"Nomadland" wins TIFF's People's Choice

by Nathaniel R

This year's TIFF has wrapped. Normally we cover it extensively, as you know, but they cut out a big swath of press this year including us... *cries*. Hopefully we'll return next year and if not we'll have to find a new favourite festival to obsess over. Herewith the winners and some Oscar stats, and if we've already discussed the movies, there's a link...

AUDIENCE PRIZES

People's Choice: Nomadland dir. Chloé Zhao.
(First runner up: One Night in Miami... dir. Regina King; Second runner up: Beans dir. Tracey Deer.)
People's Choice, Documentary: Inconvenient Indian dir. Michelle Latimer. 
People’s Choice, Midnight Madness: Shadow in the Cloud dir.  Roseanne Liang. 

That's right ALL of the audience prizes this year went to female filmmakers! Even the runners up were directed by women. The People's Choice Award is major bragging rights since it often signals kind Oscar fates down the road. Basically it would be a shock if Nomadland misses the Best Picture nomination at this point afterwinning TIFF and Venice though One Night in Miami has less convincing stats on its side. The stats go like so... 

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On "Nomadland" and other Venice winners

Please welcome guest contributor Elisa Giudici. She saw all the Venice competition films and she brings us this special report!

By Elisa Giudici

The oldest Film Festival of the world was the first to roar back from the pandemic. Venice International Film Festival president Francesco Ciccutto and artistic director Alberto Barbera worked hard to organize this year's edition. At first, it played like a fever dream: an international film festival in one of the nations that lived through the most severe lockdowns and highest death count just a few months ago?

Hollywood majors and newer realities like Netflix, which in the recent past Venice would coddle with attention, betrayed the Venetian Mostra, and didn't send a single movie. Old friends rallied, though.  Pedro Almodóvar, Luca Guadagnino, Ann Hui, and Abel Ferrara wanted to be in Venice to help the Mostra. They were supported by European festivals early on in their filmmaking and didn't forget them in their time of need... 

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Red Carpet Lineup: 30 Looks from Venice 2020

The 77th Venice Film Festival wrapped today with the Golden Lion going to Chloe Zhao's Nomadland (which we'd predicted as far back as our annual April Foolish Predictions to be in the forthcoming Best Picture and Best Director lineups (we'll update all those charts this week). Venice wasn't the star-studded affair it usually is due to the shortage of travel and the ongoing troubles of the pandemic but they shouldered on. Cate Blanchett was in town for the whole festival as the President of the Jury and she made the all too rare decision to be sustainably fashionable by wearing only red carpet looks she'd worn before at other glitzy events. But her superpower, well one of them at any rate, is to make any year's fashions look utterly timeless.

29 other looks after the jump from the small batch of stars who went to Venice...

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Doc Corner: The best of this year's virtual documentary festivals

By Glenn Dunks

Despite what may be happening across the rest of film distribution, the documentary realm has barely had a chance to breathe. Just as there ever was, there are so many titles coming out each and every week that it is impossible to keep up with in a weekly column. This includes not just new releases to streaming, VOD and virtual cinemas (and now, as lockdowns cease around the globe, theatrical), but also festivals.

In fact, I’ve been able to attend more than any before. Whereas I wouldn’t have had the time nor the access to ‘attend’ England’s Sheffield Doc/Fest or the United States’ AFI Docs or Canada’s Hot Docs, I was able to finish my day job in the afternoon and take a quick world tour of some of the finest documentary and non-fiction festivals around. And there’s still more of them to come (like DocNYC) because, folks? There’s just so.many.movies. 

I wanted to highlight the best that I saw across each of the three festivals and give a spotlight to movies that took me to a poisoned Martinique, the frontlines of the women’s liberation movement, and the underground dance scene of Baltimore...

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What will we miss with a streaming future?

By Glenn Dunks

All of the talk these last few months about getting back into cinemas has focused on movies like Christopher Nolan’s time-bending Tenet or superhero extravaganzas like Wonder Woman 1984. And it’s not hard to see why. The thrill of watching the biggest movie in the world in a packed cinema with an audience that is eager to go on that ride can be a real buzz.

Many people’s favourite film memories are those rooted in the shared experience of seeing dinosaurs for the first time in Jurassic Park, discovering Darth Vader is Luke’s father or that Bruce Willis was dead all along, watching the Titanic sink or any number of other iconic pop culture moments surrounded by hordes of moviegoers in equal rapture. I may be a bit of an ol’ stick in the mud these days when it comes to American blockbusters, but even I can admit that watching Hollywood do what it does best(?) on a screen the size of a house can add half a star or more to a film’s enjoyment.

For me, however, the largest impact of shut down cinemas hasn’t been felt in the mainstream blockbusters...

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