Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in comedy (465)

Monday
Apr162012

April Showers: "Home For the Holidays"

waterworks each weeknight at 11. This particular installment of April Showers was first published in 2009.

One of the greatest disconnects I've ever had between consensus response to a movie and my own reaction was in 1995 when Jodie Foster's second film Home for the Holiday debuted. It was mostly ignored by the public and the critics were out for blood. Maybe Jodie Foster had just been too successful and too lauded and it was time for the pendulum to swing back? Perhaps the undercurrent was along the lines of 'Does she have to be good at making movies in addition to acting in them?'

Even Robert Downey Jr playing Tommy got bad reviews for his performance as teh gay brother to Holly Hunter's Claudia. Though his performance is pretty out there with his needling rapid fire joking -- he's consistently pushing things too far -- it's also exactly in line with the movie's own sense of humor. And Bonus points: the sibling chemistry between Claudia and Tommy is pretty damn credible. If you're not familiar with the movie I urge you to rent it. You protest: But it's one of thousands of quirky dysfunctional family holiday comedies! I counter: it arrived before that ultra specific genre was wildly over saturated and it's actually very funny.

Holly's shower scene is fairly typical of the movies fast, funny and familial nature. Anne Bancroft, playing Adele the mother, is talking at Claudia but not really with her. Claudia is talking at Adele but not listening. They're on different pages and both of them never shut up. The older woman exits the scene leaving her daughter showering in an open bathroom...

Mom, close the door behind you okay?
No?
okay, no problem, I usually shower in public.
I have no pride.
I have no rights.
I'm only four years old.

I don't need to tell you that Holly Hunter is one of the funniest people in the movies and she was still in her incredible prime at the time (roughly 1987-1998). She makes every pause and emphasis count in a line reading. So many laughs to be had in four sentences. After Claudia is done complaining about the unplanned exhibitionism, she gets down to business. She's vigorously shampooing, suds flying, until she freezes in place with a gasp. Her mischievous brother is lumbering towards the shower curtain like some comic monster.

I swear to god, Tommy, I'm naked in here and I am too old...

*FLASH*

Holly's blind recoil from the polaroid flash is the split second punchline and Foster immediately cuts to the next scene, no time to waste... more rapid fire joking to follow.

Friday
Apr062012

April Showers: "Silent Movie"

waterworks each weeknight at ten

When The Artist won Best Picture at the 85th Oscars in February it marked the first time a silent film had reigned since the very first Oscar ceremony. Some articles on this unexpected throwback and French import mentioned modern filmmakers like Guy Maddin who've experimented with the silent form but strangely Mel Brooks' Silent Movie (1976) was rarely discussed. That's a shame since it might be the closest precedent to The Artist. It was also a widely released comedy about Hollywood and it's also very funny... at least in that shameless Mel brooks kind of way. There's another odd coincidence. Like The Artist it's sole line of dialogue comes from a famous Frenchmen.

The plot of Silent Movie is a simple laundry line on which to hang comic setpieces. Mel Brooks (as "Mel Funn") wants to make a silent movie and the powers that be in Hollywood won't let him unless he convinces the biggest film stars to participate. Since this is the 1970s that means Paul Newman, Liza Minnelli, Anne Bancroft (Mrs Mel Brooks but playing herself), Bernadette Peters and the like.

At one point, Mel Brooks and frequent comic foils Marty Feldman and Dom DeLuise pile into a tiny car and look for Burt Reynolds house. 'Are you sure Burt Reynolds lives on this street?' Brooks asks with frustration before the camera cuts to a huge mansion with Burt's face on it. Haha ...oh, the vanity of world famous sex symbols.  After a few failed attempts to enter his house and access his celebrity will the filmmakers give up?

The camera finally finds the actual mustachioed 70s superstar enjoying a steamy shower.

Burt, a good sport to joke about his own vanity like this, is making 'how you doin'?' faces and blowing kisses into the shower mirror. Burt works up quite a lather after the jump...

Click to read more ...

Thursday
Mar152012

Yes, No, Maybe So: "Dark Shadows"

I meant to start the Burtonjuice series tonight, a full retrospective of Tim Burton each Thursday night, but that might have to wait one more Thursday. Because we're all Burton'ed out after watching the trailer to Dark Shadows twice in a row to see if it was for real.

Are you for real, trailer?

The trailer runs its mouth but does not answer.

It blabbers, nudges and winks, spreads its finger claws dramatically then goes back to amusing itself. We're glad someone is amused.

So let's break it down with our Yes, No, Maybe So system

YES

  • It does appear that Eva Green is having some fun with her role. Particularly fun is the ass on the piano bit and her deranged in-your-face sexuality.
  • Green reminds me a bit of Lisa Marie here. I know that Tim Burton has long since moved on to Helena Bonham-Carter but don't you kind of miss Lisa Marie? I do.
  • Production Designer Rick Heinrichs is clearly enjoying this Production Designer's Dream Project.

 

Click to read more ...

Monday
Feb202012

Monologue: "My name is Charlene. What are you wearing?"

Time for our Monday Monologue...

Missi, Uggie and Jean DujardinOne of the unexpected joys of this year's edition of Endless Awards Season has been the presence of the very funny, very talented Missi Pyle. She's kind of blink and you'll miss her as "Constance" the 'Lina Lamont' silent star archetype in The Artist. But she's been everywhere at the events. That's oddly appropriate given that she always seems to be blink and you'll miss her in movies but she makes the best of it. Often when I see her in that big ball of joy that is the cast and crew of The Artist (winning makes the joy part a lot easier) I think back to my favorite moment in her filmography to date.

She was the comedy MVP of the oft-delayed and then underseen and weirdly trashed Spring Breakdown (2009) which is much funnier than it gets credit for. Her MVP status says a lot since the three leads Amy Poehler, Parker Posey, and Rachel Dratch have been known to wring laughs from even the weakest material. Somehow Pyle steals the show out from under them.

Pyle plays Charlene a Spring Break junkie well past age appropriateness for the Endless Summer cruising and bingeing. She takes this trio of new girls under her drunken wing.

After a particularly booze-fueled night she stumbles home with her new friend Gayle (Amy Poehler) and goes all weepy pontificating drunk. 

Every spring this place she flares up like a cold sore and I'm back for more, you know? The kids and the sex and the booze. And you think it'll go on forever but it's like one of those videos, you know, of a fireplace that you put on your TV.

 

And, like, no matter how close you get to the screen it's never going to warm you up."

Suddenly then, she's all nonsequitor.

Her moods tilt and slide around like formerly coherent thoughts sloshing around in alcoholic waves.

I just wanted to be a stylist to the stars.

[Suddenly high pitched] 'You think so?' 

 

Oh hello there fine fella! Who is this?

 

She veers towards... a tree.

"Oh honey, that's a tree," Gayle tries to stop her but Charlene is already making her move. 

[To the tree] My name is Charlene. What are you wearing?

[Glancing to the side. Suddenly crying] I love him!

 
[To Gayle] Don't touch me. Please touch me. Thank you.

Let's just stay here for awhile.

Pyle keeps this comic train hilarious, frisky and sharp even as it jumps right off the tracks careening towards its next blackout: Crying jags, weird bursts of horniness, pickled blood stream, and yet she's weirdly touching.

It's comic magic.

It's hot mess tragic. 

Her name is Charlene. I love her!


Friday
Feb172012

Yes, No, Maybe So: Damsels in Distress

Whit Stillman hasn't made a movie in 14 years. I remember loving his first, Metropolitan (1990), when it arrived. So did most critics. It's not so frequently discussed today but it was a big enough deal at the time to win him an Oscar nomination for Best Original Screenplay. He had such a fresh sophisticated voice. So I was delighted to see that the star of his "comeback" (if such a thing occurs) is an actress with a fresh comic voice, Greta Gerwig.

And not so delighted to see the Woody Allen reference right up front. It's not that I don't adore Woody but, as his endless parade of proxy protagonists proved, one Woody is enough. Whit's voice is a unique one. I hate to see unique voices shoved into tiny comparative boxes and hopefully he hasn't lost it in the 14 years since his last feature The Last Days of Disco (1998)

Let's break down the trailer with our yes, no, maybe so system.

YES

  • Whit Stillman is back
  • Greta Gerwig was superbly authentic, touching and funny in Greenberg () but her off kilter whimsy got lost and was wasted on Arthur. Stillman might know what to do with her.
  • Aubrey Plaza is super super fun in short doses in everything from  Parks and Recreation to Scott Pilgrim vs. The World.
  • Movies about gaggles of girls navigating college life and love led by a know it all who might not know it all or at least not very much about? Sounds ripe for comic pathos.
  • Tap dancing! Better yet... More than one musical sequence.

NO

  • "Frank", Gerwig's man, seems a little empty as a character in this two minute glimpse. Will all the men be too caricatured?

We're also trying to make a difference in people's lives and one way to do that is stop them from killing themselves."

-You're worried I'll kill myself and make you look bad?
-No, I'm worried you'll kill yourself and make yourself look bad."

MAYBE SO

  • There are three suicide jokes in this trailer. It's obviously a plot thread or even a full on plot. And that's a lot for one film too handle. I've met so many crazy people who hate Heathers because it dared to laugh at something that's no laughing matter.
  • Aubrey Plaza is super fun in short doses but is she a major character and if so is she fun in large doses?
  • Gerwig's delivery and the overall tone seems very arch and that could be hard to pull off in a full length feature.

The Trailer

  • Are you a yes, no or maybe so?
  • Do you prefer the phrase "I'm depressed" or "I'm in a tailspin"?

I was going to ask you if you considered tap dancing highly effective therapy but... duh! That goes without saying.