Burning Questions: To Read Or Not To Read

Michael C. here to tackle a major philosophical issue. No poking fun at Ghost Rider this week. There are some questions a movie lover ponders for a lifetime. The big questions like where to sit in the theater (close enough to fill my field of vision but not so close I crane my neck) or Godfather Part I or Part II (Part I. You Part II people can have at me in the comments)

This week I thought I’d dive into one such big question the imminent release of Hunger Games has me contemplating. Is it better to read the book first or watch the movie?

For the purposes of this discussion let us assume that both book and movie are excellent. When one is clearly superior then the call is obvious. Better version first. Read I, Robot, The Road, Breakfast of Champions. Watch Jaws, Sideways, Wonder Boys. The lesser version can be an interesting bonus at best, a horrible afterthought at worst.

The real dilemma is when both versions promise to be excellent and one experience will inevitably compromises the purity of the other. I’ll state right up front that when put to it I’m a movie first guy. I watched the entirety of the Lord of the Rings not knowing if Frodo would make it back alive (I had read The Hobbit, which was made for an ideal balance of acquainting myself with the world and preserving suspense. I recommend it)

So in the interest of fairness let me play Devil’s Advocate and make the case for book first to see if I can shake my position.

Books provide context

Book to film adaptations inevitably lop off huge chunks of backstory on the trip to the screen. When entire chapters of family history are reduced to a five seconds of Lisbeth Salander scrolling through pics on a laptop, having read the book becomes invaluable.

My response:  A movie should stand on its own. “That was explained in the novel” is not a legitimate defense as far as I’m concerned. Also...

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Get Swept Away With Mr Lessmore's "Flying Books"

Have you had a chance to see any of Oscar's short film nominees yet? The Fantastic Flying Books of Mr Morris Lessmore is available for the iPad in interactive format but it's also viewable in its original form here as an animated short. It's a beauty. 

The fifteen minute short, well worth a quarter hour of your time, starts with a hurricane and Mr Morris Lessmore is yanked up into it along with his stack of reading. The words are literally blown off the page. Not that the short is literal. (More after the jump including the full short)

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"Abraham Lincoln Vampire Hunter". Have You Read It?

Yesterday, Entertainment Weekly offered up a new batch of photos for Abraham Lincoln Vampire Hunter starring Benjamin Walker (aka Meryl Streep's brand new son-in-law, recently married to Mamie Gummer).

For those who aren't familiar with him, his star making role (of sorts) was a lead on Broadway as "Bloody Bloody Andrew Jackson"... so this will be his second consecutive blood-splattered US President. What an odd odd start to a career.

Stage and screen require different scales of acting. Charisma and skill in one doesn't always transfer to the other so you never know. But on stage he just popped. He unarguably had "it" and a lot of "it", too. He turned down the role of Beast in X-Men First Class -- a potentially lucrative franchise gig -- to stay with his minor hit stage show which reveals either true devotion to the theater, strict contractual ethics or real confidence in his gift. Or all three. It didn't take long for another opportunity to present itself. 

Out of accidental curiousity I recently picked up the book at the library. I wonderd about its content and if I could pick up any clues as to why this one didn't have any trouble getting off the ground while his first fiction novel Pride & Prejudice & Zombies can't seem to get out out of development hell. 

The thing that surprised me the most and I'm not sure bodes well for the movie is how earnest it was. I was expecting comedy or at least satire but it read very much like a straightforward entry into the subgenre of historical fiction that twists history with supernatural elements. It's basically Lincoln the younger years only with a backstory that involves hunting super evil bloodsucking creatures. In the book the vampires are quite powerful in the south (though their nature is a secret from most) and they're all entangled financially and socially with plantation owners which gives them a neverending supply of defenseless prey (the slaves) that no one will miss. And here is where I had the problem. I actually found the book a little offensive. No one, least of all Abraham Lincoln, should need an overlay of supernatural bloodsucking to give them an epiphany about how cruel and unfair and irredeemably evil slavery is/was.

I wonder what the movie will do with the books framing device which is a modern discovery of Lincoln's private diaries. It seems like it might be an awful lot of wasted running time in a film version but we'll see.  I haven't read Pride & Prejudice & Zombies and if its similar I can only assume it isn't filming already because Hollywood is so skittish about female leads, no matter how many hits feature them.

Have you read either of Seth Grahame-Smith's books?
Do you like the supernatural alternate history genre?

We Should Read "The Paperboy"

Herewith a few notes on the newly released poster for The Paperboy which looks good enough to... read. The movie is about a reporter (Matthew McConaughey) and his troubled brother (Zac Efron) investigating a death row inmate (John Cusack) who is involved in a steamy correspondence with a femme fatale (Nicole Kidman).

Is Zac Efron sending me a personal message by working with La Pfeiffer & Nic' back to back? 

        [plugs ears] lalalalalalalala ican'thearyou

I was once a paperboy. It's true. For years! Paperboys have gone the way of the milk man but when I was a kid this was a common job for suburban boys and girls to have. Then you'd do your collecting and spend all your hard-earned quarters at the arcade.

Nicole Kidman looks trashy delishusssss. Love the lusty smirk, like she's going to eat Zac right up --  not for his pleasure (!) but just to wield her own sexual power. Billing is always an interesting matter. If you can't be first, be last. Or rather "AND..." last. So Matthew & Nic' win.

Speaking of billing... I find it kind of interesting that the poster preferences the novelist and screenwriter above the Oscar nominated Lee Daniels (Precious) like it's a subliminal reminder of how great Precious was. Implied titles  The Paperboy: Based on the Novel "The Paperboy" by Pete Dexter.

I think the color scheme is really helping. It's like the movie is summertime hot but someone left the paperback on the beach and it got all washed out. The retro craze for teaser posters is really on, isn't it? Just like the retro craze is really on onscreen (at least three of the Best Picture hopefuls). I suppose ANYTHING is better than dread contemporary poster aesthetics: big floating movie star heads or those imagination-prison horizontal stripes. This poster manages to include all the stars (if that's McConaughey out of focus but I can never recognize him with his shirt on) without resorting to the stripes at all. Well, except for that last insert of John Cusack's threatening eyeliner. But even that plays like a fun "to be continued" comic book panel.

If the movie is as good as this poster, I shall write it steamy letters from my apartment prison.

I think we should read the novel while we wait for this because you know Lee Daniels isn't a copy & paste kind of director but someone who likes to play with visuals.  Who is with me? If so, say so... we need lots of blog projects to do it up real big like for 2012 before the apocalypse.

Links: Wings, 50/50, Serkis, Streep, Top Tens

Drawn Need Christmas Gift ideas! Here's favorite art books of 2011. Love to see "Hark! a Vagrant" and "Amazing Everything" listed, both of which we've linked up before. Several movie books also make the list including The Art of Pixar and Saul Bass.
Movie|Line is still on Team Uggie (The Artist) even if the dog may soon retire. 
In Contention Andy Serkis on MoCap performances and Oscar.
toh! Zoinks. I want to go to this restored Wings (1927) screening so bad. Someone buy me a roundtrip to Los Angeles. The silent classic was the first to win Best Picture and let's just say that ol' Oscar started on a high note. Especially since he essentially gave two Best Pic prizes that year and they other one Sunrise: A Song of Two Humans is also wondrous.

Gold Derby on the opening weekend performance of a "need to see this" movie like Shame. 
Stale Popcorn the ladies who lunch with The Ides of March. Hear hear on the Giamatti/Hoffman business. 
Telegraph Daniel Radcliffe joins the bizarrely long list of actors to play Beat poet Allen Ginsberg .
The Guardin Pixar House inspired by Up goes for $400,000
Pajiba 'movies that should've made an assload more at the box office than they did in 2011'. Interesting list though I'd argue that the gross that 50/50 did receive was much higher than one could reasonably expect given that it was a) a tearjerker for guys and guys aren't supposed to like tearjerkers and b) a comedy ABOUT CANCER. The movie should be proud of its gross.

The Wrap super-duper insanely great news for Meryl Streep fans. The living legend will reprise her guffaw-worthy Camilla Bowner character on the second season of Web Therapy. If you never saw the original Web Therapy shorts that played on the internet (before it was a Showtime series) she played a reparative therapist who was attempting to 'cure' Lisa Kudrow's character's husband of his homosexuality. 

Top Ten o' the Day - David Edelstein
I lurve top ten lists. It matters not whether I find them (individually) nonsensical, just right or aggravating. There's something in me that adores the cataloguing of each year's work. So in each day's link-roundup, I'll be bringing you my favorite bit from whichever top ten list I've just been reading. Here's Edelstein on Beginners:

Melancholy and madcap, Mike Mills’s inventive weave of past and present ushers you into the mind of its hero (a superb Ewan ­McGregor) as he agonizes over his emotional inheritance. As the dad who comes out of the closet at 75, Christopher Plummer is light and lithe, buoyed by his new life among the boys.

I also really dig his question-mark description of Alexander Payne even though The Descendants isn't coming anywhere near my list.