A Lovely Trailer for "Menashe"

Chris here. It's worth remembering as we head toward the clanging of the summer movie season that we will have some quieter cinematic treasures ahead to cleanse our palettes. One of my most anticipated is Sundance favorite Menashe, which Nathaniel recently reviewed. 

Menashe stars Menashe Lustig (loosely portraying himself) as a newly widowered father trying to regain custody of his son in their very conservative Hasidic Jewish community. If that sounds a little maudlin, the film promises to be balanced by humor and authenticity, as it stars actual residents of the Brooklyn neighborhood it depicts. The film will be the first non-English language film for distributor A24 - good to see their Oscar triumph with Moonlight isn't making them shy away from the tough sell, not to mention their commitment to new American voices like Menashe director Joshua Z. Weinstein.

The film's first trailer just dropped, and it is delicate and charming in the best way - a familiar story told in unfamiliar voices.

Cannes Line Up

by Nathaniel R

The Cannes lineup was announced very early this morning (time differences, don'cha know) and we're here to give you details, not just film titles. While TFE doesn't attend ($) we do follow from afar and hope to make the trek some day. The 70th Annual Cannes Film Festival runs May 17th through May 28th.

OPENING NIGHT

Which is a high profile gig but also risky as the knives are often out for a sacrifice to the festival gods to launch the cinextravaganza. 

Ismael’s Ghosts (Arnaud Desplechin)
French auteur Desplechin's latest will be released in the US by Magnolia. It stars French A-Listers Marion Cotillard, Charlotte Gainsbourg, Mathieu Amalric, and Louis Garrel and revolves around a filmmaker (Amalric) working on a new picture when his long dead lover Carlotta (Cotillard) returns to life sending his life into a tailspin. If you've never seen Desplechin classics Kings and Queen (2004) and A Christmas Tale (2008) get right to that!

THE COMPETITION LINEUP...

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Almodóvar for 99¢

Heads up. If you ever rent movies from iTunes rather than wait for them to stream, you should know that Pedro Almodóvar's entire filmography (well, absent Julieta of course which is too new) is now available to rent for 99¢ for each film (or between $4.99 and $9.99 to buy, depending on the title). Yes, even Pepi Luci Bom, his first official feature, which has been previously quite hard to come by. There are very few filmmakers in the world with a filmography as consistently rich as his, so dig in. He's my favorite living filmmaker, so I must proselytize when I can.

Perhaps we should do a series? 

Review: "The Death of Louis XIV"

by Bill Curran

Laying in regal and rotting repose, the glorious tendrils of a white M-shaped wig framing his ashen face, King Louis XIV of France, in the year 1717, spends his final days dying atop luxurious satins and attended to by hand-wringing bureaucrats and a largely silent wife in Albert Serra’s (you guessed it) The Death of Louis XIV.

As far as “death trip” movies go, Louis XIV is a quintessential ordeal. Like moths around the flame, the films in this still-thriving trend announce the demise (or prolonged distress) of their subjects up front, with imminence and duration the focus, often with a titular clue to the narrative framework: The Passion of the Christ, Last Days, 12 Years a Slave, The Death of Mr. Lazarescu, 4 Months, 3 Weeks, and 2 Days, 127 Hours, Day Night Day Night, Hunger, Two Days, One Night, and Son of Saul, to name but a few...

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ND/NF: "Menashe" and "The Future Perfect"

MOMa and Film Society of Lincoln Center's annual New Directors / New Films festival wrapped up this past weekend. Their goal each year is to celebrate "a group of filmmakers who represent the present and anticipate the future of cinema: daring artists whose work pushes the envelope and is never what you’d expect"  The big tickets this year were two buzzy Sundance titles: the gay drama Beach Rats (a subway misshap prevented me from making the screening - argh!) and the rap comedy Patti Cake$ which will be out in July. The latter prompted a bidding war with Fox Searchlight offering $10+ million. Beach Rats was picked up by a new distribution company called Neon so who knows when it will arrive. Colossal, that Anne Hathaway as a kaiju oddity, will be Neon's first proper release on April 7th. 

At ND/NF we previously reviewed Sexy Durga, Happiness Academy, and Strong Island. Here are the two final films yours truly caught, one being maybe my favorite of 2017 thus far...

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