Blueprints: Emmy Nominees for Outstanding Writing in a Drama Series

Full swing into Emmy season! Jorge looks at drama series first...

ICYMI: the nominations for the 70th Primetime Emmy Awards. 

Let’s take a look at the six shows that made the cut for Writing in a Drama Series. As in the Directing categories, writing categories highlight individual episodes rather than overall series, which makes it not uncommon for one show to have multiple nominations. However once "Breaking Bad" and "Mad Men" were off the air, this category has not had any doubling up! This year every slot once again went to a different show, from newcomers, to established favorites, to people in their last round of eligibility.

Let's see the elevator pitches and the stats (we love a good round of statistics) after the jump... 

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Blueprints: "Hereditary"

This week, Jorge dives into how the setting and character introductions made this one of the most unsettling movies in years.

Horror films are far scarier when they are grounded by real fears. Sure, a ghost flying towards you or the sight of a little girl head’s spinning are objectively terrifying. But when a character's terror reflects the way we have felt at dire points, the horror movie seeps into our own lives, suddenly tangible. 

Hereditary is as much of a family melodrama as it is a horror film. Its scariness doesn’t rely on a supernatural force (although there is one), or on gory and violent imagery (though there’s definitely some of that). The horror taps into the dynamics and secrets of family life. It takes regular fraught human emotions and raises them to unbearable levels...

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Blueprints: "A Fantastic Woman"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “T”, the last installment in this miniseries, he looks at the most recent Oscar winner for Best Foreign Language Film.

The LGBT experience encompasses all types of people, genders, nationalities, economic statuses, and every intersectionality in between. It doesn’t look one single way, and it certainly doesn’t feel like one, either. As the canon of queer cinema being to expand beyond one or two points of view, the ways in which film reflects this experience starts to get as diverse and colorful as the community itself.

So let’s take a look at A Fantastic Woman, the Oscar-winning Chilean film about a trans woman dealing with the loss of her partner, and the overwhelming grief and pressure that come with it. While it is a sobering portrait of a trans experience, it also effectively uses surreal imagery to portray the particular moments that Marina is going through. Let’s dive into two of them. 

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Blueprints: "Rent"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “B”, he goes back to the film adaptation of one of the most seminal modern musicals, and dissects a number about our favorite bi heartbreaker.

It’s no surprise that it was astoundingly hard to find a movie to discuss that had an openly bisexual lead or prominently supporting character. Bisexuals have had the most lackluster representation in movies among the LGBT community. Usually bisexuality onscreen is only implied and never openly identified as such. To find a strong bi character, I had to go back to something that wasn’t initially a film, but a theater piece; the theater has always been ahead of films when it comes to LGBT representation.

Even though Jonathan Larson’s Rent has not aged particularly well, it did feature an incredibly diverse cast in race and sexuality; from a trans woman of color to a black lesbian, and from your token white guys to, of course, the bi lady to end all bi ladies: Maureen Johnson...

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Blueprints: "Moonlight"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “G”, he looks at the poetry in Moonlight. 

When La La Land took the Best Picture statue at the 2016 Oscars for about five minutes, it wasn’t an Earth shattering surprise. It was the kind of movie that wins Oscars. The twist, from a mixed up envelope, was the fact that a small independent film about queer people of color had actually managed to go above all the other nominees for the big trophy was what had made the Earth shatter.

Moonlight is not a traditional Best Picture winner, in everything from themes to distribution model to narrative structure to protagonist. It won three Oscars in total, including Best Adapted Screenplay. It is also not a traditional screenplay. Let’s see how the script transmitted emotion through descriptive lines...

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