10 More Critics Prizes: "Argo" & "The Master" Fight For "Zero Dark" Scraps

I haven't done the math but why count with my fingers when The Wrap is a born calculator and reveals that as the critics prizes have shaken down Zero Dark Thirty leads the race with 8 while Argo is in second for Best Picture prizes with half as many triumphs thus far. The Master is the only other film that's managed multiple "Best Film" gongs (3) in this thankfully divided year. Licking the crumbs off the critics awards plate we have Amour, Life of Pi, Lincoln, Silver Linings Playbook and... Safety Not Guaranteed? Well, ok, Indiana! You go your own way.

Zero Dark Thirty, Argo, and The Master are the critics win leaders

Les Misérables is the only film from Oscar's presumed big five that hasn't managed a Best Picture win from a critics group though it's surprising to realize that Lincoln hasn't done much better in terms of taking the top prize. Another casualty is Beasts of the Southern Wild. That gloriously original moving indie has recovered from its first weeks in the precursors where it couldn't win "first film" or "breakthrough performer" prizes with the unexpected strength of How to Survive a Plague and Middle of Nowhere blocking its pathway with critics or at the Gothams respectively. It's won a few things here and there. But I'd argue it's the biggest casualty of the critics weeks since it hasn't managed even one Best Picture win. It deserved and needed them so it's no surprise that it's outsider shot at a Best Picture nomination which once seemed totally doable now looks like a true long shot.

Supporting Actor Disappointments and more after the jump...

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Stripper of the Day: "Ricky The Rocket"

While "Magic Mike" is in theaters we're looking back at memorable movie strippers

It's hard to know what possessed Oscar winning director John Avildsen to make the very trashy A Night in Heaven (1983), and less than a decade after his Rocky triumph at that. But make it he did. This one time paycable regular is about a schoolmarm community college professor named Faye (Lesley Ann Warren) who falls for a student named Rick (Christopher Atkins) once she sees, uh, more of him at her local bar's Ladie's Night. It takes place in Florida and considering that this is the only major theatrical motion picture about a male stripper before Magic Mike which also takes place there, does this mean that Florida is the capital of pelvic thrusts and loincloths... or just ceaselessly horny?

By day Rick's cocky glibness irritates Faye in speech class where she flunks him. But by night she discovers that he's "Ricky The Rocket", a star attraction. Ricky The Rocket immediately recognizes her during his space-age routine and in the film's cleverest visual beat, he's temporarily backlit by a halo as he moves toward her. 

His body may be heavenly but Rickie is no angel.  And he's definitely not safe for (Faye's) work...

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