Emmy FYC: The Americans, Season Five

By Spencer Coile 

It is difficult at times to sum up what makes The Americans such gripping and thought-provoking series. I have encountered many friends grow tired of it quickly, claiming that it is too slow, too methodical in its approach to domesticity, to marriage, to the U.S. government. Aided by a delicious 80's fused soundtrack (you'll never hear "Tusk" by Fleetwood Mac the same way again) and tremendous performances, though, it is altogether unsurprising why many have remained drawn to the meticulous storytelling that is the FX original series, The Americans. In fact, after gathering a cult-like following for its first three seasons, it finally received the Emmy traction it so deserved, earning nominations in Drama Series, Actor, Actress, Writing, and winning Margo Martindale yet another in Drama Guest Actress. 

As the Emmy race heats up, The Americans is primed to sustain its momentum and score major nominations once more for its fifth season. But does it hold up to its previous four seasons?

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Emmy FYC: Aubrey Plaza's multiplicity in "Legion"

We're sharing our dream Emmy nominations as balloting is in progress. Here's Ben Miller...

TV creator Noah Hawley broke onto the scene quickly with the first season of Fargo.  After delivering a stellar superior second season, he was given the freedom to develop whatever he wanted at FX.  Born from that freedom was Legion.  Borrowing from its X-Men source material, Legion crafted its own little niche in prestige television.  No other series, save The Leftovers, was weirder and more divisive in its execution. 

Legion follows David (Dan Stevens), a mutant with telepathic abilities stuck in an insane asylum who finds love and conspiracy as he discovers he might (or might not) be insane.  His best friend in the asylum is Lenny, played by Aubrey Plaza.  Following a series of mind-bending events, Lenny is killed.  This isn’t much of a spoiler as it happens in the first episode.

After Lenny dies, Plaza comes to life...

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Emmy FYC: Justin Theroux in "The Leftovers"

For the next two weeks with Emmy nominating ballots in progress Team Experience will be sharing personal favorites. Here's Eric Blume...

When you talk about Justin Theroux, inevitably you turn to the subject of fairness.  On one level, is it fair to the rest of us mortals that Justin Theroux looks like this... 

Then again, it’s exactly because Justin Theroux looks like that that he is grossly undervalued.   Usually, if someone who looked like that was even just able to spell his own name, he would be fawned over.  But in the acting game, male beauty is rebuffed, and awards bodies tend to eschew acknowledgement if the male actor isn’t an everyman.

Part of the glory, ironically, of Theroux’s acting in HBO’s The Leftovers is that he so deeply inhabits the everyman, in the true sense of that term.  The trajectory for his character, Kevin, was of loving husband and father, trying to protect and save his family, as men do.  He couldn’t understand how to bring his family together, how to truly be vulnerable enough to connect.  And Theroux’s physical power was the perfect foil for his paralyzing inner fear...

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Powers Boothe (1948-2017)

Powers Boothe with his daughter Parisse (both acted in DEADWOOD) at a 2006 Emmy partyThe Emmy winning character actor Powers Boothe, best known for screen villains on TV (Deadwood, Nashville) and in movies (Sin City, Tombstone) died yesterday morning in his sleep from natural causes. After Shakespearean work on stage after college, his screen career began with "bad Shakespeare" as part of the Richard III play within the Oscar nominated comedy The Goodbye Girl (1977) in which he mostly lays like a corpse on a table while Dreyfus overacts the hunchback around him. The on camera career stretched for nearly another 40 years ending with the recurring baddie role as one of HYDRA's top leaders  "Gideon Malick" on  the third season of Marvel's AGENTS OF S.H.I.E.L.D. (2015/2016).  

The native Texan was 68 years old and is survived by his wife of 48 years (they married in college before his acting career began) and their two children. After the jump a quick survey of key roles... 

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There's a link in my soup

This is Just My Face is on sale nowNPR Gabourey Sidibe has a book out, now "This is Just My Face: Try Not To Stare" (great title). It's about her rise to fame, body image, and being confused with her fame-making character in Precious which she finds both frustrating and powerful
Time Out New York publishes its own TONY* nominations. Get it, their initials are TONY. Not to be confused with the actual Tony Award nominations which are due tomorrow to honor the best of Broadway. Consider this their "should be nominated" article
The Retro Set looks at the new documentary Mifune: The Last Samurai, narrated by Keanu Reeves, and now available to stream on Netflix. Can't wait to watch this. 

Deadline republished an interesting history of the making of Silence of the Lambs. I didn't know that the project started with Gene Hackman who was going to direct and star. 
Variety shared a really good interview with Geena Davis. I love what she says about the gender neutral movement with some awards bodies, combining male and female actors into the same category. It's a terrible idea and Geena eloquently explains why
Playbill Chita Rivera flashes back to her West Side Story audition in the 1950s, the show that put her on the map
Awards Daily looks at the prospects for Limited Series Actor... a far more shallow field than its Actress counterpart this year but at least that means its looking good for Riz Ahmed and Ewan McGregor
Playbill Come From Away, a new Broadway musical that's expected to do very well in tomorrow's Tony nominations, is getting its own documentary feature called Come From Away: From Gander to Broadway. It's the true story of a group of strangers diverted into a small town after the 9/11 terrorist attacks grounded airplanes.

Finally...
Interview has Kate Hudson interview her mom Goldie Hawn. It starts enjoyably silly and familial but gets deep into "mindfulness." Goldie is almost back onscreen (Snatched) after a 15 year retirement (that they're somehow calling a "hiatus"). Love this bit about how therapy (which she started around the time of Laugh-In) helped her keep sane despite becoming a household name in her early 20s:

I realized that the way people see me, as a star, has nothing to do with me. It's like a Rorschach test, like I am something they can identify with, learn to love, learn to hate, learn to resent ... but I gave it back to them. So if somebody said to me, "Oh, I love you!"—that makes me happy to see them happy, but I wouldn't take it in as something that builds my ego. And that's how I stabilized myself. 

Have a lovely Monday, everyone. How do you plan to "stabilize" yourself this week?