Berlinale Closes Pt. 1: Jury Prizes, Teddys, and More

We haven't mentioned the Berlinale at all in the heat of Oscar week. So let's do that, shall we? Better late than never. The festival closes tomorrow but the awards were handed out over the past two days.

"Nader and Simin: A Separation" GOLDEN BEAR

Asghar Fahradi, who got a lot of Oscar buzz a couple years back (though no nomination) for ABOUT ELLY, won this year's Golden Bear for Nader & Simin: A Separation (2011). The Hollywood Reporter explains the film like so.

Farhadi's drama traces the breakup of a Iranian family set against the political tensions in Tehran. While not overtly political, Nader and Simin is starkly critical of conditions in Iran, notably the country's huge class divide. It was widely tipped to win Berlin's top prize, not least because of the current upheaval in the Middle East.

Fahradi dedicated his prize to jailed filmmaker Jafar Panihi who was also supposed to be serving on this very jury. Isabella Rossellini's jury was one short as a result. Rather than replacing him they held a symbolic open seat for him. Some articles are already suggesting that Nader & Simin could be submitted for next year's Foreign Language Film Oscar. But given the open criticisms and the dedication to a jailed filmmaker I wouldn't place your bets just yet; it can be tough to read Oscar submission politics when filmmakers and governments clash.

Competition Jury
Golden Bear: Jodaeiye Nader Az Simin (Nader and Simin, A Separation) by Asghar Farhadi
Silver Bear The Jury Grand Prize: A Torinoi Lo (The Turin Horse) by Bela Tarr
Silver Bear Best Director: Ulrich Kohler for Schlafkrankheit (Sleeping Sickness)
Silver Bear Best Actress: the female ensemble in Nader & Simin
Silver Bear Best Actor: the male ensemble in Nader & Simin
Silver Bear Best Screenplay: The Forgiveness of Blood written by Joshua Marston and Andamion Murataj.

Isabella and her jury liked Nader & Simin so much they gave it ALL the acting prizes, too. This wasn't good news for Coriolanus, the Shakespearean adaptation from Ralph Fiennes that won Vanessa Redgrave in particular Oscar friendly reviews. Regarding the Screenplay prize: If Marston's name looks familiar think Maria Full of Grace. We were wondering when he was going to be back to the cinema.

Silver Bear Artistic Contribution: Wojciech Staron, Cinematography, and Barbara Enriquez, Production Design, for El Premio
Alfred Bauer Prize: If Not Us Who (Wer Wenn Nicht Wir) by Andres Velel
First Feature Award: On the Ice by Andrew Okpeaha MacLean
Special Mention: The Guard by John Michael McDonagh
Special Mention: Die Vaterlosen by Marie Kreutzer

Crystal Bear
These prizes are for family films. Separate jury.

Best Kplus Feature Film: Keeper’n til Liverpool (The Liverpool Goalie) by Arild Andresen [Norway]
Special Mention: Mabul by Guy Nattiv [Israel/Canada/Germany/France]
Short Film: Lily by Kasimir Burgess [Australia]
Special Mention:  Minnie Loves Junior by Andy Mullins and Matthew Mullins [Australia]
Best 14plus Feature Film:  On the Ice  by Andrew Okpeaha MacLean [U.S.]
Special Mention: Apflickorna by Lisa Aschan [Sweden]
Best 14plus Short Film:  Manurewa by Sam Peacocke [New Zealand]
Special Mention:  Get Real! by Evert de Beijer [Netherlands]

Scandinavia is always winning prizes for family and kids films. It's a niche. Here's the trailer to the winning film. You can tell the "family friendly" categories aren't judged by US prudes. This won the Kplus award, and within seconds of the trailer starting there's jokes about people being well hung and there's shower nudity. Different worlds!

Audience Prizes
Audience Award, Fiction Film:  También la lluvia (Even The Rain) by Icíar Bollaín [Spain/France/Mexico]
This was one of the finalists for BEST FOREIGN FILM but did not make it to the nomination shortlist. It's currently open in select US theaters.
Second Place:  Medianeras by Gustavo Taretto [Argentina/Germany/Spain]
Third Place:  Life in a Day by Kevin Macdonald [Great Britain]
Audience Award, Documentary Film:  In Heaven Underground - The Weissensee Jewish Cemetery (Im Himmel, Unter der Erde. Der Jüdische Friedhof Weißensee) by Britta Wauer
Second Place:  Mama Africa by Mika Kaurismäki
Third Place:  We Were Here by David Weissman (USA)

Teddy Awards
Berlinale's Teddy Award, which is separate from the main fest and judged by LGBT film festival programmers, is one of the oldest annually bestowed Queer Cinema awards. It was first handed out in 1987 to Pedro Almodóvar's Law of Desire. What a kick off, eh?  Perusing the list of past Teddy Award winners is actually a great way to catch up on LGBT films you may have missed. Gay cinema is increasingly not what it used to be. With assimilation into mainstream culture, queer cinema definitely lost its edge and brain-power if not its sex drive. These days we don't seem to get new Gregg Arakis, Gus Van Sants or Todd Haynes and their like but people whose names we never learn directing straight to DVD sex comedies. (sigh)

Last year's Teddy prizes were unusually Hollywood friendly with James Franco's first short film The Feast of Stephen [clip. NSFW] winning Best Short Film and Lisa Cholodenko's eventual Best Picture nominee The Kids Are All Right winning the top prize.

Jake Yuzna's "Open" (2010). Marie Losier's "Ballad of Genesis and Lady Jaye" (2011)

Jake Yuzma's far more experimental pansexual drama Open won the Jury Prize. I had the pleasure of attending the premiere here in NYC. Artist Genesis Breyer P-Orridge  spoke to the audience afterwards. She and her late partner, Lady Jaye, who famously had repeated operations and plastic surgery procedures to look more and more like one another, were the inspiration for the fictional film. So I was surprised to hear that Berlin honored the very same topic again this year. Their Best Documentary prize went to The Ballad of Genesis and Lady Jaye by Marie Losier.

The Teddy, the main prize went to Argentina's Ausente, Marco Berger's follow up to Plan B which did the festival circuit last year and is now available on DVD.

Ausente is about teenager who falls in love with his swimming teacher, finding all sorts of excuses to spend time with him.

The Teddys in full
Best Feature Film: Ausente by Marco Berger
Best Documentary: The Ballad of Genesis and Lady Jaye by Marie Losier
Best Short Film: (two winners) Generations by Barbara Hammer and Gina Carducci and Maya Deren’s Sink by Barbara Hammer
Jury Prize: Tomboy by Celine Sciamma
Special Teddy Awards:  HIV/AIDS activist Pieter-Dirk Uys from South Africa and New German Cinema director Werner Schroeter (RIP).

Here's the trailer to Ausente which means "absent"

Sundance Festival Awards Wrap

Mostly I've been just motoring along, not too sad about having missed Sundance this year until it occurred to me what a jump start it gave me on this current Oscar race -- not too mention my own rooting interests at the film bitch awards. Whoa unto us who cannot afford a week in the snowy Utah mountains. I'm dying to see Vera Farmiga's directorial debut but otherwise I have poured over precious few Sundance articles. There was too much Oscar noise this week to give it much thought. But here's what Sundance went for with a passion.

Vera Farmiga, Dr. Nner and America Ferrara (photo from Zimbio)

The Sundance 2011 Awards broke down like so...

Juried
Grand Prize Dramatic Like Crazy
Grand Prize Documentary How To Die in Oregon
World Cinema Dramatic Happy, Happy
World Cinema Documentary Hell and Back Again

Like CrazyThe big breakout of the festival was Like Crazy, a cross-Atlantic romantic drama starring Actress winner Felicity Jones (the new Carey Mulligan they're saying... but isn't that just because Carey was a breakout at the same festival in a romantic drama?). It sold to Paramount for $4 million. If the past couple of festival years are any indication this does mean that Felicity Jones will be in the Oscar discussion a year from now. To be uncharitable and frank, I'm completely weirded out by this because a) she didn't register at all in Chéri despite a key role and b) I thought she was less than say "good" in The Tempest (2010) and all she had to do there was affectively portray falling in love as well as conveying being the sheltered child of a bossy mother. If Felicity Jones is a revelation here after that than Julie Taymor is an even worse director than I previously thought! Also weirding me out is the prospect of lil' Anton Yelchin as a romantic lead. Anton Yelchin. Isn't he that brainy little kid from Huff? Didn't he just look like a 12 year old playing at Chekov in Star Trek (2009)? My god they grow up so fast. ♪ sunrise sunset sunrise sunset ♫

Directing, Dramatic Sean Durkin for Martha Marcy May Marlene
Directing, Documentary Jon Foy for Resurrect Dead: The Mystery of Toynbee Tiles
Directing, World Cinema Paddy Considine for Tyrannosaur
Directing, Documentary World Cinema James Marsh for Project Nim
Waldo Salt Screenwriting Award Another Happy Day
World Cinema Screenwriting Restoration
Special Jury Prize (Acting) Felicity Jones for Like Crazy
Special Jury Prize (Dramatic) Another Earth
Special Jury Prize (Documentary) Being Elmo
World Cinema Special Jury Prize (Documentary) Position Among the Stars
World Cinema Special Jury Prize (Dramatic) The Acting in Tyrannosaur

Martha Marcy May MarleneOther than Vera Farmiga's film -- which I'm interested in mostly because I'm crazy for crazy-eyed Farmiga -- the one I'm most personally curious about is Martha Marcy May Marlene which won for Best Director. Fox Searchlight bought it and they do get behind their films. The film is about a young girl (Elizabeth Olsen. Yes, younger sister to the Olsen Twins) trying to adjust to life after fleeing a religious cult. She moves in with her sister (Sarah Paulson -yay) and her sister's fiance (Hugh Dancy - double yay!). John Hawke is the cult leader (triple yay... for Hawkes's involvement not dangerous cult leaders). Olsen won strong reviews and the film sounds like intriguing.

Paddy Considine and Olivia Colman on the set of "Tyrannosaur"Also looking forward to seeing Tyrannosaur. It's about the relationship between a rage filled man (Peter Mullan) and an abused woman (Olivia Colman) but one of our favorite character actors Paddy Considine is directing and if the world cinema jury felt the need to honor both its acting and its directing, maybe it's special and not just gritty miserabilism.

Documentary Editing If a Tree Falls
World Cinema Documentary Editing The Black Power Mixtape 1967-1975
Excellence in Cinematography, Dramatic Pariah
Excellence in Cinematography, Documentary The Redemption of General Butt Naked
World Cinema Cinematography All Your Dead Ones
World Cinema Cinematography, Documentary  Hell and Back Again
Alfred P Sloane Prize Another Earth directed by Mike Cahill
Sundance NHK International Filmmakers Award Cherien Davis
Jury Prize Short Filmmaking Brick novax Pt 1 & 2
Shorts Jury Honorable Mention: Choke by Michelle Latimer; Diarchy by Ferdinando Cito Filmomarioes; The External World by David O'Reilly; The Legend of Beaver Dam by Jerome Sable; Out of Reach by Jakub Stozek; Protoparticles by Chema García Ibarra

PariahFocus Features, who won The Kids Are All Right bidding war last year, also bought a lesbian film this year. Pariah, which won for cinematography, is about an African American teenager (played by Adepero Oduye) who is coming out of the closet in Brooklyn.

Audience Award
Dramatic Circumstance
Documentary Buck
World Cinema Kinyarwanda
World Documentary Senna
The Best of "NEXT" Audience Award to.get.her

CircumstanceLast year at Sundance the Dramatic Audience Award, Dramatic went to HappyThankYouMorePlease which was the writer/director debut of sitcom star Josh Radnor and surprise: it felt not unlike a sitcom. But the year before they chose Precious so you never know. This year's winner Circumstance is about an Iranian family struggling with rebellious teenagers.

Anything from Sundance 2011 interesting you from what you've read here or elsewhere?

De Niro to Cannes: You Screenin' For Me?

"Huh? Huh? Faster than you. Saw you coming. I'm standing here. You make the movie. You make the movie. It's your movie. You screenin' for me? You screenin' for me? Then who the else are you screening to. I'm the only one here."

The Taxi Driver himself, Robert De Niro will head the jury for this summer's Cannes Film Festival. That honor recalls Taxi Driver's own Cannes win in 1976 and neatly coincides with the 10th anniversary of the Tribeca Film Festival this year. Jury members are TBA but the pool generally includes a couple gobsmackingly beautiful foreign actresses, a few directors and/or writers, and a couple key below the line giants. Last year, as you'll recall, Tim Burton and his Cannes jury gave their top prize to Apichatpong Weerathesakul's Uncle Boonmee Who Can Recall His Past Lives (my review).

Here's to De Niro being a better judge of international art cinema than he is of his own current projects!