The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Darren Aronofksy's Noah, which opens on March 28th, is expected to open well and is now getting rapturous advance praise with weirdly common references to The Fountain because it's "polarizing" and yet no one is saying they hate it, so, um try again! You have to have both love and hate for something to be called polarizing, duh.
I have been worried about it, just like Michael, but I'm excited now.
But if there isn't a scene where Noah apologizes for leaving The Last Unicorns behind, I'mma be pissed.
related Yes, No, Maybe So - JA on the trailer Aronofsky's Familiar Faces - Mark Margolis and Gregg Bello are both in Noah - Are any of the Aronofsky's other preferred ensemble players?
JA from MNPP here, taking a look at the first trailer for Darren Aronofsky's bible-epic Noah, giving us the titular tale of one man, one god, two of every animal, and a whole bunch of water. There have been whispers of a battle between the studio and the director over the film's tone - they want it to play straight for the church crowds and that Passion of the Christ money, while Darren Aronofsky, well, is Darren Aronofsky, and I think he probably doesn't have a lot of interest in not complicating Ye Olde Tale a little bit. Well now we've got an inkling, two and a half minutes of inkling, what's what.
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So let's break that sucker down into Nat's patented three-tiered system.
YES
-- Darren Aronofsky, of course - I might be more pro-Aronofsky than a lot of you, so perhaps you should take my opinion on this knowing that fact; I've loved deep in my bones every single film he's made (yes including The Fountain). His last film Black Swan might be my favorite even, but it was shamelessly playing right to my wheel-house so I could hardly help myself.
-- Emma Watson and Logan Lerman reunited! Let's hope they stick their heads out of the sunroof of the Ark while a David Bowie song plays.
-- You can already see the magic touch of Matthew Libatique all over it - some of that quick flashing nature photography is stunning. Speaking of...
-- Whatever this guy is! He's a big creepy plus. Do you think he's supposed to be Satan in the Garden? There's also a flash of an apple being picked, so I think I might be onto something. Anyway I hope there are all kinds of fanciful creatures mixed in with the usual elephants and giraffes and zebras we see in Noah stories.
-- The flaming sword scorching the Earth is kick ass!
NO
-- The CG animal stampede is kind of cheesy here in our first glimpse of it. Of course I don't know how you play that without it coming off cheesy. Hopefully by the time the movie's out in March they'll have made the CG a little bit more convincing, at least.
-- Similarly that shot of the Ark rocking in the waves at the end is some 2012 slash The Perfect Storm cheese. And way to give away the ending!
-- The fight scenes all look really monochromatic and good god we've seen that enough by now haven't we?
-- I never thought I'd be sick of Anthony Hopkins, but I'm sick of Anthony Hopkins.
MAYBE SO
-- Jennifer Connolly hasn't worked with Aronofsky since she gave that wonderful performance in Requiem For a Dream, which kind of kicked off her serious career. (Hey I love Labyrinth as much as the next guy.) - let's hope that the role of Noah's Wife is more than just the noble suffering "I'm With Stupid tee-shirt" role and she's got something to play. I've missed her lately.
-- I'm not the world's biggest Russell Crowe fan, and it's obvious that the studio wants us to think this is Gladiator 2: God's On His Side Now, but he looks pretty commanding with that shaved head and beard inside a tasteful yet butch rough-hewn cotton ensemble, and I'll admit, he's pretty perfect for the part.
So what say you people? Will you be boarding the ship with Darren and company on March 28th 2014, or are you feeling agnostic about this storm? .
Erik Lundegaard on lipsyching w/ talent via Joseph Gordon-Levitt on Jimmy Fallon Guardian Kevin Smith talks about Ben Affleck's Bat Cave. errrrrr.... Empire The Help reunion! Viola Davis and Octavia Spencer will co-star in a James Brown biopic for Tate Taylor. Unfortunately neither won of them is playing James Brown (This aint no I'm Not There) THR Hugh Jackman will play a supporting role in Chappie, the next sci-fi epic from Neil Blomkamp (District 9, Elysium)
Towleroad James Franco's Sal Mineo biopic Sal which seems like it was completed many years ago finally gets a trailer Deadline good grief. They put up and then removed a Diana poster from the Princess's crash site in Paris? NY Times Magazine talks to director Kimberly Peirce about her stop and start career, from Boys Don't Cry to Carrie
Today's Must Read Interview Magazine is featuring a conversation between Darren Aronofsky and Scarlett Johansson about Her (which Aronofsky loves and which she vocally stars in) and the funny but serious banter reminds us of why we love both of them.
"I've got Patrick"... Scarlett photographed by Patrick Demarchelier for Interview
Scarlett even indirectly adresses what we were talking about on the last podcast, how she's totally become a more nuanced dimensional actress in the past couple of years:
JOHANSSON: I like doing voice work, and I've also become increasingly interested in pushing different parts of performance, whether it's a physical thing or a kind of vocal nuance, so this seemed like it would be an interesting thing to at least talk about...
ARONOFSKY: Did you think about what you were going to do with your voice in terms of what artificial intelligence might sound like? Or was the goal always just to be as present and natural with the performance as possible?
JOHANSSON: Well, one thing that Spike really emphasized was the fact that the character, Samantha, is really experiencing everything in the moment because she's developing, so she doesn't have any preconceived ideas of anything. Even her programming is not really preconceived—she has no opinion on anything until she forms it right then, in the moment. So Spike just wanted it to have a real levity and, I think, a curiosity. He also wanted that level of depth. So more than just the tone of the voice, which was ultimately sort of unimportant. With her, it was about finding the shape of things and building this character that's almost a babe—but just fresh out of the package in every way.
Fresh out of the package in every way, eh? That's how she feels as an actress of late. The change is 100 proof intoxicating.
Hey everybody. Michael C. here. Quick question: By your estimation, which directors are currently pitching a perfect game? By which I mean, which filmmakers have yet to make a bad or even a so-so film so far in their career. I can think of three off hand: Spike Jonze, Brad Bird and Darren Aronofsky.
Darren Aronofsky and Logan Lerman on the set of NoahOf course, your mileage may vary on these choices. Right away, I’m sure a lot of you jump ship with The Fountain (Aronofsky), and one could debate whether Mission Impossible: Ghost Protocol (Bird) is a great movie or merely great for a Mission Impossible movie. Feel free to substitute one of your own choices for any of the above. My point isn’t to reopen the debate on these movies. My point is, rarely, if ever, do filmmakers make it through a full career without stumbling at least once, more likely a few times. Even the Coens, who made it nearly two decades without a misstep (Shut up. I like The Hudsucker Proxy), eventually crashed against the rocks with Intolerable Cruelty and The Ladykillers. So when directors are in a golden period where they have yet to step wrong, it’s bittersweet because chances are excellent it is not going to last.
Not that a failure-free career should be an artist’s goal, anyway. If I can paraphrase Laurence Fishburne's sage advice from Searching for Bobby Fischer, you can’t play not to lose. The edge of defeat, that’s where you want to be. I prefer my filmmakers who approach things like Robert Altman. Taking huge, all-or-nothing swings at every pitch, knocking it into the parking lot when he connects, lying flat on his ass when he wipes out.
Take Aronofsky. I can't shake the feeling that his upcoming Noah is a giant miscalculation.
I’m not looking to tread on anybody’s religion here, but it’s hard to deny the essential silliness of the Noah story, and the recently released first official images did nothing to quiet my concerns. I have tremendous faith in Aronofsky’s ability to raise some impressive Biblical thunder, but at some point Russell Crowe will start marching animals on to a big boat and when that happens it’s going to be difficult to keep a straight face, yes?
Chances are excellent Mr. Aronofsky will transform the familiar tale in ways I never anticipated, and when that happens I will shake my head at ever having doubted him. But even if my worst fears are fulfilled, it will still be gratifying to know we still have a cinema where filmmakers are free to indulge in a grand folly now and then.
Can you think of a director to who managed to make it a full career without tripping up? (One could make a strong case for Kubrick. I would disagree) Can someone out there give me reason to look forward to Noah? Let me know in the comments.
We're getting to know the Film Experience community with reader spotlights once or twice a week. This may take awhile! Today we're talking to Troy from Maryland.
What's your first movie memory?
My first movie memory is seeing Annie in the theater with my mother, aunt, and cousin. I recall being thoroughly drawn in as everyone's favorite redhead clings to Punjab for dear life toward the climax of the film. I also have a vivid recollection of viewing Pinocchio when it was re-released in the early 1980s. I guess that makes me one of your elder readers.
Aw, we have readers of all ages. It's just the younger readers seem way less shy. When did you start reading TFE?
Oscar race 2001 after a link from Sasha Stone's site. As someone who was not a fan of A Beautiful Mind, I was impressed by your incisive dissection of the movie's glaring flaws. My continued reading of your blog showed me someone whose love, passion, and knowledge of all facets of cinema quickly became contagious.
You have a goddaughter, right? How do you plan to educate her cinematically.
My oldest is nearly seventeen, so unfortunately, my time has passed with him. As for my two goddaughters, if they learn nothing else from me, they will at least be taught that the medium is too broad in scope for them to be myopic in their taste. They will also realize that Tyler Perry is an enemy whose total annihilation is essential for the progression of blacks in film. LOL. Okay, three favorite directors?
Aw, man! I was hoping to get the actresses. Ha. With the one-two-three punch of The Fountain, The Wrestler, and Black Swan Darren Aronofsky unquestionably earns a place on that list. Too much of Spike Lee's filmography is indellibly imprinted in my mind for him not to be included as well. I also wish that Jonathan Demme worked a great deal more, especially considering how adept he is across genres.
If Troy ran Hollywood, they'd all get more work!
If you ran Hollywood what would you greenlight?
Because of my background in musical theatre, the intial order of business would be the production of more musicals with the stipulation that Rob Marshall, Adam Shankman, and Bill Condon have absolutely nothing to do with them. In addition, I would grant Angela Bassett approval for any project of her choosing, provided it would give her a chance at another meaty starring role. Any talented auteur hoping to get his or her film made would have to find quality parts for Sharika Epps, Nicole Beharie, and/or Christina Hendricks. Finally, there would be a mandate for intelligent, adult thrillers and horrors that harken back to the time when studios didn't merely perceive them as an easy, relatively cheap way to make a quick buck.
Does "background in musical theatre" mean "actor" and if so, any dream roles?
I am indeed an actor-singer trying to finally break free from his day job. I've already taken on so many good roles -- Jimmy Early in "Dreamgirls," Mitch Mahoney in "Spelling Bee," Benny in "RENT," Belize in "Angels in America: Perestroika" -- that it's difficult to say what I would like to do next. I'd love to tackle something else non-musical, maybe an August Wilson piece, and I wish there were a role in "August: Osage County" for me.
Troy and Ron Giddings performing "I Don't Do That Anymore" this past November
!!! Your voice is so good. Okay, final question. You live in Maryland which begs the question: what's your favorite John Waters movie?
I have honestly never seen a single John Waters movie in its entirety. Though the man himself is quite the character, his aesthetic as a filmmaker has never truly appealed to me. And with that revelation I will probably be banished from Charm City forever!
Wednesday, March 12, 2014 at 11:03AM 
