How Had I Never Seen... "Girlfriends"?

by Cláudio Alves

This month, the Criterion Channel added Claudia Weill's 1978 debut feature Girlfriends to their roster. Since last year, the film has been part of the collection, but it's now available for streaming. Coincidentally, I've also recently purchased the European edition of the Blu-Ray. Taking this into account, as well as the fact that I've been hearing and reading wonderful things about this flick for ages, it seems like a good time to finally watch Girlfriends and share my first impressions with you, dear readers…

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Other women who should have won Best Director

by Cláudio Alves

At this year's Oscar ceremony, Chloé Zhao became only the second woman in Academy history to conquer the Best Director prize. The second one in 93 years. She follows in the steps of Kathryn Bigelow, whose Hurt Locker, like Nomadland, also won the Best Picture trophy. As a longtime proponent of the importance of women directors in film history, I rejoice at this result. However, the victory is bittersweet, a reminder of the chronic lack of recognition for these filmmakers. Many other women have deserved to win the Best Director Oscar across the years…

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FYC: Kelly Reichardt for Best Director

by Cláudio Alves

Today marks the end of Oscar voting. After the clock strikes 5 PM PST/8 PM EST all the ballots for the 93rd Academy Award nominations will be set in stone, and nothing will change until the results are announced next Monday. As it stands, this also marks the end of these FYC write-ups by the Team Experience. To conclude things, I took for myself the honor of writing the last such piece of the season. It's about my favorite of the Oscar eligible titles, a tale of kindness in an unkind world, of ancient friendships, untraditional masculinities, unhuman economies, and unforgiving histories. First Cow's Kelly Reichardt's magnum opus and the film for which the American cineaste should be conquering her first Oscar nomination…

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How many female directors are going to be nominated?

by Juan Carlos Ojano

In hindsight, concerns that "there are no movies" or cries to "cancel the Oscars" during the pandemic were premature and also insulting. We could lament all the films postponed or we could embrace the extraordinary films we got. 2020 was a rich year of diverse voices behind the movies. That happily translated to the awards conversation: BIPOC and female filmmakers have had an unprecedented presence in the run up to the Oscar nominations.

Looking back at Oscar history, only five women have been nominated for Best Director...

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Best International Feature: Costa Rica, Peru, Uruguay

by Cláudio Alves

Even though the Best International Feature category exists to celebrate world cinema, AMPAS tends to be biased in favor of European films. Productions from Africa, Asia, and Latin America tend to get shortchanged, although many stupendous films harken to those continents. Those tendencies may be waning though; In the last decade, only half of the winners came from Europe. With recent victories for Mexico and Chile, maybe we're living through a newfound openness from the Academy towards Latin American excellence? Speaking of which, we've already reviewed the flicks from Argentina, Chile, Guatemala, Mexico, and Venezuela. Now, it's time to examine the submissions of Costa Rica, Peru, and Uruguay… 

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