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Entries in film festivals (656)

Monday
Sep132021

That's a wrap on Venice!

by Nathaniel R

Elisa and Nathaniel on one of several drink between movies breaks

That's a wrap on Venezia 78, otherwise known at the 2021 edition of the Venice Film Festival. The Golden Lion went to the excellent French abortion drama L'Evenement / Happening with Parallel Mothers, Spencer, and a trio of Netflix movies Hand of God, The Lost Daughter, and Power of the Dog  also emerging as hot future awards-prospects from the competition. I cannot begin to describe how beautiful the city is (my first time visiting), or what it's like to take a boat ride to the movies each day. Or especially to hang with Elisa in person who was such a great translator for me both linguistically and culturally (and so much fun, too!). There was definitely a learning curve as a first-timer (I missed way too many of the hot ticket titles) but overall it was a good experience.  We hope you enjoyed our coverage. Consider subscribing for the price of a cup of coffee a month if you did as festival coverage isn't cheap for us behind the scenes...

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Saturday
Sep112021

Venice Diary #07 - "The Last Duel" and the last movies of the fest

by Elisa Giudici

Michael Myers is back in "Halloween Kills"

Final day!  I hope you are ready because in this entry I am going to cover all the movies I saw in the last two days of the Venice Film Festival. Eight movies, from European arthouse cinema to Hollywood blockbusters, with some solid performances, an instant cult, and the only major disappointment of this incredible edition of the Mostra.

I'll try to keep it short because of the lack of sleep. An inside joke between my roommate and me this year was that the Filipino movie with its 208 minutes of length lasted longer than our typical night of sleep in the last two weeks...

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Wednesday
Sep082021

Venice Diary #05 - Bad Journalists, bad-ass lapdancer and a french pearl

by Elisa Giudici

"Ridacece i soldi" (give us our money back) is a bizarre event that takes place every year at Venice Film Festival. It's a sort of award for the festivalgoers. In this picture, you can see the wooden prize awarded to the author of the funniest joke about a movie seen during the festival or a joke about a stereotypical situation that can be experienced only during Mostra. Everyone can write (or draw) an entry on a simple white piece of paper. There is a big wooden board in front of the official cafeteria. If you are early for the next screening, you can stop by and read some entries. The kind of humor most appreciated in this peculiar competition is the dry kind: you have to be biting wit to have a chance of winning.

Okay let's talk about three of the main Competition films: Lost Illusions, Mona Lisa and the Blood Moon, and L'Evenement...

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Tuesday
Sep072021

Complete the sentence(s) and luxuriate in the Isaac/Chastain vibe!

With fall festival season raging, we're curious what you're thinking out there. So let's have a comment party about the Oscar buzz by completing the following three sentences.

1. I know people at (Telluride or Venice) raved about ________  but I'm still doubtful about its awards chances because ___________.

2. I think ___________ is winning an Oscar but for  _________ the nomination will be the reward.

 3. That already famous video of Jessica Chastain and Oscar Isaac on the red carpet made me _______________ . 

Ready? Go. 

Monday
Sep062021

Venice Diary #04 - "Sundown" and "Last Night in Soho" disappoint, a Spanish comedy made my night

by Elisa Giudici

Penelope Cruz and cast in "Official Competition"

One of the things I like the most about the Venice Film Festival is how audience-friendly it is (aside from the maddening ticket system for this pandemic edition). It is remarkably easy and not that pricey to enjoy the most exciting movies of the competition in screenings devoted to the general audience, a lot easier and less expensive than Cannes for example. Tourists can walk by the red carpet and see major movie stars from Hollywood.

Lido (where most of the screenings take place) is a long, narrow island in front of Venice. It's a microcosm in which one might see Marco Bellocchio carrying his wife's luggage, Paolo Sorrentino eating breakfast in the cafè next to the red carpet, Luca Guadagnino riding his bike to return to Hotel Excelsior, or wind up in a queue with behind Jane Campion, who wants to see Isabelle Huppert's latest performance -- all of the above are little, precious moments I actually experienced here...

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