Saturday, February 25, 2017 at 11:18AM 
The nominated directors from this year's Best Foreign Language Film nominees (Land of Mine, A Man Called Ove, The Salesman, Toni Erdmann, and Tanna) have released a joint statement about the Oscars, human rights, and the growing climate of nationalism around the world. It's a must read.
They write...
Friday, February 10, 2017 at 3:00PM By Jose Solís.
At first glance Tanna might seem like another take on the Romeo and Juliet story, as we see two star-crossed lovers, living in the title South Pacific island, fight their way in a society that doesn’t understand their love. But upon giving it a closer look, the film reveals itself to be a fascinating anthropological study about the way in which ancient civilizations have been able to maintain their traditions for centuries, as the colonizers around them always seem to be on the verge of self-destruction. Watching the idyllic living of the Ni-Vanuatu people in the film makes one wish our governments also found ways to listen to everyone in the community. But even when it’s clear that not everything in the island is good, after all they’re living in a conservative patriarchal society, directors Bentley Dean and Martin Butler are able to remove all romanticism, and deliver a document that works as a love story and an insightful look at a culture we know very little about.
The gorgeously shot Tanna features wonderful acting by the locals, non-professional actors who were chosen based on qualities that best approximated the characters they would play. For example leading man Mungau Dain was chosen because everyone believed he was the most handsome man on the island, and his leading lady Marie Wawa was chosen for her strength. The film was warmly received at the 2016 Venice Film Festival where it picked up two awards, and was selected as Australia’s Oscar submission for Best Foreign Language Film, making the final five when nominations were announced. I spoke to the directors about the challenges of shooting the film, their love for movies, and Oscar season.
Read the interview after the jump.
Thursday, February 9, 2017 at 2:00PM By Jose Solís.
In Land of Mine we see the aftermath of WWII through a previously unexplored lens, that of young German POWs in Denmark, who are sent out to the Danish coast to remove the over two million landmines Germans had left in place believing D-Day would begin on that coast. The German boys work under the supervision of Danish Sergeant Carl Leopold Rasmussen (Roland Møller) who begins seeing them as utterly contemptible beings, but then find himself sympathizing with their pleas. In the film, director Martin Zandvliet asks if we can find the humanity within each other, when we’ve been taught only to see how different we are. The film was nominated for the Best Foreign Language Film Oscar and it opens in theaters on February 10. I sat down with Zandvliet to talk about the themes in the film, actresses and how his first Oscar season is treating him.
Read the interview after the jump.
Denmark, Oscars (16), foreign films Monday, February 6, 2017 at 10:00PM The 31st annual Goya Awards (Spain's Oscars) were held over the weekend in Madrid and we'd be remiss if we didn't share the winners -- particularly considering we recently posted statistics about their all time favorite actresses. This year's big winners were Raúl Arévalo's revenge drama The Fury of a Patient Man (which took Best Film and 3 other prizes) and A Monster Calls (which took Best Director and swept the technical categories with 9 wins).
Ana Alvarez, Penélope Cruz, and Belen Lopez
Spain's Oscar submission, Almodóvar's Julieta, won only Best Actress for Emma Suarez who plays the older version of the titular character. Incredibly Suarez also won Best Supporting Actress for another film (The Next Skin) so Spain really worships her this year. (After the jump a complete list of winners as well as other gowns and tuxes...)
Tuesday, January 31, 2017 at 6:40PM By Dancin Dan
If you've heard one thing about Germany's Best Foreign Film Oscar nominee Toni Erdmann, other than how great it is (and you can add me to the chorus of voices showering it with praise), it's probably been that Maren Ade's shaggy-dog comedy is LONG. So, trivia hound that I am, I was naturally curious to see just how long it was in the grand scheme of Oscar.
Toni Erdmann has either the 16th or 17th longest running time of all the films nominated for the Best Foreign Language Film Oscar. That confusion comes from the weirdness of different versions of films and which ones the Academy actually saw when voting...
