The genius of Euzhan Palcy

by Cláudio Alves

One of the Criterion Channel's most enticing July releases is A Dry White Season by Caribbean director Euzhan Palcy. Her record-breaking career is a fascinating, often frustrating, piece of cinema history, full of fearless political artistry and a will to challenge the Hollywood machine. While her name isn't very well known, Palcy should be famous for all the risks she took and the astounding quality of her features. They might be few, but they are excellent. With that in mind, we invite you to explore the filmography, the story, and the genius of Euzhan Palcy…

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Babs as director

by Cláudio Alves

Barbra Streisand is a powerhouse in every sense of the word. Her long career has encompassed many facets of show business, from night club singer to Broadway sensation, from Oscar-winning actress to successful producer, and so on. Considering we've been discussing 1991 for the past couple of weeks, it seems appropriate to consider Streisand's legacy, not as a music or movie star, but as a director. That was the year that she released one of her dream projects, The Prince of Tides, which was nominated for seven Oscars, including Best Picture. Streisand, however, was left out of the directing lineup despite an aggressive campaign and much publicity. The snub stung and robbed Streisand of the honor of becoming the second woman to be nominated for that award, after Lina Wertmüller in the 1970s. 

Still, while it's difficult not to see AMPAS' decision as a blatant rebuke of Streisand as a director, one has to wonder if she'd have deserved the nod. After all, 1991 had a stellar, and historic, Best Director lineup...

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Meeting Streisand: A Miniature Comic Tragedy in 3 Acts

Thank you once more to Tom Mizer, one half of the songwriting team Mizer & Moore (The Marvelous Mrs Maisel), who has blessed us with funny, insightful guest blogs from the set, his childhood, and writing rooms all day! - Nathaniel

by Tom Mizer

I was raised on Barbra Streisand. My mother adored her. She owned The Way We Were and Yentl on VHS. She vacuumed to the “Guilty” album. Every birthday, she joyously opened Bab’s anual release like a Dickens’ orphan getting her yearly pair of shoes. And I was, step by step, initiated into the catechism of Our Lady of Funny Girl. (“Tom, THIS is 'Color Me Barbra'. Let us bow our heads in silence before we begin.”) 

So when I met her...Barbra, not my mother...it was brief but epic. And ridiculous. And wonderful. And bittersweet. Ladies and Gentlemen, may I present, “Meeting Streisand: A Miniature Comic Tragedy in 3 Acts.”

PROLOGUE: Tom is performing in a small Off-Broadway show. (His acting career will consist of playing 15 until he is 30 and appearing in musicals that end in “Live!”) In order to make more money, he is spending days off from the play as an extra in film and TV. The agency calls. They need students for a classroom scene in a film called The Mirror Has Two Faces. Directed by Barbara Streisand...

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Queen Latifah's "Bessie"

by Cláudio Alves

Sometimes, when watching a particularly starry TV production, whether it's a movie or a miniseries, one wonders how it might have impacted the Oscar race if had been released on the big screen. Would Mike Nichols' epic Angels in America have made Jeffrey Wright an Oscar nominee back in 2003? Could Drew Barrymore have snagged Sandra Bullock's Oscar if Grey Gardens had gone to movie theaters? With the 2002 Supporting Actress Smackdown nearly upon us, I began to wonder how Academy Award nominee Queen Latifah might have figured in the 2015 Oscar race with her Bessie. After all, that HBO film is one of AMPAS's favorite types of buzzy titles, a famous musician's biopic with a cast full of prestigious names…

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How Had I Never Seen... "But I'm a Cheerleader"?

by Cláudio Alves

To celebrate Pride Month, the Criterion Channel has chosen to highlight several works of queer cinema as well as various films featuring LGBTQIA+ characters. The selection is varied, spanning from Ettore Scola's Oscar-nominated A Special Day to the avant-garde work of Chantal Akerman and Cheryl Dunne. It's not all high-brow artistry -- there's space for kitschy entertainment, too. Such is the case of 1999's But I'm a Cheerleader directed by Jamie Babbit, a cult classic looking at gay conversion therapy through the prism of outrageous farcical humor. It's a movie I had never watched before, making it a great subject for this particular series…

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