Interview: 'Rams' Director Grímur Hákonarson on Working with Sheep and Icelandic Idiosyncrasy

In Grímur Hákonarson’s darkly funny Rams, two brothers who haven’t spoken in decades must unite forces to save their legacy when the government demands all their livestock must be slaughtered to contain a disease. Hidden behind long beards and stubbornness, Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) take on the impossible task of trying to outsmart the government, making for a fascinating allegory about the things we lose in the name of progress. After premiering at the Cannes Film Festival, where it won the top prize in the Un Certain Regard category, Rams went on to being chosen as Iceland’s Foreign Language Oscar submission. As the film opens in the US, I got a chance to sit down with Hákonarson who spoke about how his childhood shaped the film, how Cannes changed his life, and shared interesting trivia about sheep.

JOSE: Your parents used to send you to the country to work during the summers. Did you ever think of this as a punishment in any way?

interview after the jump

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Sundance Buzz Pt 3: The Jury & Audience Winners

Sundance wraps up today with screenings of winners. So who took home the prizes? And what does it all mean...?

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Team Experience Awards ... with love to Carol, Ex Machina, Girlhood, and more

Amir here, to welcome you to the 4th annual Team Experience Awards, bestowed on the year’s best in film by the Film Experience community (you can read about us here) – sans Nathaniel, our host; you can follow his personal awards here. In the past three installments, we honoured Leos Carax’s Holy Motors (France/Germany), Steve McQueen’s 12 Years a Slave (USA/UK) and Jonathan Glazer’s Under the Skin (UK/USA/Switzerland) as our Best Pictures.

Perhaps it won’t surprise you that the awards below, particularly in the craft categories, are more or less dominated by a couple of films that we have all been championing throughout the year, but the usual caveats of all our team posts apply to this one as well. Though the final results might be not be shocking, there were bloodbaths in most categories with many strong contenders for each prize. The best actress category’s contenders, for example, were separated by a hair, rather fittingly, given the winner and and the runner-up.

Some of these behind the scenes details are listed in the trivia section, but without further ado, here are the winners of 2015’s Team Experience Awards:

BEST PICTURE
Carol Runner-up: Brooklyn

BEST UNRELEASED FILM
The Lobster Runner-up: Chevalier

foreign film, acting prizes, and craft achievements after the jump...

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Podcast: The Big Short, It Follows, Etc...

We're just going overboard with the podcasts this month. We hope you don't mind. Here's a little extra conversation between Nathaniel and Nick. (With another podcast right around the corner!) 

40 minutes 
00:01 The Big Short, celebrity cameos, gambling and our own failings
16:40 Nick looks forward to The Revenant & talking about The Hateful Eight
19:45 Foreign Film Finalist List: Ireland's Viva, Denmark's A War, Hungary's Son of Saul.
27:45 Films that didn't make it to the finals like Guatamela's Ixcanul,  and LGBT entries
33:20 How to watch challenging cinema at home on your televisions. Starring: A Pigeon Sat on a Branch and It Follows 

Further Reading for Context:
Nick's Hateful Eight Tweet
Nathaniel's recent Oscar submission reviews
Plus Embrace of Serpent and Labyrinth of Lies

You can listen to the podcast here at the bottom of the post or download from iTunes. 

Big Short & Foreign Finals

Interview: Klaus Härö on Globe Nominee & Oscar Finalist 'The Fencer'

Five of the nine foreign film finalists will become Oscar nominees on January 14th. Here's Jose to talk Finland's Oscar finalist. 

Jose here. Klaus Härö’s The Fencer is based on the real life story of Endel Nelis (Märt Avandi), a fencer who escapes Leningrad in the 1950s, and goes into hiding in the town of Haapsalu, Estonia, where he becomes an essential member of the community when he starts a fencing club. Cherished by children, many of whom need a father figure after being orphaned during the Russian occupation, Nelis is also feared and loathed by others who wish he would return where he came from and leave them alone.

Härö’s film is an example of classic storytelling at its best, using gorgeous cinematography, a lush score and featuring a compelling performance by the swoon worthy Avandi, it’s no surprise that Oscar voters were moved to include it among the entries in the exclusive Foreign Film shortlist. It has also been nominated for a Golden Globe. A couple of weeks before the Oscar announcement was made,

I talked to Härö about his obsession with period films, casting Avandi and awards season. Our interview is after the jump...

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