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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Entries in Film Bitch Awards (159)

Monday
Feb072022

Film Bitch Awards ~ Oscar Parallel Categories Complete! 

by Nathaniel R

The Oscar-adjacent portion of our annual Film Bitch Awards is complete (i.e. if Nathaniel had a ballot)... 

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Saturday
Feb052022

Film Bitch Awards ~ Best Picture, Best Supporting Actor, and more are up!

With the arrival of that Top Ten List you knew this was coming. The 22nd (gulp) annual Film Bitch Awards have commenced. We'll try to get all the Oscar-adjacent nominees up before Tuesday...

Page 1 - BEST PICTURE, DIRECTOR, SCREENPLAYS, ANIMATED FEATURE
Various honors for C'mon C'mon, Flee, In the Heights, Mass, Passing, Power of the Dog, West Side Story, The Worst Person in the World (finally in theaters!), and Zola

Page 2 - BEST SUPPORTING ACTOR & BEST ACTOR
You might have deduced these first five acting nominees (Colman Domingo, Mike Faist, Troy Kotsur, Anders Danielsen Lie, and Kodi Smit McPhee) given our noisy enthusiams! The lead actors are also up. Guess who!

Page 3 - CINEMATOGRAPHY, MAKEUP 
Page 4 - ORIGINAL SONG, SOUND
Honors for Annette, Cruella, Dune, Encanto, French Dispatch, Green Knight, Tragedy of Macbeth etcetera with more to come...

Friday
May072021

Film Bitch Awards finale: Best scenes & big results from small parts

by Nathaniel R

Christian Magby and Lance Reddick in "One Night in Miami"

You know where I am if you need me.

We're finally closing out our 2020 coverage. Five months into the calendar year. We'd say 'Oops' but in this one case we'll happily blame the Oscars pretending that the calendar wasn't the calendar rather than our own sometimes-lacking time management skills. Though we are excited to move on to 2021, in point of fact lists and awards are our happy place. That is not because they have inherent definitive value as arbiters of quality (as the naysayers like to remind). No, that's not it at all. Only time is the definitive tastemaker but even that is fallible since it never stops and collective opinion can shift dramatically from generation to generation just as it does from person to person. No we value and love lists and awards because they are superb documents of feelings about quality at a specific moment in time. What moved people en masse? The answer is all over awards season. What struck certain individuals in a seismic way? That can be found in personal top ten lists and personal awards for those who bother to make such things. 

So let's start with one of our favourite things to honor: smashing work in very limited screentime...

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Thursday
Mar042021

"What a character!"

by Nathaniel R

We're almost finished with the Film Bitch Awards in the Oscar parallel catgories but we took a wee break from that to continue the fun stuff, the "extra" prizes. We've already announced Breakthroughs, Juvenile Performances, Casting and Ensemble work so now we move on to best characters (and we'll end next week with "limited/cameo" performances plus incredible invidividual scenes). This is great fun for us each year so hopefully that cinematic joy is contagious...

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Tuesday
Mar022021

Oscar race: Supporting Actress Chaos & Supporting Actor Lock-up

by Nathaniel R

don't despair ladies, you're the only two locks in "Best Supporting Actress"

We saw a tweet yesterday that implied that the Oscar race for Best Supporting Actress is now between Glenn Close (Hillbilly Elegy) and Jodie Foster (The Mauritanian) which felt a bit insane to us. That's a Globe induced fever. Nevertheless the shock of Foster's win for a movie people have barely noticed does maybe tell us that the Supporting Actress competition is more fluid than assumed. So who is leading and who is going to be left out on the 15th when the nominations are announced? The way we see it there are 9 women left standing for various reasons (which is a lot going into voting since it's usually only 6 or 7 by now). Only two of them (Glenn Close and Olivia Colman) feel locked up for honors. Curiously despite the sure-thing feel of Colman's soon to be second nomination, it's unlikely she has ANY shot at a win. Her Oscar win is very recent and The Father isn't quite the contender it should be (qualitatively speaking) given its quiet campaign. But the nomination battle is always different than the battle to win.

Who gets the other three spots?

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