What's eligible for "Outstanding Main Title Design" at the Emmys this Year?

by Nathaniel R

105 shows, that's what. This is a peculiar obsession of ours because, apart from the handsome site Art of the Title, it gets precious little attention, interest, or coverage online. The awards aren't given out on air and sometimes they make terrible mistakes as to what's nominated or excluded (same as it ever was, in any category). Nevertheless we'd argue that title design is important, not just in the soulless connotations of "branding" but in its soulful counterpart "identity". A show's title sequence gives you just that (if it's good), setting the tone. We curse Netflix for letting you skip past opening titles if you're bingeing. To our way of thinking if you won't sit through the opening titles, you don't deserve the show...

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Nathaniel's "Extra" Prizes: Musical Moments, Action Sequences, and Best Endings

As the Oscar aftermath is just about over, we return you to the in-progress Film Bitch Awards. We hate to not be done with these before the Oscars - argh - but these things happen. We'll finish up soon as there's now just 5 (gulp) categories left. 

Scene Awards
Musical moments, thrilling action sequences, opening scenes and great endings, and the like. There's lots to reminisce about but obviously there are spoilers for some 2018 scenes, particularly given the "endings" category. Films honored include but are not limited to: Ant-Man and the Wasp, The Children Act, Cold War, Eighth Grade, Isle of Dogs, Old Man and the Gun, Paddington 2, Vice, and You Were Never Really Here. Check it out.

Four Random Thoughts on "Vice"

by Eric Blume

Adam McKay’s film Vice has been out in theaters for two weeks or so now, and as we head into Golden Globe weekend where it leads the nominations, we ought to discuss it a bit more. Here are some thoughts about the film, which do carry SPOILERS, not about story points (as unfortunately these things really happened), but about just how truly odd this film is in so many ways...

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"There is trouble until the robins come..."

After catching a restored, 30th anniversary rerelease of David Lynch’s psycho-suburban nightmare on the big screen last night, Blue Velvet has once again invaded my waking life with huffing menace, casting sinister shadows and nasty neon onto the innocuous surfaces of everyday existence. And it starts from the opening credits. Every time I see this curtain shimmer, I can feel my vision start to go soft as it flickers me into a dream state. The image hypnotically blurs the line between its politely decorative titles and the mysteriously unnerving surface breathing behind them. The strings of the score shimmy with sharp elegance and ironic doom. I’m already huddling inside the closet, unsettled and voyeuristic. Seeing candles dance in the dark. Coiling myself against the danger hiding in plain sight. Soaked in curdling Pabst Blue Ribbon.

Which of your favorite opening credits sequences instantly place you inside the mind and mood of the movie?