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Entries in comedy (457)

Monday
Feb202012

Monologue: "My name is Charlene. What are you wearing?"

Time for our Monday Monologue...

Missi, Uggie and Jean DujardinOne of the unexpected joys of this year's edition of Endless Awards Season has been the presence of the very funny, very talented Missi Pyle. She's kind of blink and you'll miss her as "Constance" the 'Lina Lamont' silent star archetype in The Artist. But she's been everywhere at the events. That's oddly appropriate given that she always seems to be blink and you'll miss her in movies but she makes the best of it. Often when I see her in that big ball of joy that is the cast and crew of The Artist (winning makes the joy part a lot easier) I think back to my favorite moment in her filmography to date.

She was the comedy MVP of the oft-delayed and then underseen and weirdly trashed Spring Breakdown (2009) which is much funnier than it gets credit for. Her MVP status says a lot since the three leads Amy Poehler, Parker Posey, and Rachel Dratch have been known to wring laughs from even the weakest material. Somehow Pyle steals the show out from under them.

Pyle plays Charlene a Spring Break junkie well past age appropriateness for the Endless Summer cruising and bingeing. She takes this trio of new girls under her drunken wing.

After a particularly booze-fueled night she stumbles home with her new friend Gayle (Amy Poehler) and goes all weepy pontificating drunk. 

Every spring this place she flares up like a cold sore and I'm back for more, you know? The kids and the sex and the booze. And you think it'll go on forever but it's like one of those videos, you know, of a fireplace that you put on your TV.

 

And, like, no matter how close you get to the screen it's never going to warm you up."

Suddenly then, she's all nonsequitor.

Her moods tilt and slide around like formerly coherent thoughts sloshing around in alcoholic waves.

I just wanted to be a stylist to the stars.

[Suddenly high pitched] 'You think so?' 

 

Oh hello there fine fella! Who is this?

 

She veers towards... a tree.

"Oh honey, that's a tree," Gayle tries to stop her but Charlene is already making her move. 

[To the tree] My name is Charlene. What are you wearing?

[Glancing to the side. Suddenly crying] I love him!

 
[To Gayle] Don't touch me. Please touch me. Thank you.

Let's just stay here for awhile.

Pyle keeps this comic train hilarious, frisky and sharp even as it jumps right off the tracks careening towards its next blackout: Crying jags, weird bursts of horniness, pickled blood stream, and yet she's weirdly touching.

It's comic magic.

It's hot mess tragic. 

Her name is Charlene. I love her!


Friday
Feb172012

Yes, No, Maybe So: Damsels in Distress

Whit Stillman hasn't made a movie in 14 years. I remember loving his first, Metropolitan (1990), when it arrived. So did most critics. It's not so frequently discussed today but it was a big enough deal at the time to win him an Oscar nomination for Best Original Screenplay. He had such a fresh sophisticated voice. So I was delighted to see that the star of his "comeback" (if such a thing occurs) is an actress with a fresh comic voice, Greta Gerwig.

And not so delighted to see the Woody Allen reference right up front. It's not that I don't adore Woody but, as his endless parade of proxy protagonists proved, one Woody is enough. Whit's voice is a unique one. I hate to see unique voices shoved into tiny comparative boxes and hopefully he hasn't lost it in the 14 years since his last feature The Last Days of Disco (1998)

Let's break down the trailer with our yes, no, maybe so system.

YES

  • Whit Stillman is back
  • Greta Gerwig was superbly authentic, touching and funny in Greenberg () but her off kilter whimsy got lost and was wasted on Arthur. Stillman might know what to do with her.
  • Aubrey Plaza is super super fun in short doses in everything from  Parks and Recreation to Scott Pilgrim vs. The World.
  • Movies about gaggles of girls navigating college life and love led by a know it all who might not know it all or at least not very much about? Sounds ripe for comic pathos.
  • Tap dancing! Better yet... More than one musical sequence.

NO

  • "Frank", Gerwig's man, seems a little empty as a character in this two minute glimpse. Will all the men be too caricatured?

We're also trying to make a difference in people's lives and one way to do that is stop them from killing themselves."

-You're worried I'll kill myself and make you look bad?
-No, I'm worried you'll kill yourself and make yourself look bad."

MAYBE SO

  • There are three suicide jokes in this trailer. It's obviously a plot thread or even a full on plot. And that's a lot for one film too handle. I've met so many crazy people who hate Heathers because it dared to laugh at something that's no laughing matter.
  • Aubrey Plaza is super fun in short doses but is she a major character and if so is she fun in large doses?
  • Gerwig's delivery and the overall tone seems very arch and that could be hard to pull off in a full length feature.

The Trailer

  • Are you a yes, no or maybe so?
  • Do you prefer the phrase "I'm depressed" or "I'm in a tailspin"?

I was going to ask you if you considered tap dancing highly effective therapy but... duh! That goes without saying.

Monday
Feb132012

Monologue: Megan & the Dolphin

Have you missed Monologue Mondays? I know I have. So let's start again and try to do this weekly.

Though Bridesmaids' Melissa McCarthy probably won her Oscar nomination for a variety of reasons, you almost always need one Oscar "clip" to make the lineup. You know the kind. It's an instant fix of the performance, which works in the way soundbites do for politicians or catchphrases do for sitcom stars. It's something they can play at the Oscars or at awards shows that will a) remind people why they loved the performance b) remind them why they liked the movie and c) pack a mini dramatic punch that justifies the nomination for the millions who might not have seen it yet. This can be true even if the person is nominated for a broadly comic role, as rare as those nominations are.

 

I think you're ready to hear a little story about a girl named Megan, a girl named Megan that didn't have a very good time in high school. I'm referring to myself when I say 'Megan'. It's me Megan.

Now the Oscars don't always select clips this way. Continued after the jump...

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Tuesday
Jan172012

Happy 50th Jim Carrey!

A very happy ½ century mark to Jim Carrey! He seems to have given up on chasing Oscar and returned to the generally more lucrative world of high concept multiplex comedy. We kind of miss his dramedic self.

Favorite Carrey performances off the top of my head.

  1. Eternal Sunshine of the Spotless Mind (2004)
  2. The Truman Show (1998)
    ...and yes, I'd have nominated him for both of those. 
  3. Man on the Moon (1999)
    ...one of those rare cases where Oscar got really stingy about loving biopic mimicry. 
  4. Doing Time on Maple Drive (1992)
  5. Batman Forever (1995)
  6. I Love You Phillip Morris (2010)
  7. The Mask (1994)
  8. Bruce Almighty (2003)
  9. Liar Liar (1997)
  10. Lemony Snicket A Series of Unfortunate Events (2004)

 It's true. I never saw the comedic blockbusters involving his talking ass or doubled idiocy.

Yours?

The first time I ever saw him was on the shortlived sitcom "The Duck Factory" which I watched as a kid because I wanted to be an animator when I grew up. The peak of my interest was The Truman Show. Strange that that movie isn't talked about more. 

The Duck Factory, The Truman Show, Burt Wonderstone

He's currently filming Burt Wonderstone with Steve Carell. Carell plays the title role but they're playing rival magicians in Las Vegas... Carrey being threatened by the newer magician Carell. Could certainly be fun but was no one worried about some sort of Evan Almighty curse? That last time Carrey passed the baton to Carell it didn't work out so well. Not that critical favor matters to Hollywood when you can break $100 million just by showing up.

Monday
Jan022012

SAG Ensemble Flashback: "The Birdcage!" & Oscar Trivia

With the Screen Actors Guild Awards less than a month away, let's look back at the history of our favorite SAG Category, "Outstanding Performance by a Cast" i.e. Best Ensemble. Though the Guild had long been in the business of lifetime achievement awards, they didn't hold their first full fledged awards ceremony until 1995 for the 1994 film year. That first SAG year did not include an Ensemble movie prize which is strange since they handed out TV ensemble prizes from the start so it's not like they hadn't dreamt up that honor! The next year Apollo 13, which was something of a frontrunner for Oscar's Best Picture prize (it eventually lost), won the inaugural ensemble prize. It beat a field that included only one other Oscar Best Picture nominee (Sense & Sensibility)... a percentage ratio you rarely see today.

At the third annual ceremony the award went to the (thankfully) dated gay marriage comedy The Birdcage (1996), based on the 1978 French classic and three-time Oscar nominee La Cage Aux Folles. The films farcical comedy emerges when a gay couple (Robin Williams & Nathan Lane) try to fool a conservative couple (Gene Hackman & Dianne Wiest) into thinking of them as a "reputable" traditional family so that the son can marry the other couple's daughter (Dan Futterman and Calista Flockhart). Everything goes wrong over dinner as the gay couple has a terrible time keeping up the facade.

This is so Guatemala. They put hardboiled things in everything down there. Because, you know, chicken is so important to them. it's their only real currency. A woman is said to be worth her weight in hens and a man's wealth is measured by the size of his cock."

Will you excuse me?"

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