Oscar Charts - All acting categories two weeks before Globe & SAG nods

by Nathaniel R

Zendaya smiling because the camera is absolutely besotted with her.

As strange as it is to note, it's still worth reiterating that Academy voters don't begin to fill out their nomination ballots for another five and a half weeks (!!!) A lot of things can change in that long of a stretch of time. Films and performances can move in or out of favor in two weeks time, let alone five!  But here is where our crystal ball is right now...

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Oscar Chart Updates: Are the critical leaders in "Supporting" Oscar bound or not?

by Nathaniel R

Is there a stranger 'big eight' Oscar category situation this year than the Supporting categories? Both of them appear to have a weird dearth of mainstream contenders. Meanwhile the critics awards or "precursors" have (thus far) been laser-focused on upping the Oscar viability of just two (or three if we're being generous) arguably non-traditional options in those categories: Maria Bakalova's comic improv genius in Borat Subsequent Moviefilm, Paul Raci's weary mentor in the hard-edged indie Sound of Metal, and Youn Yuh-Jung's spirited grandmother in Minari. 

Which brings up the natural but loaded question of what part critics do or don't / should or shouldn't play in the televised awards races. There are no doubt complicated reasons why critics all across the nation vote so uniformly in some years but we'd argue that it's never from a lack of good options as hundreds of movies starring plentiful gifted actors come out each year...

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Almost There: Andy Serkis in "The Lord of the Rings: The Two Towers"

by Cláudio Alves

The particularities of screen acting make it a collaborative effort, even in the most low-fi of situations. What gets left on the cutting room floor, what reactions are chosen by the editor and director, the sound, the makeup, the way a cinematographer lights the performer's eyes, all shape what we see projected on-screen. Still, when it comes to awards, there's a belief that performance is the sole responsibility of the individual in front of the camera.

When the collaborative aspects of screen acting are made inescapable, it's  difficult to collect golden accolades. We see that happening to voice-only performances and motion-capture efforts, in particular. With The Lord of the Rings trilogy new to streaming on Hulu, we have a good opportunity to explore the mo-cap performance that came closest to Oscar glory. I'm talking about the paradigm-shifting work of Andy Serkis as Sméagol/Gollum in 2002's The Lord of the Rings: The Two Towers…

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Gay Best Friend: Nigel in "The Devil Wears Prada"

In this series by Christopher James we investigate the 'Gay Best Friend' trope in movies.

With the release of The Prom this Friday, people have been talking about the ethics of straight men taking on gay roles. As Nathaniel noted in his review, James Corden’s limp wrist and flouncy take on Barry is a tone deaf disaster. A large part of this comes from him, a straight man, constantly feeling like he must don exaggerated gay affectations rather than actually sketching out a three dimensional character. In 2020, we are in a place where we do have big name, openly gay actors more than qualified to tackle the gay roles that Hollywood writes.

While queer people should be prioritized when telling queer stories, there are many great gay performances by straight men. Perhaps one of the strongest examples is Stanley Tucci as Nigel in The Devil Wears Prada. While it’s clear from the jump that Nigel is gay, Tucci doesn’t “play” into the stereotype. Instead, his first point of reference for Nigel is a driven professional who is comfortably hyper-confident in his field...

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1987: The Untouchable Sean Connery, a look at the late actor's Oscar-winning performance

by Josh Bierman

When I heard about our 1987 retrospective I wanted to choose a film that I had never seen. I’ve been striving to cover blindspots in my film viewing history since the start of quarantine. I looked at the list of movies released in that year and when I saw The Untouchables the choice became obvious. At my home film festival, Cinema Quarantino, I’ve fallen in love with Kevin Costner as if it was 1991. I’ve also been really drawn to the films of Brian De Palma. All of that fell by the wayside when I woke up on Saturday morning to the news of Sean Connery’s passing. 

We’re all friends here, so please don’t judge when I say in keeping with the theme of having serious blind spots, the only other Sean Connery movie I’d seen is Murder on the Orient Express. Connery released his last studio film just as I was becoming obsessed with movies around the age of ten, so he wasn’t someone who was on my radar. I mainly associated Connery with Darrell Hammond’s inimitable SNL impersonation on Celebrity Jeopardy as well as his later career interviews (we’d be remiss to forget his one worded declaration of the Best Supporting Actress winner of 2002, we know Kathy Bates hasn’t). As if I wasn’t eager enough to watch it already, I welcomed the opportunity to not only watch a bit of Connery’s filmography, but the movie that won him his Academy Award...

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