By Jose Solís.
At first glance Tanna might seem like another take on the Romeo and Juliet story, as we see two star-crossed lovers, living in the title South Pacific island, fight their way in a society that doesn’t understand their love. But upon giving it a closer look, the film reveals itself to be a fascinating anthropological study about the way in which ancient civilizations have been able to maintain their traditions for centuries, as the colonizers around them always seem to be on the verge of self-destruction. Watching the idyllic living of the Ni-Vanuatu people in the film makes one wish our governments also found ways to listen to everyone in the community. But even when it’s clear that not everything in the island is good, after all they’re living in a conservative patriarchal society, directors Bentley Dean and Martin Butler are able to remove all romanticism, and deliver a document that works as a love story and an insightful look at a culture we know very little about.
The gorgeously shot Tanna features wonderful acting by the locals, non-professional actors who were chosen based on qualities that best approximated the characters they would play. For example leading man Mungau Dain was chosen because everyone believed he was the most handsome man on the island, and his leading lady Marie Wawa was chosen for her strength. The film was warmly received at the 2016 Venice Film Festival where it picked up two awards, and was selected as Australia’s Oscar submission for Best Foreign Language Film, making the final five when nominations were announced. I spoke to the directors about the challenges of shooting the film, their love for movies, and Oscar season.
Read the interview after the jump.
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Saturday, March 11, 2017 at 3:44PM 
