How Had I Never Seen... "Monsoon Wedding"?

by Cláudio Alves

Last year, Chloé Zhao won the Golden Lion at the Venice Film Festival for Nomadland. Unlike Cannes, which only awarded one woman (Jane Campion for The Piano) with the Palme d'Or in its history, Venice has named five female directors as the grand victors of its main competition. One of them, Mira Nair's Monsoon Wedding, I hadn't seen.  Since the Criterion Channel has just added Mira Nair's 2001 Venice-winner, it seems like a good time to correct this lacuna. Without further ado, let's delve into the rainy festivities of this Monsoon Wedding…

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"Minari" picks up a little steam with critics prizes...

Minari wins two best picture prizes

Here's four more groups of prizes from critics groups. Chloe Zhao continues her total sweep of Best Director prizes for Nomadland (she hasn't lost one yet) but Minari and Promising Young Woman find some love in this week's batch of honors...

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Joan Micklin Silver (1935-2020)

by Nathaniel R

A appreciative goodbye to the writer/director Joan Micklin Silver who died on New Years Eve at 85 years of age of vascular dementia. Long before elevating female directors was a thing for the media or the industry, she was out there doing her thing. Imagine the lift for female directors in the 20th century to get not one but several films made with little media attention or social justice support. The NY Times has a fine overview of the type of obstacles she faced.

Silver's directorial debut came in the 1970s with the Jewish drama Hester Street which earned a well deserved Best Actress nomination for Carol Kane and a WGA nomination for Micklin herself for Comedy writing -- though what an odd classification that was for the immigrant drama...

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How Had I Never Seen... "Beau Travail"?

by Cláudio Alves

People cope with stress in different ways. Earlier this month, when the US presidential election was unfolding and the world held its breath, I turned to Twitter to reminisce about 2020 cinematic excellence and try to calm my nerves. I also scoured the internet for good deals on physical media, a bit of retail therapy, adding more DVDs and Blu-Rays to a collection that has long ago surpassed a thousand films. Part of the new additions were my first ever Criterion editions! 

All this to say that the discs arrived this week and, since the Criterion Channel has a new collection of Claire Denis films, I decided to finally watch the much-lauded Beau Travail and write about the experience. And what an experience it was…

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Hungary and Oscar and "Preparations to be together..."

by Nathaniel R

Preparations to be together for an unknown period of time (2020)

Hungary has announced its submission to the Oscar race. They have chosen the sophomore feature from new director Lili Horvát called Preparations to be Together For An Unknown Period Of Time. We love a memorable distinct title so this is up there with Lesotho's submission as the best-titled contender for Best International Feature this year. It's a romantic drama / mystery about a female surgeon that won prizes at several festivals including Philadelphia, Chicago, and Warsaw. Horvát began making short films in the Aughts and earlier this decade worked as a casting director, including on the acclaimed Hungarian Oscar submission White God (2014). This is the 29th announced submission that's from a female filmmaker so we're going to hit an all-time high percentage that's nearing gender parity. At this writing 42% of the entries come from female directors.

Let's look at Hungary's Oscar history after the jump. It might surprise you how many Hungarians Oscar voters have honored over the years, especially during the Golden Age of Hollywood... 

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