1998: What if there already was a Best Animated Feature Oscar?

by Cláudio Alves

Mariah Carey and Whitney Huston perform a song from THE PRINCE OF EGYPT at the Oscars.

Before implementing the Best Animated Feature category, the Academy gave out three special awards over six decades honoring individual achievements in the art of feature-length animation – Snow White and the Seven Dwarves, Who Framed Roger Rabbit?, and Toy Story were the honorees. It was only in the new millennium that AMPAS finally buckled to rising pressures and created the official prize. In 2001, this Oscar was finally established. As we ready ourselves for the Supporting Actress Smackdown of 1998, it's easy to wonder what would have happened if the category had been around a few years earlier…

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Q&A: It's a zoo in here.

Hello! It's your host Nathaniel checking in from a screening frenzy. I'm at the Nashville International Film Festival briefly to serve on their New Directors jury but coming back to you, dear readers, on Monday night. Meanwhile here in New York, Jason and Manuel have already lept into Tribeca Film Festival reporting.

For this week's Q&A column I asked readers for a few animal questions since Monty, my baby boy and the world's first Oscar predicting cat (unfortunately he was never a very committed pundit), has been ill. While he's on the mend (hopefully) it's hard to pull my thoughts away from our four legged friends. Herewith 9 reader questions, some animal themed some not...

JAMES: Ever named a pet after an on-screen animal (or human)? 

My cat is named after Montgomery Clift and unfortunately the name suited him because he has been quite a moody thing from his teensiest days until now. He was found in the streets of the Bronx, as far as I know, as a tiny mewling mama-less thing and I got him way too young from the shelter. But even grumpy as he is, he is always right next to me no matter what room I'm in and every once in a while he looks at me like I'm Elizabeth Taylor and snuggles up and it's all worth it. 

(I was actually going to get a second cat years ago and name it Liz but for various reasons it didn't happen.)

HAAJEN: Which animal should be paired with Julianne Moore, Juliette Binoche and Jennifer Law in a movie?

What a weird freaking question that I love. It's like when Kidman's familiar was a monkey in The Golden Compass. So I'm going to say black panther for Julianne, seagulls for Juliette (I always picture her in the salty air near water -- is this a ghost image of Lovers on the Bridge (1990)?) I would also pay to see JLaw in the Clint role in a remake of Any Which Way You Can (1980) if only because I can't imagine the outcome of an absolute war to steal scenes between JLaw and an Orangutan. 

Naturally I have no photos to support this so please enjoy this photo of Idris Elba with a fake tiger.

It is extremely easy to enjoy. 

PEARL: What are your thoughts on Barbra Streisand and Barry Levinson embarking on yet another production of Gypsy for a start up studio? My spirit animal (fox) says they likely face a difficult and painful journey.

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A Look at Pixar's Forgotten Treasure

Amir here. With Brave’s release on the horizon and Nathaniel writing a lot more about animated films lately, I’ve been thinking about Pixa. Let's talk about a film not many people talk about these days. Counter programming!

If the collection of Pixar films were a large family, A Bug’s Life would be that one child whom everyone always seems to forget. He just never comes up in conversation. It’s not that he’s in any way less than the other children. Quite the contrary, he’s interesting and handsome and courteous, but of all the sisters and brothers and cousins, he’s the one who sits in a corner in Christmas gatherings; he’s happy on his own and nobody bothers him either. That’s A Bug’s Life, essentially.  It’s a story as well told as any other Pixar film; its characters are as memorable as anything else they’ve created; it’s exciting, colourful, intelligent and mature. But ask around and see how many people cite it as their favourite Pixar.  

I’m not sure what happened in the time between the critical and box office success of the film at the time of its release and today, but something prevented A Bug’s Life from becoming a cultural phenomenon like the rest of the studio’s oeuvre. Is it because this film is more about pure entertainment than the grand ideas discussed in WALL-E and Toy Story 3? Say, more of a kids cartoon than an animated film for adults? Is it because Bugs’ greatest asset – its magnificent visuals – were trumped by Pixar’s return to nature in Finding Nemo and the rapid advances in technology that have so significantly improved the look of CGI animations? Or is it because they followed this up with Toy Story 2, part of a trilogy that still dominates the Pixar conversation?

Irrespective of those arguments, A Bug’s Life is as entertaining today as it was when I first watched it. Revisiting it this week, I found it to be one of Pixar’s most unhinged moments: imaginative in bringing an impossibly distant world to life but also adding an extra-saucy dimension to its anthropomorphic characters, richly detailed and attentive to landscape and the insects without sacrificing the vibrancy of the atmosphere and the journey. Everything about it just comes together perfectly, from the cinema’s only German caterpillar to the consistently zappy humour to the exhilarating frenzy of the finale, from the endearingly clumsy anti-hero in Flik to his monstrous arch-rival Hopper (voiced by Kevin Spacey whose immense talent for voice acting was utilized to carry a film more than a decade later in Moon).

The fact that A Bug’s Life doesn’t feature on the “Best of Pixar” lists frequently is more a product of the consistently high quality of the studio’s output than any shortcoming on the film’s behalf. So if you haven’t seen it in a while, pop it back in the DVD player. It’ll be a fun ride.