Cannes at Home: Day 4 – Christmas on the Nile

by Cláudio Alves

French filmmaker Arnaud Desplechin seems to be on a downward trajectory. His new film, Brother and Sister, has been slaughtered by critics at Cannes, the worst-reviewed Main Competition title so far. For those legions who hoped this would be the year when Marion Cotillard finally won the festival's Best Actress prize, better luck next time! Tarik Saleh's Boy from Heaven was more warmly received despite some cries of conventionality. Through procedural tropes and thriller stylings, the Swedish director explores themes of corruption in Islam, a recurring motif throughout his filmography. These Cannes contenders are both directors' second 2022 pictures – Desplechin's Deception is a new MUBI release, while Saleh's The Contractor has been available for a while. Unfortunately, neither title got much in the way of critical praise.

To keep the Cannes at Home series a celebratory exercise, today's selection looks back at lauded works from these auteurs – A Christmas Tale and The Nile Hilton Incident… 

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Review: Paris 13th District

by Matt St Clair

Ten years after Rust and Bone comes another rumination on love and sex from director Jacques Audiard. His new black-and-white romance Paris, 13th District has a more unfastened narrative structure as it follows a small quartet of twenty and thirty-somethings finding romance in the city of love and figuring out their overall place in the world...

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Hou Hsiao-Hsien @75: New Millennium (2001-2022)

The conclusion of a four part series by Cláudio Alves

In the cinema of Hou Hsiao-Hsien, the 21st century started with a neon dream. The camera follows Shu Qi's Vicky as she runs through a Taipei tunnel, lights flickering above. Everything happens in slow-motion, flickers turn into waves and the actress's movement makes a strange unnatural dance. She looks back at us, hair flying in a cloud of black tendrils, her eyes asking us to follow her down the tunnel, like Alice down the rabbit hole. It's a hypnotic sight, made more seductive by the music of Lim Giong, house beats and techno dronings that transform the screen into a pulsing heart.

2001's Millennium Mambo fulfills the formalistic promise of Daughter of the Nile, transcending Goodbye South, Goodbye's tethering to material truth. Like its protagonist, the film looks back at its director's history while moving forward to an unknown future. It's the start of a new chapter for Hou Hsiao-Hsien…

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I'll Link to That

• Vulture "Do they really have enough champagne in Death on the Nile to fill the Nile?" funny must-read!
• IndieWire Hilarious marrieds Megan Mullaly & Nick Offerman will be hosting Spirit Awards
• MNPP a preview of NYC's annual "Rendezvous with French Cinema"
• Forbes Highest Paid Entertainers - annual list topped by Peter Jackson who sold part of his vfx firm WETA. He's now the third director to become a billionaire (after Spielberg and George Lucas)

Rumors about Blonde, Lady Gaga's congratulations, Flee's record-breaking Oscar triple, Dolly Parton's generosity, and more after the jump...

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César Nominations: 'Lost Illusions' and 'Annette' score but 'Titane' struggles

by Nathaniel R

France's own Oscar-like ceremony the Césars will take place this year on February 25th and they've just released their list of nominations. In a mild surprise this past summer's Palme d'Or winner Titane did not do well in the nominations scoring in only 4 categories (Director, Female Newcomer, Cinematography, and Visual Effects). Instead the nominations were led by the costume drama Lost Illusions (15 nominations) which premiered at Venice. Other quick items of note: Canadian writer/director/actor Xavier Dolan, a perennial favourite at Cannes, picked up his first César nomination (Best Supporting Actor). Adam Driver also received an acting nomination for the musical Annette (it's very rare for US stars to be nominated there). Cate Blanchett will be receiving the Honorary César this year. 

The nominations and a few comments are after the jump. If we've written about the film, it's linked up, and since we love French cinema we've covered quite a few of these...

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