Two Faces of January. Three Faces of Beauty

Two Faces of January, a thriller based on the Patricia Highsmith novel, has released its first official still which includes Two Faces of Obsession (Viggo Mortensen and Kirsten Dunst... Oscar Isaac, backgrounded, has a good one, too). Viggo and Kiki are also in On The Road together (in which Viggo is particularly fantastic in a showy small part) though they share no scenes.

No word yet on who did the costumes but I like 'em.

I read this novel at some point but I don't remember a thing about it other than the Greece setting, that it was moody and triangular, and that the ending disappointed me - don't remember why just that it did. Still. Highsmith transfers well to film (see her 'Ripliad' series which has been adapted a few times already)

poll by twiigs.com

(When I was researching that poll I was said to hear that Barry Pepper had also starred in a Mr. Ripley adaptation called  Ripley Under Ground (2005) but the movie was never released. Barry Pepper really needs a more fortunate career.)

Hossein AminiTwo Faces of January is currently filming in Greece which surely can use all this movie-making revenue of late (see also: Before Midnight) but it isn't a stylistic choice. That's where a good portion of the travelogue thriller is set. This marks the feature directorial debut of Oscar nominated Iranian British screenwriter Hossein Amini -- my favorites from his work are Drive (2011), Jude (1996) and The Wings of the Dove (1997) -- so The Film Experience is officially rooting for success as he makes the jump behind cameras.

Links: Emmys, Normans, Books, Critics

Flavorwire has 20 film books for film lovers to own. Christmas list ideas?
Slant Kurt interviews the great Alison Janney who has a 'special knack for spurring films to life'
Arts Beat Adele records song for the new James Bond film Skyfall. Can't wait to hear it
Slate another perceptive review of Bachelorette
Deadline Adorable little Freddie Highmore (Finding Neverland) is no longer adorable. He's grown up to become a young Norman Bates in that Psycho prequel TV series "Bates Motel". 

HitFix interviews Chris Evans about his Captain America break, puking gym sessions, and the indie flick Iceman which just played at TIFF
IndieWire polled critics about the best films and performances at TIFF -- The Master nearly tops every poll its eligible for but fails to win "Most Disappointing" (edged out by To the Wonder)
The Advocate a new celebrity photographry book compiling Jack Robinson's 70s portraits. Clint Eastwood somehow looks like Hugh Jackman and Warren Beatty is all in leather
Playbill congrats to Leslye Headland again. Her play Assistance (about showbiz assistants) will be developed for a television series
Broadway Blog Cheyenne Jackson (yay!) to star in a new Broadway romantic comedy about adult film performers. Alicia Silverstone and Ari Graynor co-star!
MNPP attends a star-packed Q&A for 10 Years
Towleroad My latest column finds me blathering on about a handful of future Oscar players

Congratulations to Joshua Bergasse for his Best Choreography Win for "SMASH". It's the first time a TV series has claimed the prize in 17 years

Emmy Time - yes, I'll live blog on Sunday
Playbill Smash wins Joshua Bergasse an Emmy for Best Choreography for "Wolf" "National Pasttime" and The Film Experience's all-time favorite Smash number "Let's Be Bad". 
LA Times & Deadline HBO leads the Emmys so far with 17 wins including several for Game of Thrones. And, yes, Mad Men lost costume design AGAIN. It will go down as one of the great awards injustices that that series never wins costume design. Just shameful! Guest Acting Emmys: Kathy Bates (Two and Half Men), Martha Plimpton (The Good Wife), Jeremy Davies (Justified), and Jimmy Fallon (SNL)

Nathaniel On His Travels: Streep Branding & Les Miz Jitters

Hi kids. I thought I'd check in briefly from my mom-centric travels. I'm typing this from my hotel room in St. George, Utah where the air is hot, the rocks are red, and my nephews live. They were inundating me last night with all sorts of information I didn't understand (mostly about video games) but once we got to the movies I was on sound footing (their preferred topics: superheroes and Miyazaki).

But how are you doing -- Aren't the guest bloggers doing a bang up job keeping us entertained? I ate up all of Leslye's posts (by which I mean read them multiple times) and pricked my ears up to a new voice in our sound mix, Matt Zurcher. Thank you as ever to longtime regulars Jose and JA. And to Beau, too,  because Sharing is Caring -- TFE is like his new Confessional which I guess makes me (and you) the priest? Hee!

I bought two books in the airport from sheer indecision about what to read (why don't I have a kindle or iPad yet?) and the one I've started is "The Meryl Streep Movie Club" which is probably a shameless attempt to borrow TFE's most discussed movie star's bankability to sell some books. But here's the catch to shamelessness: it often works. I bought the book didn't I? It's about an estranged family of sisters, who after a tragic orphaned childhood, reunite as adults and get some very bad news. Their aunt hosts a weekly movie night at the inn where they've gathered and it happens to be Meryl Streep Month. So far Silkwood has been name dropped the most -- a choice I fully support -- and they're about to watch Bridges of Madison County. I'm not very far in because my inflight movie was The Avengers (more on that in a couple of days when I'm back to NYC) which was more than enough to keep me occupied.

As you read this my soul is being stirred.

 Chances are at least. See, I'm off to see Les Misérables on stage for the first time in aeons. As a teenager I wore out my tape of the soundtrack and when I found out it was playing at Cedar City's annual widely acclaimed Shakespeare Festival (they've even won a regional Tony Award) I jumped at the chance to take my mom because a) she doesn't get out much and b) she's never seen it on stage but loves musicals and started me early on them for which I can only give her millions of hugs. It's a perfect opportunity to see the show before the movie hits and becomes the possibility definitive version for millions upon millions of people who don't get to stage shows often or ever. Which is unfortunately a lot of people -- even for shows as successful as Les Miz which has earned over $2 billion globally in its 27 year life.

I have no jitters about seeing the show on stage again because it's a magnificent epic in its original medium. But will it work on the movie screen? Bring it home, Tom Hooper! Bring it home.

Which brings me to my exit questions:

• Have you ever seen Les Miz on stage?
• Which is your favorite song? (If you must know mine is "Empty Chairs at Empty Tables")

TIFF Lineup: Female Directors & Prestige Adaptations

 Paolo here. We should probably give in and see what this year's Toronto International Film Festival has to offer! Toronto marks the unofficial start of awards season, inflating or deflating much hyped movies and performances. Speaking of which, the locals can experience the star power of actual would be contenders.  Within the space of ten days, TIFF gives its paying audience access to a year's worth of art house cinema - these movies will be trickling out in limited release for at least a year to come.

Fine reasons to be excited but I have more personal reasons, too. 

Reason no. 1 They're bringing back some classics.
They're under the Cinematheque programme, spotlightling restorations like Dial M for Murder in 3D, Loin du Vietnam - a collaborative anti-war project involving a handful on 1960's auteurs like Godard, Agnes Varda, William Klein Alain Resnais and (RIP) Chris Marker. There's also Roberto Rosselini's Stromboli and Roman Polanski's Tess, the latter being an adapation of a Thomas Hardy novel that I've been reading the past month or so. Which brings me to reasons two, three and four... after the jump.

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50th Anniversary: Marilyn's Death

50 years ago today Marilyn Monroe left us. You've undoubtedly noticed that her lovely ghost is more active than ever, always haunting popular culture. In the past ten months alone, we've been inundated with Marilyn resurrections and references: My Week With Marilyn, Smash, that Dior commercial with Charlize Theron, James Franco and Channing Tatum in Marilyn drag at the Oscars and in Magic Mike respectively. You could call that a symptom of this major anniversary or the current Mad Men inspired 60s fanaticism were it not for the fact that Hollywood is always attempting Marilyn resurrections in one form or another.

Marilyn on the beach in 1962 shortly before her death 50 years ago. She was 36 years old.

Strange then that the actress who is most comparable to her these days in terms of über charisma, sex appeal and body type, the great Christina Hendricks, can't manage to excite Hollywood enough for them to give her showcase movie roles.  She's a hell of an actress and the only thing she hasn't yet shown us that's Marilyn-related is superb comic timing.

Marilyn Monroe is like Hollywood's Jesus. If they actually came back to us the people who blab on and on about them the most (Hollywood and Christians respectively) would be the first to reject their reality. Hollywood doesn't really want actresses to be as powerfully voluptuous as that!

Marilyn is now only a fantasy, and paradoxically perhaps that makes her closer to the "Marilyn" that Norma Jean intended all along given that she was (to some extent) fictional to the woman playing her. People have always preferred the fantasy to the reality with Marilyn and now moreso than ever I think. But she seems so real from ubiquity that her spirit verges on the corporeal. [Actresses, Memories and Fashion after the jump]

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