Joan Micklin Silver (1935-2020)

by Nathaniel R

A appreciative goodbye to the writer/director Joan Micklin Silver who died on New Years Eve at 85 years of age of vascular dementia. Long before elevating female directors was a thing for the media or the industry, she was out there doing her thing. Imagine the lift for female directors in the 20th century to get not one but several films made with little media attention or social justice support. The NY Times has a fine overview of the type of obstacles she faced.

Silver's directorial debut came in the 1970s with the Jewish drama Hester Street which earned a well deserved Best Actress nomination for Carol Kane and a WGA nomination for Micklin herself for Comedy writing -- though what an odd classification that was for the immigrant drama...

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How Had I Never Seen... "Beau Travail"?

by Cláudio Alves

People cope with stress in different ways. Earlier this month, when the US presidential election was unfolding and the world held its breath, I turned to Twitter to reminisce about 2020 cinematic excellence and try to calm my nerves. I also scoured the internet for good deals on physical media, a bit of retail therapy, adding more DVDs and Blu-Rays to a collection that has long ago surpassed a thousand films. Part of the new additions were my first ever Criterion editions! 

All this to say that the discs arrived this week and, since the Criterion Channel has a new collection of Claire Denis films, I decided to finally watch the much-lauded Beau Travail and write about the experience. And what an experience it was…

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Hungary and Oscar and "Preparations to be together..."

by Nathaniel R

Preparations to be together for an unknown period of time (2020)

Hungary has announced its submission to the Oscar race. They have chosen the sophomore feature from new director Lili Horvát called Preparations to be Together For An Unknown Period Of Time. We love a memorable distinct title so this is up there with Lesotho's submission as the best-titled contender for Best International Feature this year. It's a romantic drama / mystery about a female surgeon that won prizes at several festivals including Philadelphia, Chicago, and Warsaw. Horvát began making short films in the Aughts and earlier this decade worked as a casting director, including on the acclaimed Hungarian Oscar submission White God (2014). This is the 29th announced submission that's from a female filmmaker so we're going to hit an all-time high percentage that's nearing gender parity. At this writing 42% of the entries come from female directors.

Let's look at Hungary's Oscar history after the jump. It might surprise you how many Hungarians Oscar voters have honored over the years, especially during the Golden Age of Hollywood... 

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The Strange Pleasures of "Strange Days"

by Cláudio Alves

In a future that's now our past, Strange Days tells a beguiling and disturbing tale of addiction and police brutality. Kathryn Bigelow's most most ambitious project to date, at least at the level of form and theme, opened in movie theaters twenty-five years ago today. Mixing social commentary with action excitement, insane feats of camera choreography, and feverish performances, the movie's a testament to its director's skill even if it wasn't the title that won her the Oscar. It's also a heady thrill ride that's out to dazzle the spectator, to shock them and galvanize too. Pleasure and violence are forever intertwined in this dream of celluloid.

The setting is Los Angeles on New Year's Eve, 1999, and the air is suffused with the threat of revolt. Strange Days, which opened in movie theaters on this very day in '95, posits a near future where technological advancements have made it possible to record and share memories...

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Kelly Reichardt and the "Roads to Nowhere"

by Cláudio Alves

With First Cow, Kelly Reichardt reaches an apotheosis in her career. Watching the director's filmography, one wouldn't suppose she was building up towards a monument, a grand summation of an auteur's cinematic idioms and preoccupations. Yet, here we are. While Reichardt has a very characteristic style and collection of favorite themes, one of the main elements of her oeuvre is a conspicuous lack of grandiosity. She's one of the great voices in contemporary American cinema, but her works seldom underline their mastery or call back to the films that came before, their predecessors in the Reichardt canon. 

Because of that, it feels like a good time to meditate on Kelly Reichardt's cinema, to revisit her features' wonder and, perchance, reevaluate what each one was trying to say. It's also an opportune moment to examine how those films were made, the methodologies of the artist. The way something is created imbues it with particular qualities, both aesthetic and ideological, thematic, and even spiritual. Helping us through this odyssey of discovery on the films of Kelly Reichardt, we now have Seventh Row's latest e-book, Roads to Nowhere: Kelly Reichardt's broken American dreams, as a handy guide… 

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