Tribeca Drops First Half of Festival Program, Chocked Full of Potential Discoveries

Daniel Crooke here, salivating over today’s first wave of films from the 2016 Tribeca Film Festival’s line-up. While the Spotlight, Midnight, and Special Sections programs won’t drop until March 8, the US Narrative, International Narrative, and World Documentary Competitions, and Viewpoints showcase hit the internet today and there’s plenty to buzz about. Scanning the films, you’ll find an embarrassment of riches hiding in the programming, plot details, and cast lists. Here are some personal points of interest:

US Narrative Competition

Ingrid Jungermann’s webseries F to 7^th was an astutely, hysterically observed slice of queer life in New York, giving voice to a uniquely cutting female perspective in the process, so her feature debut Women Who Kill shoots straight to the top of the list. The Fixer sounds intriguing in a small-town-with-secrets kind way, James Franco as an “eccentric local” a little less so. Queens of charting the path from comfortable malaise to all-out soul-search, Amy Landecker and Melanie Lynskey – who, in particular, is quietly giving the best lead performance on television – pop up in Dreamland and Folk Hero & Funny Guy. Current faves Keith Stanfield (Short Term 12, Straight Outta Compton) and Dan Stevens (The Guest) will star in Live Cargo and The Ticket.

International Narrative Competition

It’s hard to ignore the promise of a collection of short films from the likes of Chilean shaggydog provocateur Sebastian Silva and actors Mia Wasikowska and Gael Garcia Bernal in Madly, sounding like an I Love You, anthology movie but if the city were Relentless. Argentine Cinema had the international stage last year with the raucous Wild Tales – although Lucretia Martel eternally has her own platform in my heart – so fingers crossed for another cross-hemispheric success with The Tenth Man (El Rey Del Once) and its culturally and generationally intersectional premise.

World Documentary Competition & Viewpoints

Documentary-wise, Betting On Zero positions Herbalife as a pyramid scheme, Do Not Resist exposes the military-industrial nature of America’s police culture, and LoveTrue boasts the wacko cred of (my Northeast Los Angeles neighbor) Flying Lotus on score and Shia LaBeouf as executive producer. Equals with Kristen Stewart and Nic Hoult premieres in the Viewpoints program, along with raunchy R-rated animation Nerdland (trend-chillin’ with Anomalisa and Annapurna’s Sausage Party) and the divisive British class flick High-Rise.

You can view the list of released Tribeca titles here – what catches your eye?

Berlin: Fire at Sea Wins the Golden Bear

 Amir Soltani is covering the Berlin International Film Festival.

The Berlinale officially closes today. Although we’re not yet finished with our coverage – a couple of interviews still to come – it’s the perfect time to look back and discuss the festival’s awards. In my review of Gianfranco Rosi’s exquisite new film, Fire at Sea, I noted that it would be a shock for the film to leave the Berlinale empty-handed. Lo and behold, the festival’s jury, headed by Meryl Streep, agreed with the sentiment, and rightly awarded the competition’s best film with the Golden Bear.

The festival’s unofficial theme – repeated across press releases and around the festival hub – was refugees and immigrants. Much as Rosi’s impressive constructed, morally compelling and profoundly moving film might have benefited from that, however, it was hard to ignore the fact that its reception by critics and audiences simply towered above any other film playing in any program in Berlin. The theory among critics was that if another film were to win, it would be Mia Hansen-Løve’s L’Avenir would be it. With critics near-unanimously calling it the director’s best work yet, and with four women on a jury of seven, the Isabel Huppert vehicle was likely to find favour, and indeed it nabbed the best director prize. [More...]

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Berlin: 'Genius' starring Nicole Kidman and Colin Firth

 Amir Soltani is covering the Berlin International Film Festival, TFE's first time at Berlinale! Here is his take on Michael Grandage's Genius.

Berlinale is known for inviting one or two Hollywood pictures to the festival every year to add glamour to the sprawling selection of mostly arthouse curios. One of those films in this year’s edition was Michael Grandage’s first feature as a director, Genius. A period piece based on a true story, the film came to the festival with high expectations, given the distribution deal with Lionsgate already in place, and the pedigree of everyone involved, including thrice Oscar-nominated screenwriter John Logan, and Oscar winners Colin Firth and Nicole Kidman in the cast. But this was all before the film was screened and faced walkouts and unintentional laughs.

Maxwell Perkins (Firth) was the editor and invisible hand behind some of the biggest American masterpieces of literature in the 1920s, including novels by Ernest Hemingway (Dominic West) and F. Scott Fitzgerald (Guy Pierece). Perkins is a family man, living in an expansive estate with his wife Louise (Laura Linney) and five daughters. As one would expect of the editor responsible for taming wild characters such as Hemingway and, eventually, Thomas Wolfe (Jude Law), Perkins is a gentleman of the highest order, calm and gentle, but serious all the same. [More...]

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Berlin: The Latest from Mia Hansen-Løve and André Téchiné

 Amir Soltani is covering the Berlin International Film Festival, TFE's first time at Berlinale! Here are the two French films from the festival’s Competition section (the group of film's Meryl Streep & jury are seeing).

L’AVENIR (Mia Hansen-Løve)
Mia Hansen-Løve has established herself as one of world cinema’s most exciting young filmmakers in the past few years. Her latest, L’Avenir (Things to Come) came to Berlinale as one of the festival’s most anticipated films. Starring Isabelle Huppert as Nathalie, a middle-aged philosophy teacher on the verge of significant changes in her personal and professional life, L’Avenir is an intimate, life-affirming character study with a superb star turn from Huppert...

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Berlin: Fire at Sea

Amir Soltani is covering the Berlin International Film Festival for The Film Experience this year, our first time at Berlinale!. Tonight, previous Venice winner, Gianfranco Rosi's Fuocoammare.

Gianfranco Rosi shocked the film world with his Golden Lion win at Venice for Sacro GRA a few years ago. At Berlinale, the true shock would be for his latest film, Fire at Sea (Fuocoammare), to leave the festival empty-handed. The Italian maestro’s seamless hybrid of documentary and fiction is a self-reflexive and compassionate meditation on Italy’s crisis of cultural identity in the face of an unprecedented wave of refugee migration.

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