Baby Clyde's TIFF Diary #2: "The Woman King", Oprah, and "Sidney"

by Baby Clyde

You think I’m just here enjoying myself, don’t you? You think it’s all World Premieres and swanky parties, hobnobbing with the stars and swilling champagne. Unfortunately, that is not quite the case. My trip so far has been somewhat more mundane. Saturday, I had 5 films to see but spent most of my time visiting various electrical shops trying to find a US/UK travel adapter (I idiotically left the half dozen I own back in London). Instead of sipping Mimosas over a leisurely breakfast I was in Best Buy at 10am perusing plug sockets. At time of speaking, I still haven’t found one. I didn’t eat anything until 6.30pm. I’m now home and hastily throwing together this dispatch before my laptop dies. I’ve got about 20 minutes. Here goes.

First film of the day was a particular treat for this Brit after all who needs a Queen when we have The Woman King...

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Baby Clyde's TIFF Diary #1: "Bros" First!

Editor's Note: We will have some reviews at TIFF from Abe and Matt. Meanwhile Baby Clyde will be offering daily diaries. Hope you enjoy!

En route to TIFF!It’s a long-accepted fact in my office that for the first two weeks of September I will be away. No phone calls. No emails. No invoices. I’ll be travelling to Canada to spend 10 days in dark theatres watching the newest Oscar Bait all by myself and doing my very best to avoid speaking to anyone else whilst I’m there. Only this time I'm skipping the last bit as I'll be taking directly to you beloved readers. Nathanial has persuaded me to keep a TIFF diary to keep you abreast of all my festival adventures; He may regret it. 

So here I am back for the first time since 2019. It was of course Covid-19 that kept me away for the last couple of years, but it was only on planning this trip that I remembered the Coronavirus was nothing compared to the travails of the TIFF ticketing system...

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Venice Diary #03 - Unstoppable Women from Isabelle Huppert to Nan Goldin

by Elisa Giudici

BONES AND ALL

The women in the four movies screened today are truly formidable. They're capable of eating their enemies alive -- one quite literally as in Guadagnino’s latest Bones and all. Two more are fighting conventional portraits of females as weak. The last is living an extraordinary life and using her power as an artist to expose rich capitalist shenanigans. What a quartet...

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Venice Diary #02 - BARDO and other self-reflecting movies

by Elisa Giudici

Two men focusing on their own identities. Two women speaking to their relationship with their husbands. For day two of the Venice film festival it was a quartet of movies featuring personal intimate stories...

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Venice Diary #01 - Tár, White Noise, and Princess

by Elisa Giudici

Hello readers! It's Venice time again. As with previous festivals, I'll be reviewing the movies with some festival experience details on the side. I screened three and a half movies (we'll get to the half at the end) in the first Day of the Mostra. Both the official opening night film White Noise and Princess in the Orizzonti section were a bit disappointing though both are far from failures. On the bright side, Cate Blanchett really delivers in Tár.

But first something a little spooky as Venice starts off on the wrong foot. This year Sala Darsena (the main screening room for press and industry) appears to be …cursed? During the screening of White Noise a bat (a real, actual bat!) flew in front of the screen...

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