Fantasia 2018: Cold Skin

by Jason Adams

The only child in me always dreams about and delights in films about people who've run away from the world of man to make a go of it by their lonesomes. They're duking it out with their own personal demons in the wilderness, of whatever sort, mano a mano. There's no greater fantasy of this sort than the Lighthouse Keeper. They wear thick-knit sweaters and write in their diaries and stare sadly into the distance at hella stormy seas - it's my fetish writ ten-fold. The old-timier the better - give me strange instruments and dials, knickers and elaborate mustaches, tweed piled to heaven, please and thank you.

Nobody tossed these fantasies into the abyss better than HP Lovecraft and Cold Skin, the new Lovecrafitan tale of terror from Frontier(s) and Hitman director Xavier Gens (it's actually based on a 2002 book by Albert Sanchez Pinol), is made of that same slippery stuff...

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TIFF Galas & Special Presentations Announced

by Nathaniel R

TIFF is around the corner y'all. Excited we are since it means the prestige film season and another round of Oscar madness is about to begin. For the first time TIFF has allowed The Film Experience two press passes so Chris Feil and Nathaniel R (that's me) will both be covering in real time for the whole fest from September 6th through the 16th. Today TIFF has announced the 47 films that will be featured in their Galas and Special Presentations sections. These are the two sections wherein you'll usually find the mainstream awards hopefuls shoulder-to-shoulder with more traditional festival fare and world cinema premieres. TIFF usually has hundreds of films so this is just the first announcement. 

The full list containing masterpieces and duds and everything inbetween (though we won't know which-is-which-is-which until we see them) is after the jump!

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Roma Takes New York

by Jason Adams

Set your calendars - the New York Film Festival is a mere seventy-two days away now! Running from September 28 to October 14 the 56th edition of my hometown's biggest fanciest movie celebration has just made its first programming announcement - this year's Centerpiece Film will be Alfonso Cuarón’s black-and-white autobiographical epic Roma! 

The movie charts the course of a family over the course of a year in middle-class Mexico City in the 1970s, and even though that seems straightforward it sounds like Cuarón is still experimenting with movie technology - NYFF promises that the film features "a sound design that represents something new in the medium." Well I'm curious!

Roma is owned by Netflix and got pushed out of consideration by Cannes because of their cantankerous relationship with the streamer - NYFF has no such qualms, having screened both Mudbound and The Meyerowitz Stories just last year, so we'll be some of the lucky movie-goers who see Cuarón's vision on a great big screen, lucky lucky us.

Links: Scarjo Shifting, Brie Wrapping, Joss Returning, Cheetah Leaping

• Out Scarlett Johansson leaves the upcoming trans drama Rub & Tug post-backlash
• THR In unrelated news Scarlett is finally getting her Black Widow solo movie. Australian Cate Shortland (Lore) will direct, beating out finalists Amma Asante and Maggie Betts.
• MovieMaker the 25 coolest film festivals in the world (the giant A list fests are not listed in favor of quirkier ones that use their location in interesting ways.)
• Gizmodo only one Blockbuster video store is still open in the United States!

More after the jump including Die Hard, Danai Gurira, Tab Hunter, Joss Whedon, If Beale Street Could Talk, West Side Story revival, and more...

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Doc Corner: Dances with Films Festival

by Glenn Dunks

The spectre of films past linger over two documentaries at the Dances with Films independent film festival (June 7th-17th at the TCL Chinese Theaters in Los Angeles). Their ability to bring an audience back to something more innocent is perhaps one of the strongest elements of this festival that prizes the atmosphere of a summer camp rather than a crazed film festival in the snowy mountains or on the sunny beaches.

The more obvious of the two that I was able to sample is Alexander Monelli's At the Drive-In, a film that you could glimpse at a pass and suspect you have already seen a dozen times at other festivals. Film festival audiences are, after all, more naturally disposed to watch a documentary about a venue like a drive-in or a classic movie palace or a dying/dead/forgotten part of the filmgoing experience. The inherent nostalgia and cinematic reverence of these topics make them solid programming on any festival’s behalf...

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