'Elvis', Austin Butler, and Oscar ~Best Actor/Supporting Actor Chart Updates

by Nathaniel R

Though 2022 is half over we must acknowledge that the Oscar race is only really just beginning. Oscar voters rarely pay attention, sadly, until late in the year so honors like the HCA "midyear" awards (just announced) and our own list-making of Halfway Mark Best Of the Year Thus Far surely fall on deaf ears, especially since Hollywood is deep in Emmy campaign season (well, waiting-for-Emmy-nomination seasons to be exact). Nevertheless let's talk about what's happened so far and what could happen going forward while we update the Oscar charts. 

There's a lot of people saying a lot of things...

BEST ACTOR <--- Updated Chart
Of the four acting categories, this is the only one that got "All Shook Up" this past week...

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Almost There: Christian McKay in "Me and Orson Welles"

by Cláudio Alves

The Almost There series' month-long celebration of the Criterion Channel's May offerings draws to a close with a highlight from their Richard Linklater collection. In 2008, the Austin auteur made his most Oscar-ready project yet, complete with a dazzling supporting turn that seemed poised for a nomination. Me and Orson Welles is the well-researched and studiously put-together account of a teenager cast in the director's famous 1937 staging of Julius Caesar. The Academy usually loves these real-life tales, mainly when they include a good amount of celebrity mimicry, making the film an apparent shoo-in for Oscar glory.

And yet, Christian McKay's critically acclaimed take on young Orson Welles failed to secure a nomination. Considering precursor honors, he must have come close…

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April Foolish Pt 4 - Who might be in the 'Best Supporting Actor' discussion?

by Nathaniel R

Barry Keoghan announcing a wrap on Banshees of Inisherin via his social media

We all agree that Best Supporting Actor is the dullest of Oscar's Big Six, right? But it doesn't have to be! Too often the final lineup leaves a lot to be desired. But for the first Oscar predictions of the year, before much is known about the movies themselves, let alone their supporting* characters we can imagine all sorts of possibilities. Whose role are you most intrigued about? I'm most curious which never-nominated actor will join the club this year. Here's to hoping that Barry Keoghan, Brian Tyree Henry, Glynn Turman, Paul Dano, Seth Rogen, Harry Melling, Idris Elba, Colin Farrell, and even Chris Rock (no, really) MIGHT have the kind of roles that could get them there. They also might not (of course) but these are the April Foolish Predictions so you have to guess while essentially blindfolded.

Check out the new chart / predictions

You may have noticed that neither Leonardo DiCaprio or Jesse Plemons are on this chart. As far as we can tell  Killers of the Flower Moon is a two-lead film. Obviously films don't campaign two leads in the same category anymore (sigh) but we're not about to encourage the powers that be to commit category fraud so until campaigns tell us otherwise our new policy is to put them in the correct category.

Previously
Pt 1 Animated Feature Preview
Pt 2 Screenplays and Music Categories 
Pt 3 Visual Category Discussion

Almost There: Mike Faist in "West Side Story"

by Cláudio Alves

While the role has been shortened compared to the 1961 Best Picture winner, Mike Faist's Riff feels exponentially more complex than Russ Tamblin's take on the same character. So much so that he became one of the standouts of West Side Story '21 and won our Almost There poll, trumping the likes of Lady Gaga and Cate Blanchett. As it was the reader's choice, I'm obliged to explore the performance in an appropriate deep-dive. Though, truth be told, it's less obligation than plasure. Maybe the great surprise of the season, Mike Faist steals the musical remake from his co-stars, running away with the picture. 

From innate charisma to a cornucopia of curious acting choices, Mike Faist's Riff is worthy of gold, regardless of the Academy's indifference…

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Fantasy Cast: Which Former Acting Winners Should Present For Each Oscar Nominee?

By: Christopher James

Screw the MCU, this is the greatest crossover event in history.

In a quest to get to three hours, the Academy has attempted to shave off so many things that make the Oscars great, including eight categories. As Nathaniel eloquently noted, the Oscars are best when they embrace the excess, full of clips, montages and moments to celebrate the nominees and the art of moviemaking in general. One of the best examples of this came during the 2008 Oscars, hosted by Hugh Jackman. Yes, Jackman was a great host with multiple fantastic dance numbers, including a bit about how “he didn’t see The Reader” and declaring the musical is back. There was one other major thing that was incredible about that particular Oscar ceremony: the presentation of the acting awards. Murtada also looked back on this wonderful moment a couple years back as well. These Oscars were not afraid of taking their time. In addition to clips, a different winner from a previous year introduced each acting nominee. The producers for that year didn’t just pick former winner names out of a hat, they found some thematic connection between the nominee and the former winner, as if to say that everyone has a chance. It was an exciting way to accentuate the legacy of the Oscars, honor each nominee and make the event even more star studded than normal. 

Let's fantasize about that happening again...

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