The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
You will no doubt have read – or least seen the headlines – that people are saying that Ridley Scott’s The Martian should be taken very, very seriously as a Best Picture contender. I’ve even seen people claiming it could win, which seems awfully bullish given its hastily rising status in Oscar circles is due almost entirely to the film’s overwhelming success at the box office in the face of a glut of underperforming Oscar players like Steve Jobs. But amid this new wind of blockbuster excitement and the snickers at (contractually obligated) Oscar campaigns for other big-budget, uber-successful movies, there’s one film that has so far gone under the radar in the conversation and ought to be taken far more seriously than it likely will be.
Young Oscar fanatics might not have tripped over this tidbit yet but in the 1980s they were still giving out an award for "Original Song Score" - an old vestige category of the decades when a dozen plus movie musicals arrived each year. Three of these Oscars were handed out in the 1980s for Victor / Victoria (1982), Yentl (1983) and Purple Rain (1984). None have been handed out since even though it's technically still a category... just not one that they invoke anymore. Though it's a pity they didn't consider giving one to Moulin Rouge! or Hedwig and the Angry Inch for 2001 as the category can also be awarded to "Adaptation Score"
The presence of this category in the early 80s probably explains why Purple Rain and Victor/Victoria had no "Original Song" nominees in their years (why double dip?) but it does not explain why Yentl had nominations in both categories. Because of these films I only allowed myself 2 songs per movie so as not to let these five films hog this entire list.
Guardian has the Venice film festival lineup ICYMI here was Toronto's. They run concurrently so they share a few titles Empire Nosferatu getting another remake -this time from the director of the Sundance hit The Witch. This is a terrible idea. It's one thing to top a classic. It's another thing to try and live up to memories of TWO classics simultaneously Salon on "showrunner auteurs" and True Detective Season 2 Slant Magazine has a interesting 'noir' essay on a blu-ray restoration of the great Fabulous Baker Boys The Wrap Relativity is going bankrupt which means their current most star driven films, Jane Got a Gun (Natalie Portman) and Collide (Felicity Jones & Nicolas Hoult) probably won't be opening as planned The Wrap It's Chris Pine as Wonder Woman's Steve Trevor in 2017 though not everyone likes this idea
Yahoo Style "Madonna and the Fading Politics of Diva-dom" I normally groan my way through essays that are critical of Madonna in-the-now since they usually instantly show, nay even flaunt, their ageism and disrespect/misunderstanding of her legacy. But this one is smart and really interesting. Empire Amy Schumer, who recently appropriated Star Wars for a photoshoot, has now done a Madonna-related photoshoot (Truth or Dare era specifically)
Bob the Musical? Playbill Recent EGOTer Robert Lopez (Frozen) and his wife Kristen Anderson-Lopez have a new musical called Up Here at the La Jolla Playhouse. Will their lucky streak continue? This one takes place inside the lead character's head. That's going around - hi Inside Out!) They were previously reported to be working on the long-gestating original film Bob the Musical THR ... but then who hasn't been reported as working on that? Currently we're looking at Michel Hazanivicius directing, Michael Chabon writing, Bret McKenzie songwriting and Tom Cruise circling to star... Pajiba doesn't want Tom Cruise to do it and I agree with every word of this. Also: he's just not good at comedy. He's too intense for comedy, particularly musical comedy which requires an effortless-looking lightness.
Showtune to Go from The Wiz Remember when Margaret (I miss Margaret!) did such a fine job of dream-casting the forthcoming live television production of The Wiz? Well, the actual casting is starting now and sadly they haven't taken any of her suggestions to heart. The first announced members of the cast are Queen Latifah as the Wizard, Mary J Blige as Evilene (AKA the Wicked Witch), and the original Broadway production's Dorothy, Stephanie Mills, as her own Auntie 'Em.
But who will sing this classic finale "Home"?
P.S. Incredibly and sadly, the legendary long-retired Diana Ross, who is only 71 years old, is the only principle cast member from the 1978 film who is still with us. (And she's too young for this list)
Anne Marie here with more from SDCC. Most of Saturday's buzz surrounded Batman v Superman: Dawn of Justice (about which Nathaniel already posted a YNMS), but if capes and cowls aren't your thing, here are 5 other entertaining bits of news from San Diego Comic Con.
5) EW's Women Who Kick Ass Panelassembled a great lineup: Kathy Bates on American Horror Story, Hayley Atwell on Agent Carter, Gwendoline Christie on Game of Thrones, Jenna Coleman from Doctor Who, and Wonder Woman herself, Gal Godot. Someone make this an actual superhero team please.
4) The Sherlock Special sneak peek. Little explanation given for the Victorian setting, but it's fun to see Bendandsnap Cabbagepatch don the deerstalker.
3) Suicide Squad teaser is all anyone can talk about, but Warner Bros hasn't yet released it online. Fan consensus: Margot Robbie's Harley Quinn > Jared Leto's Joker. I just want to see Viola Davis eat that steak.
2)Hateful 8Panel, interviews, and new poster. Notice that very important cinephile bait bit in the right bottom corner. Good tagline, too. Tarantino revealed that if he can't shoot on actual film, he won't make them anymore and TV might be a possibility. Best news: he convinced the legendary Ennio Morricone to compose his first western score in decades. The Original Score Oscar prediction chart already updated as a result!
1)Hayley Atwell's Dubsmash Videos. The Agent Carter star alleviated her boredom (and ours) with a Dubsmash challenge to her Agents of S.H.I.E.L.D. buddies. She also posed with a huge group of Comic Con attendees doing Peggy Carter cosplay
Good luck finding an actress today that looks like thisFilm School Rejects a biopic of Ingrid Bergman during the Notorious era might be coming from James Mangold. I'm always hoping they'll cast unknowns rather than stars for these things, so that they'll look more like their subjects Decider really funny ranking of all of Meryl Streep's Oscar nominated work, judged by accents, struggles, co-stars, and random intangibles Movies Now the box office wealth gap between blockbusters and everything else - interesting piece and worrisome, too ArtsBeatSmash's "Bombshell" musical MIGHT (sigh) actually become a Broadway musical. Yes, they're still dangling that carrot since the one night only cast reunion of Smash went so well MCU Exchange the deal is done and Ava DuVernay (Selma) will direct Marvel's Black Panther film /bent is thrilled that Inside Out passes the Bechdel Test so easily on all counts
A Must Read "The Decline of the American Actor" is a really engaging piece about today's leading men, the "Chris"es and beyond and the struggles they face without challenging roles or all that much in the way of training like their foreign counterparts. It's really fascinating and the writer Terrence Rafferty only threw me out of it once when he makes a very strange rather off topic dig at Masters of Sex's second season which had me questioning his sanity (I couldn't disagree more on all counts of what he's saying in that section). It also has a nice little detour into current 20 and 30something actressing by clever way of Clouds of Sils Maria... that movie sure did get a lot of people talking so it's a mystery why it didn't break through in a more major way since actual stars were involved.
RIP - Exit Music The film composer James Horner died in a plane crash at age 61 yesterday. He was a favorite of James Cameron and Ron Howard, and moviegoers of course. He composed so many well liked movies that it's tough to name a favorite though I remember always liking the scores to Aliens, Avatar, Apollo 13 and Willow. We will be treated to his three final scores this year with Southpaw, Wolf Totem and the Chilean Miners movie The 33. The Oscar favorite won both of his Oscars from the phenomenon that was Titanic (for score & original song) and was twice nominated for movie songs. So here's a little Celine at the Oscars and a little something from An American Tail, too.
Monday, November 2, 2015 at 12:30PM 
Glenn here.
