NYFF Reveals 2021's Main Slate

by Jason Adams

Like a kid high on candy canes staring at the boxes under the tree on Christmas morning, wondering what wonders await, so go I, wild-eyed and very very awake now, ogling the just-announced roster of the New York Film Festival's "Main Slate" for 2021 (which runs from September 24 – October 10). Like three bears or bowls of porridge we'd already sized up the spectacular threesome that is Joel Coen's The Tragedy of Macbeth opening the fest, Jane Campion's The Power of the Dog closing it, with Pedro Almodovar's milky-eyed Parallel Mothers sandwiched in the Centerpiece between, but now... now! Now comes all the meat and fixins and I, for one, am full to burst. Droolin' over here, everybody!

NYFF is often framed as an also-ran when it comes to the full Festival Season since it doesn't get a ton of World Premieres -- most of these movies will have played at Toronto or Venice or heck even back to Sundance (I see you, Passing -- no really I already saw you and reviewed you right here) -- but as my much-loved hometown fest I don't care what's first, I care what's best, and the curation these folks do remains to my eye top-notch...

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Locarno Diary #3: Phil Tippett, the "Mad God" of special effects

by Elisa Giudici

Being a prestigious European movie festival but not one of the crowded and powerful ones, Locarno is the perfect size to showcase the work of  artisans. Every year there are one or two guests who are legends in peculiar, unseen, less discussed niches of the movie industry. I am confident that meeting Phil Tippett, a legendary special effects creator, animator and supervisor, will be one of the most vivid memories of this edition of the festival.

Before Locarno and the opportunity to meet Tippett, I knew close to nothing about his career other than that he was a collaborator and close friend of Paul Verhoeven's. So much so, he said, that on the set of RoboCop they asked each other, with dry humour, who they were forced to be nice to...

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Locarno Diary #2: Lost men and religiosity

by Elisa Giudici

Heavens Above, a new Serbian film

Locarno has been in, let's say a strange transition period. I first started going when Carlo Chatrian was the Artistic Director (back in 2012). He left for the same position at Berlinale and his successer Lili Hinstin wasn't there long -- under two years which generated a lot of gossip. Giona A Nazzaro is the new director but because of COVID-19 this is his first edition. Maybe I was just lucky or my tastes align more with Nazzaro's than previous directors but this festival started with more energy and verve. (Until now my perception of Locarno was that it held a small number of amazing discoveries diluted in a pull of dull old fashioned auteurial selections.)

I choose today's two movies following my gut instinct and I especially liked how the films were having almost having a dialogue between themselves, despite major differences in tone and setting. Both of them are about the end of the world as known for the male protagonist. Hinterland and Nebesa (Heavens Above) try to describe how men struggle with change and the death of their previous idealogies...

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Locarno Diary #1: The festival begins with "Beckett"

by Elisa Giudici

A couple of weeks after having saying goodbye to Cannes and to the superb blue sea of the French Riviera, I am back at it by the majestic, cloudy mountains of Switzerland for the Locarno Film Festival: the long summer of European festival continues!

Up top you see the Piazza Grande (the biggest outdoor screen in Europe!) where we'll discover smaller movies and younger directors than the ones seen (and reviewed) at the Croisette. Unfortunately today the weather is really rainy. I am writing these lines with my raincoat on, wishing I followed that note I write to my future self every year at Locarno to stuff appropriate clothes in my car for mountain weather. The scenery is really majestic though, with clouds moving fast over the mountain tops and the city, like you're inside Olivier Assayas' Sils Maria.

Enough with scenery, let's talk about the opening night film... 

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Venice 2021: The Jury

by Nathaniel R

With Cannes wrapped we move on to the fall festival buzz. Next up is Venice (September 1st-11th) and we are thrilled to report that Elisa Giudici, our Italian correspondent who did such a fine job covering Cannes, will repeat that trick for Venice. The 78th Venice festival has just announced the complete jury for its competition films. Like Cannes, they've chosen a majority female jury this time around. Unlike Cannes they went big on very recent Oscar nominees and winners...

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