Box Office: My "Secretary" Diana and My Cousin Rachel

By Nathaniel R

Universal's attempted monster movie franchise launch didn't go so well. The Mummy met scathing reviews and a disappointing opening weekend. Now, a $32 million launch would be major news for many films but not for a $125 million budgeted feature starring Tom Cruise that is intending to launch a whole "universe". Not everything can be Marvel's Cinematic Universe, Hollywood!

In the absence of a strong competitor and on terrific word of mouth (no small thing), Wonder Woman continued her reign at the box office. Given a relatively small second week drop (43% while DC's usual superhero sophomore frame drop is 67%) the Amazon princess is looking to join the $300 million club stateside which will put her right up there with Supes and Batman. DC's "Big Three" indeed.

Charts and further comments after the jump...

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25 Best Films of the 21st Century Thus Far?

THERE WILL BE LIST

It seems frightfully early to be discussing this post's title. Especially in the random time of early June 2017. What possessed the New York Times to do this beyond clickbait? OOPS, it worked. We immediately clicked on the link. There's not specific criteria or info on how the list was composed. We just know Manohla Dargis and A.O. Scott were involved and that they also asked a few directors and a couple of actors (very randomly Robert Pattinson and Michelle Williams) to speak up as well. The list is composed of 10 foreign language films, 2 documentaries, and 12 proposed new additions to the American canon including two Best Picture winners Moonlight  and Million Dollar Baby. You can see their full write-ups here.

Just the lists for fun after the jump, mine included as it only shares 4 titles with the New York Times...

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Cannes Awards & Closing Ceremony

We've reached la fin.

The 70th annual Cannes Film Festival opened 11 days ago and today the jurors and a smattering of the leading lights of this year's edition of the prestigious festival are walking the red carpet one last time in the South of France to name the winners of the Palme d'Or, Best Actress, Camera d'Or (for new directors) and more. If you've fallen behind in Cannes-watching, here's our surely inaccurate predictions to one of the world's most unpredictable awards, the first round of awardage including the Palme Dog, reasons to be excited about the Queer Palme winner and of course a few rounds of fashion (with one massive fashiongasm to follow).

Opening ceremony highlights, Oscar hints, and a winners list after the jump...

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Cannes Look-back: "The Class"

As we await the Cannes closing ceremony with all its awards glamour, let's take a look back at a previous Palme winner which has connections to a competition entry this year.  Here's John Guerin...

The Class, Laurent Cantet’s 2008 Palme d’Or winner, left me both exhausted and inspired. An autobiographical chronicle of François Bégaudeau’s first year of teaching French language and literature at an inner-city high school in Paris, The Class is an entirely self-contained glimpse into the daily challenges, joys, dead-ends, nuisances, amusements, and tensions in one especially spirited classroom. Although The Class is spatially confined to the school building, the currents of the outside world frequently wash ashore and brush up against Bégaudeau’s attempts to lead a discussion of the imperfect tense or find meaning in The Diary of Anne Frank or do just about anything constructive.

Cantet and Bégaudeau, with the assistance of co-writer and editor Robin Campillo (director of the underrated 2013 Eastern Boys and this year's Queer Palme winner 120 Beats per Minute), smartly avoid clichés of the Exasperated Teacher genre and opts instead for ambivalence over didacticism; there is no breakthrough in Bégaudeau’s attitude from frustration to satisfaction, there is seldom a transformation of student rancor into exuberance, there is no “saving” exactly, but the film doesn’t descend into cheap cynicism either... 

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Cannes Prizes Pt 1: Sidebar Glories and Oscar Dreams

Congratulations to this poodle below from The Meyerowitz Stories who won the coveted Palme Dog

The Palme Dog is not an official prize from the festival itself but it's always fun to see who wins. Past years winners have been the utterly adorable bulldog from Paterson (2016), the Maltese from Arabian Nights (2014), Uggie from The Artist (2011) and so on. The Palme Dog people also gave an honorary to the bomb sniffing dogs working Cannes to ensure the safety of the industry professionals attending. 

But wait that's not all. Two of the official Cannes juries also named their winners in advance of tomorrow's main closing night ceremony. Read about them after the jump...

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