Smackdown '87: A Fatal Attraction to Moonstruck

The Supporting Actress Smackdown series picks an Oscar vintage to explore. Now it's time for the season finale featuring the year 1987. 

THE NOMINEES 1987's shortlist of supporting characters featured three very different moms (victim/monster/old-soul-wiseass), one selfless caretaker, and a gossipy neighbor. The actresses gathered were all mature talents, enjoying what would turn out to be their sole brush with Oscar.

THE PANEL  Here to talk about the performances and films are, in alpha order, the actor Ato Essandoh (Away, Tales from the Loop, Chicago Med), critic/author Manuel Betancourt (Judy Garland's Judy at Carnegie Hall), critic Naveen Kumar, critic Kathia Woods, and your host Nathaniel R. Let's begin!

1987
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page... 

Click to read more ...

Over & Over: 1987's "Baby Boom"

by Eric Blume

Baby Boom, directed by Charles Shyer with a script by him and his then-wife Nancy Meyers, encapsulates 1987 beautifully.  From young James Spader's Wham!-like hair to Keaton's fashions to the dated woman-in-the-workplace-can-she-have-it-all plot, it could be a time capsule film for the year and its essence.  While we're celebrating 1987, this film couldn't be a better example of exactly where we were.

And yes, Baby Boom is a mercilessly commercial enterprise, engineered with cliche characters and "adorable" cutaway shots to the child inherited by the "Tiger Lady", J.C. Wiatt, played by Diane Keaton.  I can't defend this movie as a work of fine cinema, but I've returned to it over a dozen times for the sheer joy in Keaton's peerless performance...

Click to read more ...

Review: Sofia Coppola's "On the Rocks"

By Lynn Lee

What happens to a poor little rich girl when she grows up?

That question has fueled Sofia Coppola’s career, both to her benefit and to her dismissal by those who find her voice out of tune with the times.  I’m not one of the latter, so I sometimes feel oddly defensive about enjoying her films.  Although she’s far from the only writer or director to focus on the interior lives of wealthy white people, there’s something about her work that provokes a particularly insidious disdain in a way that Downton Abbey or Wes Anderson, say, does not.  Gender is an obvious factor in that difference, plus the shadow of her father and the advantages she’s assumed to have derived from him, as well as the limitations on her perspective of her own privilege.  Impatient viewers chafe at her characters’ seeming lack of chafing or rattling of the bars of their gilded cages, which Coppola presents less like cages than delicately tinted soap bubbles, their inhabitants’ discontents and subversions more often internalized than explicitly articulated.

Coppola’s latest feature, On the Rocks, plays in many ways like a wryly self-aware response to her critics...

Click to read more ...

NewFest: Irish comedy "Dating Amber"

Coverage from NewFest the 32nd Annual LGBTQ Film Festival

By Abe Friedtanzer

I imagine that I’ll be thinking about Normal People for a while every time I watch an Irish romance (or maybe just any Irish production!). If I can’t see Connell and Marianne on screen again, the next-best thing is probably Dating Amber, a wonderfully entertaining comedy showing at NewFest. One of its stars is Fionn O’Shea, who portrayed the despicable and manipulative Jamie in Normal People. He's one of the romantic leads this time...

Click to read more ...

Let’s have a blast with Nick and Nora!

by Cláudio Alves

The power of movie stars shouldn't be underestimated. A glamourous screen presence, a straight shot of charisma, can make even the least impressive piece of cinematic fluff into a must-see event. At the very least, the difference between unwatchable mediocrity and a jolly good time can often be someone who electrifies the screen with a look, someone who enchants the camera and conquers our attention with no effort. You'll be hard-pressed to find a better example of the wonders of stardom than The Thin Man series…

Click to read more ...