Sundance Closing Night: "Troop Zero"

by Abe Fried-Tanzer

It’s almost always appealing to see two recent Oscar winners work together shortly after they take home their trophies. The notion of the last two Supporting Actress victors, Viola Davis and Allison Janney, teaming up is certainly enticing. Their Oscars were for playing very different types of mothers, and in Sundance’s closing night selection, they face off as competing scout leaders in a hilarious 1970s-set comedy about being who you are...

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Tweet Things 2

It's our weekly curated collection of a dozen or so showbiz-related tweets we think you might enjoy. Some are true and some are funny like these two.

Watch movies from before you were born. It's good for you.

— Diablo Hellalgo (@pablohidalgo) October 28, 2017

Guy at work orientation today: What was the most pirated movie last year? Hint. Blockbuster. Main character dressed in red?

Me: JACKIE.

— Cici Cooper (@danblackroyd) October 30, 2017

And others just make us smile.

There's more after the jump involving Richard Burton's diaries, Meet Me in St Louis, The Snowman, Winona Ryder, Three Billboards Outside Ebbing Missouri and more. But first how's this for an FYC plug? I mean is Sarah Paulson's asking us, we're considering...

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He Loves Link

Reminder: You can watch the live stream of Broadway's She Loves Me tonight (one of the major Tony nominees this year) on "Broadway HD" for only $9.99 this evening at 8:00 PM EST (though I'd get there before 7:50 PM). The show stars Laura Benanti and Jane Krakowski, two national musical comedy treasures, and some talented men, too. It's the first time in history that a Broadway show has been livestreamed and since Broadway shows aint cheap $10 is practically free. If you check it out, let us know what you thought. Our review icymi.

Links
Variety looks back at the waves made by The Devil Wears Prada 10 years back
Vox has a very sound theory as to why the blockbusters suck this year - the disappearance of second acts in the three act structure
Shout Factory Carrie (1976) is getting a spiffy new Blu-Ray for her 40th anniversary
Birth.Movies.Death on the making of Clash of the Titans. Harry Hamlin was a handful! 
IndieWire how YA stars have emerged as the saviors of American indie films 
THR A24, perhaps emboldened by their first Oscar wins last year (Room + Ex Machina) is really hitting it hard for 2016. They've already released a few notable titles this year with more to come. Now they just picked up Mike Mills 20th Century Women. Can they win Best Actress two years in a row? 
Gold Derby Alison Janney and Julia Louis-Dreyfus will both make history on Emmy night if they win
Birth.Movies.Death on the recent Cap is Hydra comic storyline and how serial storytelling works (it's only the response to serial storytelling that's really changed.) 
Pride Source a fun LGBT themed interview with our new Tarzan Alexander Skarsgård
Boy Culture today is the 30th anniversary of Madonna's "True Blue" album
MNPP Miles Teller in leopard print thong for Bleed For This 

Daniel Craig and Jason Isaacs in the London 1993 production of ANGELS IN AMERICAThis Week's Must Read
"Angels in America: The Complete Oral History" Let us all thank Slate profusely for this retrospective of Tony Kushner's two-part masterwork. Some of my favorite quotes from it.

George C. Wolfe [Director]: I think so much of what I did on Part 1 was keeping the hype out of the room and letting everybody play and discover. Because the hype was monumental, the hype was ridiculous, but you can’t work from hype, and you can’t create from hype. God knows you can’t discover anything new.

Joe Mantello: For a lot of us, that production was like going from zero to 100 in our careers, going from being unknown to the play everyone was coming to see.

Marcia Gay Harden: I’d walk through the West Village, and people would come up to me and say, “I took my parents to see the play, and then I told them I was gay.” Or: “I took my parents to see it, and then I told them I was dying.” And we would cry on the street. That happened once every couple of weeks.

Rocco Landesman: Personally, I think the show is a bit long, particularly in Perestroika. I was lobbying for cuts and got none of them. Tony was very gracious. He would hear me out politely and do what he wanted to do, which was not cut. It was like a conversation with August Wilson but worse.

And on Harper Pitt's very last transcendent bit in the play, her flight to San Francisco...

Marcia Gay Harden: I’m tingling right now thinking about it. The synchronicity of the immune system of the Earth, and that can be healed by the people who are suffering with the holes in their own immune system, the tragedy of the souls of those who have been hurt forming a web of protection around the Earth. It’s one of the most beautiful things I’ve ever said—or read—in my life.

Mary-Louise Parker: We shot it in an airplane hangar, and I was really trying to rein in my emotion. I just didn’t feel I quite reached it. I went to lunch, and I was so distraught, and I went to Mike [Nichols, who directed the miniseries] and said, “Can I do it again?” They were literally taking down the wall, and he said, “Oh, my child,” and turned to the crew and yelled, “OK, put the wall back up!”

Tony Kushner: It’s the best paragraph I’ve ever written.

Emmy Winners, 2015

Which of the prizes warmed the cockles of your heart? Which caused a blind rage? And which caused you to make these Amy Poehler or Lena Headey faces? 

Comedy Series, Comedy Veep (1st win in this category)
Lead Actress, Comedy Julia Louis-Dreyfus, Veep (6th win, 4th consecutive from this series, from 20 nominations from 3 series) which means that two iconic characters Lisa Kudrow's "Valerie Cherish" and Amy Poehler's "Leslie Knope" were never rewarded for their genius
Lead Actor, Comedy Jeffrey Tambor, Transparent (1st win for this role, 7 total nominations from 3 series)
Supporting Actress, Comedy Alison Janney, Mom (6th win, 2nd consecutive for this role, 10 total nominations from 3 series)
Supporting Actor, Comedy Tony Hale, Veep (2nd win for this role from 3 nominations) 
Writing, Comedy Veep (1st writing win for this series from 2 nominations)
Director, Comedy Jil Soloway, Transparent (1st directing win for this series)

Drama Series Game of Thrones (1st win in this category)
Lead Actress, Drama Viola Davis How To Get Away With Murder (1st win, also the 1st woman of color to win in this category
Lead Actor, Drama Jon Hamm, Mad Men (1st win in this category)
Supporting Actress, Drama Uzo Aduba Orange is the New Black (2nd consecutive win for this character)
Supporting Actor, Drama Peter Dinklage, Game of Thrones (2nd win this category)
Writing/Directing Game of Thrones 

Limited Series / Movie Olive Kitteridge
Lead Actress Limited Series/Movie Frances McDormand, Olive Kitteridge (1st win)
Lead Actor Limited Series / Movie Richard Jenkins, Olive Kitteridge (1st win)
Supporting Actress Limited Series/Movie Regina King, American Crime (1st win)
Supporting Actor Limited Series/Movie Bill Murray, Olive Kitteridge (1st win)
Director, Limited Series/Movie Lisa Cholodenko, Olive Kitteridge (1st win)
Writer, MiniSeries/Movie Olive Kitteridge 

Reality Competition The Voice
Variety Talk Show Daily Show with Jon Stewart
Sketch Show Inside Amy Schumer 

The Team on TV: Masters of Sex S3

Last week we kicked off a new weekly series in which we assemble a few rotating members of Team Experience to discuss various TV shows. Here's Dan, David, Deborah, and Manuel on discuss Masters of Sex - Editor
 

Dan: Hello everybody, welcome to our roundtable discussion on Masters Of Sex. I want to begin with a general topic: How do you all respond to time jumps in TV shows? Masters of Sex does this a lot, with several months often taking place offscreen either in between episodes or even during a single episode (S2's "Asterion" comes to mind). The second season ended in 1961, and this season began in 1966, skipping anything dealing with finding a publisher and marketing the study as a book. Did that throw you? Did you miss anything that would have been covered in the years we didn't get to see?

I was taken aback when it turned out Isabelle Fuhrman was Virginia's daughter Tessa, because last we saw Virginia had given up custody of her kids and Tessa was still a little girl. Now she's all grown and sneaking alcohol and drunkenly attempting to kiss Bill.... what happened to our sweet girl?

Deborah: Hi Dan and all!  I'm a Mad Men fanatic, so I don't mind time jumps in theory. But Masters of Sex has been clunky with it. A big time jump at the halfway point of a season (Asterion) is awkward. At the time, I wrote "Halfway through Season 2, Masters of Sex decides 'to hell with this.'" It was strange. Jumping forward between seasons is a more elegant way and it makes sense. Here's what doesn't make sense: The show clearly wanted to get to the publication of the book, because all the years of research for the book were bound to become repetitive. That being the case, now that they've brought us to the book, why put so much attention on Virginia's kids and Bill's marriage?

More...

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