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Entries in Denis Villeneuve (44)

Sunday
Sep272015

Podcast: Sicario & Stonewall

Katey, Joe, Nathaniel and Nick, all returned from TIFF (where the four of us were actually in the same place at the same time for the very first time ever!), return to "Now Playing" cinema to catch shrapnel coming off of Sicario & throw bricks at Stonewall

43 minutes 
00:01 TIFF postscript & Room
03:30 Sicario dark, haunting, superbly crafted, POV politics
21:00 Stonewall (2015) what were they thinking?
33:00 Stonewall (1995), Stonewall Uprising (2010), and other final thoughts 

You can listen to the podcast here at the bottom of the post or download from iTunes. Related reading: Katey on Room, Nathaniel on Stonewall, Nick on Sicario, Noah Tsika's negative reaction to Sicario, Jeffrey Wells's super-weird war on fans of Room.

And in case you missed it, here's the photo of the podcast team at TIFF.

Sicario and Stonewall

Sunday
Sep202015

Box Office: Johnny Depp gets Scorched

Tim here with the weekend box office estimates. After an exciting nailbiter last weekend, things got a lot more sedate. Maze Runner: The Scorch Trials took the #1 slot without too much effort, continuing the dominance of YA adaptations about attractive 20something teenagers fighting their way through a post-apocalyptic wilderness. Let's not crack open a bottle of champagne for all those Chosen Ones just yet, though; The Scorch Trials came up just short of the first Maze Runner's debut weekend last September, suggesting that if the franchise isn't necessarily on death's door, it seems to have already hit its theoretical peak.

WEEKEND TOP 10, ESTIMATED
01 Maze Runner: The Scorch Trials $30.3 new
02 Black Mass $23.4 new
03 The Visit $11.4 (cum. $42.3)
04 The Perfect Guy $9.6 (cum. $41.4) Tim's Review
05 Everest $7.6 new
06 War Room $6.3 (cum. $49.1)
07 A Walk in the Woods $2.7 (cum. $24.8) Reviewed at Sundance
08 Mission: Impossible - Rogue Nation $2.3 (cum. $191.7) Tim's Review
09 Straight Outta Compton $2.0 (cum. $158.9) Podcast
10 Captive $1.4 new

The weekend's other major wide release, Black Mass, opened to a satisfactory number for what it is - a crime drama for adults, which means it's likely to hold on much longer than Scorch Trials - but it's not quite the triumphant return for Johnny Depp that some of us were quietly hoping for. Compared to his last couple of mega-bombs, it's already an unqualified success: by the end of Sunday, it will have already grossed more than three times as much as the notorious Mortdecai from last winter, and its opening weekend is about as much as the entire lifetime domestic gross of Transcendence. Still, aspiring thinkpiece writers can put away their "Depp is a major movie star again!" ledes for right now.

The most impressive performance in the top ten probably belongs to Everest: the star-packed thriller had a smallish platform opening, mostly limited to IMAX and other large format screens, that propelled it up to an impressive $13,872 per-screen average, by far the biggest of any film in the top ten. But even that pales next to the film that I suspect most of the Film Experience faithful want to hear about: Denis Villaneuve's Sicario, starring Emily Blunt, opened to $390,000 on 6 screens. If that doesn't sound like much, try this on for size: the film's $65,000 per-screen average is the highest of any 2015 release so far. Let's keep out fingers crossed that this means great things for the film as it starts to expand over the next two weeks.

How did you spend your moviegoing weekend?

Tuesday
Aug042015

Imaginary Couples: Villeneuve & Vallée

An unexpected treat from our neighboring country to the north and a hat tip to Kevin LaForest for sharing it with us.

Two of Canada's greatest directors Jean-Marc Vallée (Wild) and Denis Villeneuve (Prisoners) recently posed for the photographer Olivier Ciappa's anti-homophobia series which photographs heterosexual celebrities as gay couples. (For a long time I actually thought Vallée was gay because his breakout hit C.R.A.Z.Y., which Canada submitted for the Oscars back in its day a decade ago, was a fine LGBT coming out drama in addition to the other things it was good at, but it turns out he's straight.) 

Vallée is riding quite an Oscar wave at the moment post The Dallas Buyers Club and Wild and his next film Demolition with Jake Gyllenhaal premieres at TIFF. (It's planning on 2016 for its US release but don't expect that plan to stick if reviews are sensational.) Villeneuve's career has been building for some time as well. Canada has actually submitted his work three times in the foreign language film category and the last of them Incendies (2010) was nominated for the big show. His newest feature Sicario (see that intense trailer) stars Emily Blunt and Benicio del Toro in a drug trafficking drama and could be one of the fall's mightiest films and a possible Oscar player. We shall see. 

Do you like these directors?

Monday
Jun222015

Yes No Maybe So: Sicario

Manuel here to talk about Sicario, the latest Denis Villeneuve film starring Emily Blunt, Benicio del Toro and Josh Brolin. It already earned strong reviews at Cannes but last week’s trailer was our first extended look at this drug cartel film where Blunt plays an FBI agent enlisted to help in the war against drugs in the US/Mexican border.

I wanted to make a full YES/NO/MAYBE SO for this trailer but realized as soon as we got to this shot...

Click to read more ...

Wednesday
Apr292015

April Foolish Predictions: Direction, Costumes, Cinematography, Sets! 

The April Foolish Predictions probably won't be quite finished by April's end, damnit! So we'll have to save four categories (Actresses and Screenplays) for May 1st. Blame Nathaniel's BFF who has demanded a Marvel marathon which starts very soon and which will then usurp a good chunk of the next 24 hours of Nathaniel's life. Since the bestie rarely wants to play movie games, Nathaniel obliges. Nathaniel also talks about himself in the third person for which he apologizes. 

But while we're talking Oscar predictions -- even deferred Oscar predictions - let's talk Visual Categories and Best Director. Since more charts are now up!

DIRECTOR
This question will horrify the Birdman haters (they are depressingly legion) but could Alejandro González Iñárritu manage back-to-back Oscars for direction? It's only happened twice before, both times in the 1940s (John Ford in 1940/1941 and Joseph L Mankiewicz in 1949/1950), but since The Revenant will be such an about face from Birdman the fire could still be burning for honoring the Mexican auteur's work. Especially since Oscar has never ignored one of his films. Between the five titles there are 21 nominations and 5 wins so if the new picture becomes a perfect average it's looking at 4 nominations and an Oscar somewhere. Other previous winners that might be in play are Spielberg, Hooper, Howard, Zemeckis, Beatty or Boyle. And will David O. Russell or Quentin Tarantino ever actually win Best Director?

Newbies? On a whim I'm going to predict Denis Villeneuve who I've enjoyed for a long time and who seems very proud of Sicario (his FBI vs Cartel drama led by Emily Blunt) and whose career seems about to explode post Prisoners. If civil rights period drama Suffragette (Sarah Gavron) or The 33 (Patricia Riggen) are good enough might we finally have another female director nominated? 

COSTUME DESIGN
There are a three potential double dippers this year from Oscar darlings Sandy Powell (Cinderella & Carol) and Jacqueline Durran (Pan & MacBeth) to Jane Petrie (you're saying "who?" but you'll know her by the end of the year since she went from relative unknown to suddenly prolific with four period pieces Suffragette, Jane Got a Gun, '71, and Genius which will all be released in 2015 in the States if Genius gets finished and gets distribution in time.

Elsewhere we have to wonder if the very talented long time costume designer Daniel Orlandi (Trumbo) is ever going to score his first nomination. And can I just say how amusing I find it that the great Jenny Beavan who has only ever been nominated for what some might derisively call 'masterpiece theater' style dramas costumed Mad Max: Fury Road this year? That's too fun! 

PRODUCTION DESIGN, EDITING, CINEMATOGRAPHY
Cinematography could be a murderer's row of great again since Deakins, Lubezki, Kaminski, Deschanel and more all have projects this year. As for the rest and the general overview - i made small adjusments to picture and supporting actor as well due to rethink of craft categories and the hunch that Sicario might really be something with Blunt and Villeneuve both still rising -- check out the all chart index 

As always, your comments are not just welcome but implored. Let's try the wisdom of crowds. What are you sensing at this extremely early date?