Link Flood

Entertainment Weekly Mark Harris sounded off on horror television like Hannibal and The Walking Dead "with gore less is more"
LA Times treasure trove of silent films found in Amsterdam including Mickey Rooney's first film role at age six
The Playlist interviews Denis Villeneuve (Enemy, Prisoners) on working with Jake Gyllenhaal, and his future projects
The Wire watching Noah during the Los Angeles earthquake

Playbill talks to F Murray Abraham about his career resurgence at 74
Variety Spain's Malaga festival reveals its winners. Maybe we should look at some of these as Oscar submission possibilities
Salon a new book makes the case for Wonder Woman as one of the greatest superheroes
The Wrap Game of Thrones and The Secret Life of Walter Mitty win the very first "Location Manager" awards - both shot partially in Iceland which is where it's at lately but more on Iceland in a special series in April
Comics Alliance the creator of the beloved Batman TV series died at 91 
Salon Catherine Keener does not think she should be called 'Spike Jonze's muse' 
Slate loves Darren Aronofksy's Noah but thinks the environmental message is problematic 

Must Read
We like her. We've always really liked her. Sally Field pens an open letter about being the mother of a gay son to encourage people to join the fight for civil rights and marriage equality and the like...

Sally Field and her son

One of the great privileges of my life to have been allowed to be a part of Sam’s journey.

There are people out there – organizations and politicians, strangers who have never even met Sam – who would rather devote themselves to denying his happiness...

Not only a wonderful actress but a wonderful person.

In the History of Shamelessly Greedy Ideas We Have a Winner
The movie industry's fever for making movies just like television with endlessly padded storylines to win more billlions from our pockets continues. Variety reports that J.K. Rowling's 54 page Harry Potter tie-in book "Fantastic Beasts and Where to Find Them" will now become a film trilogy.

P.S.
I CANNOT WAIT to see what people choose for their "best shot" from CAN'T STOP THE MUSIC (1980) on Tuesday night. It's absolutely insane. tacky. ridiculous.  And I'm not just talking about the opening glitter splooge credits and rollerskating sequence with Steve Guttenberg and his padded crotch.

If you'd like to join the Best Shot party, the movie is available for instant watching on Netflix, Amazon Instant and iTunes. Just pick your best shot and post it and we all party with the same movie on Tuesday night. Here's the upcoming schedule for other movie selections. 

"Beetlelink! Beetlelink! Beetlelink!"

If you say it three times, a link roundup appears from the other side!

By now you've heard that Tim Burton and Michael Keaton are prepping a sequel to the 1988 comedy classic Beetlejuice, largely because Burton has long since run out of ideas and better a sequel than another remake, right?! If they name it "Beetlejuice 2" instead of "Beetlejuice Beetlejuice Beetlejuice" I will be disappointed in their mundanity. I love that movie but honestly if this project does not star Winona Ryder I hope whoever deigns to see it will sit in the theater alone... *utterly* alone... because the rest of us should boycott. Noni was the best thing about the original aside from its playfully smart comic visuals including the Oscar winning makeup.

Now a few links...

E! Online reactions to the awful Parks and Recreations hiatus news
Women and Hollywood on male directors and depictions of female sexuality: Chile's awesome Gloria and France's buzzy Blue is the Warmest Color discussed 
Film School Rejects on the short film Next Floor by Denis Villeneuve. You should see it. It's so good and Villeneuve is having a prolific "moment", what with the 1-2-3 punch of Incendies, Prisoners and Enemy.

Review: Prisoners

This review originally appeared in my column at Towleroad

Thanksgiving in movies is usually overstuffed with dysfunction and hostility. Who can digest from all the bile at home? That's not the case in PRISONERS, the new dramatic thriller from undersung Canadian director Denis Villeneuve (Incendies), which is more retrograde in its approach with the family unit as something sacred and continually under attack. Despite the occassional interjection of ominous music (shut up Jóhannsson... there's plenty of time for your score later!) and an initially drab grey color palette, things seem realistically jovial at this get together.

The Dovers (Hugh Jackman + Maria Bello) are celebrating the holiday at the home of the Birches (Terrence Howard + Viola Davis) just down the street -- close enough to walk -- as they clearly do every year (or perhaps they trade off). The parents are realistically both amused and vaguely annoyed by their children, attentive but 'don't bother me' tired. It's only when the film leaves the homes of the Dovers or Birches that there's trouble brewing... somethings just off. Why did the movie open with a father/son hunting trip? Why is that strange RV parked on the road? Where did Anna's (Hugh's daughter) red emergency whistle go? Are Joy and Anna back yet? The two youngest children just went back to the Dovers to grab that red emergency whistle they wanted to p... OHMYGODwhere are Joy and Anna?

Click to read more ...

TIFF: Paranoid Mano-a-Mano Hallucinating With "Pioneer" and "Enemy"

TIFF is still raging but most journalists are now running on fumes, including me! And NYFF press screenings start next week. Give me strength! I know I know... you're waiting on writeups for Oscar hopefuls like The Railway Man, Gravity, and Twelve Years a Slave which is A LOT to get through still in the next few days but here are two films from Norway and Canada which I wanted to discuss. They both pit wounded unraveling men against themselves and each other for our viewing pleasure.

Wes Bentley vs. Aksel Hennie in "Pioneer"

PIONEER
Paranoia thrillers aren't really my cuppa as movie genres go but this not so distant history expose drama from Norway is just gripping. It deals in part with the American and Norwegian battle over oil drilling contracts and pipeline off Norway's massive jagged coast. Not So Spoiler Alert: Norway won making it one of the wealthiest nations in the world. But the political history is the setting rather than the focus, as we follow one diver Petter (Askel Hennie) who gets caught up in the unethical goings on which happen to have a body count. Not-So-Spoiler Alert 2: Big Oil is corrupt business no matter what flag it's flying under.

It helps quite a lot that Pioneer's opening sequence is just superb, with tensions and character detail already in media res as we meet an American diver (Wes Bentley) squaring off with the Norwegian brothers (Hennie & André Erikson) he's competing with for a trial diving mission. The men are being tested for the ability to withstand the unwithstandable oceanic pressure situations and scientists look on and experiment with the air they're breathing to see what keeps them functioning and alive. Soon they're hallucinating. When their first mission begins, the movie gets even more tense with some of the alien beauty of the James Cameron filmography elevating its underwater sequences. Once we've come up for air, shaken and much worse for the wear, the movie levels off into more familiar paranoia thriller tropes but it's so moodily lit, engagingly scored (by Air!), and slippery with the shady 'who can he possibly trust?' twists, that I didn't care and by then I was already well-hooked. The American actors (Stephen Lang, already totally typecast as the "this is a dangerous mission and I am secretly evil!" guy -- I've seen him do it like 3 times recently, and Wes Bentley) aren't half as subtle as the Norwegian stars which makes for some weird cartoon vs. human tonal shifting within scenes but it's good and very accessible filmmaking. It's still in the running towards becoming Norway's next top Oscar nominee. B+ 

P.S. Speaking of Oscar submissions, Mexican actress Stephanie Sigman, Miss Bala herself, plays one of the divers wives and speaks Norwegian in the film. Who knew?

Jake Gyllenhaal Versus Jake Gyllenhaal in "Enemy"

ENEMY
Take Jake Gyllenhaal's lonely OCD decoder in Zodiac and bring along his evocative cinematography and color palette. Split him in two with one version schlumpy and Adam Goldberg like (out of date reference?) and the other cockier like Gosling on a motorbike. Mix in Eyes Wide Shut's plinking/cagey 'sex party'. Plop it down to in Talent Agency and University settings as nondescript/sterile as the stockbroker firm in American Psycho and throw a curveball with inexplicable Video-Store detours from ye olden times. Stir it all together for a Franz Kafka stew. Add a little sprinkling of Isabella Rossellini, and a final glaze of blonde love interests (Melanie Laurent & Sarah Gadon) who are both confusingly disappointed; You're sleeping with Gyllenhall, ladies. Cheer the fuck up!

Do all that and you might get this eery, compelling, off putting, possibly slight but mercifully tight (90 minutes. Huzzah!) cinematic adaptation of Jose Saramago's "The Double". I kinda dug it but I have no idea if it's any good or what happened or where I am anymore and what aiiiiiiiieeeeeeee that last sound/shot. WTF 

Podcast a group discussion of TIFF 13: Oscar buzz, our favorite films, and more
Ambition & Self Sabotage on Gravity and Eleanor Rigby: Him & Her
Quickies Honeymoon, Young & Beautiful, Belle
Labor Day in a freeze-frame nutshell
Jessica Chastain at the Eleanor Rigby Premiere
August Osage County reactions Plus Best Picture Nonsense
Rush Ron Howard's crowd pleaser
The Past from Oscar winner Asghar Farhadi & Cannes Best Actress Berenice Bejo
Queer Double Feature: Tom at the Farm and Stranger by the Lake
Boogie Nights Live Read with Jason Reitman and Friends
First 3 Screenings: Child's Pose, Unbeatable and Isabelle Huppert in Abuse of Weakness 
TIFF Arrival: Touchdown in Toronto. Two unsightly Oscars