By Abe Friedtanzer
Right in the middle of seemingly thousands of critics’ prizes for film work, today we got the TV nominations for the Critics Choice Association, nearly three weeks ahead of their corresponding film lists. It’s the first major mid-year opportunity to see what television may still be in the conversation from the Emmys and what new series have been strongly received. There’s plenty to say about this list that isn’t entirely consistent, nominating certain performers from some shows while questionably ignoring their costars. It’s also worth noting that not a single one of the comedy or drama winners from last year were eligible this time around, though that’s just as much about series that ended (Fleabag, Watchmen) as shows that have yet to premiere their latest seasons (The Marvelous Mrs. Maisel, Succession).
For the second year in a row, Schitt’s Creek is nominated in all five eligible categories, and it’s joined this time around by three drama series in pulling off that same feat – nominations leaders The Crown and Ozark (each with six total bids due to a second cited performer in one of the categories) and new series Lovecraft Country. The best residual breakthrough from the Emmys appears to be What We Do in the Shadows, which scored four acting bids, for all except my favorite series regular, Kayvan Novak. I’m particularly pleased that a slew of actors who missed out on Emmy nods, like Josh O’Connor, Tobias Menzies, Bob Odenkirk, Tom Pelphrey, Janet McTeer, Nicholas Hoult, and most importantly, Daisy Edgar-Jones, did manage to score here. Read on for the full list of nominees, with some more commentary by category...
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