician. Through the course of the spiritually minded adventure, which takes us from Earth to The Great Beyond and The Great Before and back again, Joe comes to understand that his calling was to teach. None us know ahead of time where our lives and career might take us. For instance, I was certain I was going to be an illustrator and ended up in Human Resources and now identify as a writer. This is also true of Pixar's Mike Jones. He was once on our side of the movie world as an entertainment journalist but always planned to shoot movies. "I went to NYU film school to be a cinematographer. You have to take a writing course as an undergrad and the teacher took me aside and said, 'You want to think about writing instead?'" Jones continued to pursue cinematography but, as it turns out, the teacher was right and the seed was planted "I did start to kind of write on my own. And after I got out of film school, I kept writing." This led him to a brief entertainment journalism career until he made the leap to filmmaking, if not in the way he originally intended. Years later he has a thriving career at Pixar as a screenwriter.

We recently spoke to him about the process of developing Soul and what it's like to be a co-writer since Pixar generally has several creatives on each film...

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