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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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BAFTA Winners

 

"Big performances and big personalities tend to have the edge. It so happens that all the acting categories this year have one or both of them. In supporting actress specifically, Janney has a bigger performance and a bigger real life personality." - Joseph

"Are you all OK with the Del Toro sweep? He would be my 4th choice." - Peggy Sue

"Poor Timothée!😔 Al least he has a chance to win the Spirit Award 🙏🏻 Or is Kaluuya going to upset?!" -Amirfarhang

 

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Entries in Everything Everything (2)

Sunday
Dec242017

Biggest $$$ Hauls of 2017 In Multiple Categories

Each day a different year in review party. Here's Nathaniel...

It's time for a special box office report. Though the year was dire for most studios (at least until the final quarter) with moviegoing down, especially in the summer, there are always hits. The question is only how large and what motivates people to buy a ticket. For all the griping you hear about "everything is superheroes" or "another sequel?" the biggest hits are nearly always sequels or superhero films so the audiences only have themselves to blame in a way.

We've already looked at the top grossing foreign language titles of 2017 so now to the wider releases as well as other categories. We'll break it down into multiple top tens so that it's more interesting than sequels and superheroes. (All grosses are US domestic)...

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Friday
May192017

Review: "Everything, Everything"

by Chris Feil

It’s not summer without at least once piece of romantic counter-programming, and for the most part Everything, Everything is a cut above the last few years’ offerings. There is a surprising amount of imagination in this tale of teenage love, and more genuine feeling. Its sappier side is kept at a softer level throughout, more concerned with showing the intricacies of blossoming young love than pulling your emotional strings. The film is more organic and modest in its emotional beats, until it turns its back on its own strengths.

Newly eighteen Maddy (The Hunger Games’s Amandla Stenberg) has been homebound her whole life, suffering from SCID, a genetical disorder that makes her essentially allergic to the world at large...

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