Fassbinder Double Feature: "Ali" & "Maria Braun"

by Cláudio Alves 

In these days of "social distancing" and delayed releases, the cinephiles among us must satiate our hunger for cinema in the privacy of their own homes. Streaming services are saviors during such trying times, offering a respite from the chaos. Among them, The Criterion Channel continues to shine brightest as a paragon for the promotion of the seventh art's best triumphs. Just this month, two of Rainer Werner Fassbinder's most beloved and accessible masterpieces were made available for streaming. We're talking about 1974's Ali: Fear Eats the Soul and 1979's The Marriage of Maria Braun.

Join us as we peruse the glamor and doom, fear and fury of these singular films…

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Streaming Roulette, August: Serenity, Red Sea Diving Resort, and two major 1981 classics

As is our practice we've selected a handful of titles and frozen the films at utterly random moments without cheating (whatever comes up comes up!). It's our way of previewing new titles streaming each month. So what should you queue up for AUGUST 2019 ?(★ means we recommend catching them.) Please do let us know if you're dying to discuss any of the films and maybe we'll write about one or two of 'em  You rarely tell us but we'll try if you do.

[COUGHING]

Jackie Brown (1997) ★  on Netflix
Is De Niro coughing to distract you from Once Upon a Time ...  in Hollywood for a minute? He's got a new trailer out and that would like a little attention, too. On the couch is Bridget Fonda giving what is easily one of her top two performances (the other one is in a little seen 80s movie called Scandal). We should probably see this particular Quentin Tarantino flick again. Beyond Fonda's perpetually baked surfer girl I don't personally remember much about it except for that  Rashomon inspired scene in the mall, and Pam Grier and Robert Forster being a fine match in the two central roles.

[HEAVY BREATHING]

Body Heat (1981) ★  on HBO
Nice wedding ring shot. That ain't her husband...

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Review: Never Look Away

by Murtada Elfadl

Tense apprehension is usually how I approach 3 hour long movies. But I shouldn’t have fretted about Germany's Oscar entry Never Look Away. It was never less than totally engrossing and I was completely riveted throughout. For his third picture, following Oscar foreign-language winner The Lives of Others (2006) and Hollywood turkey The Tourist (2010), director Florian Henckel von Donnersmarck was inspired by the life and work of German painter Gerhard Richter. The film tells the story of a 20th century German artist, given the name Kurt Barnert here and played by Tom Schilling as an adult, from his childhood in the 1930s through WWII, growing up in Communist East Germany, then defecting to the West and finding his artistic voice there...

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TIFF Quickies with Gael García Bernal, Paprika Steen and more...

Nathaniel R reporting from the Toronto International Film Festival

Herewith very quick notes on five new films from world cinema, some with stars you'll recognize, that deserve lengthier word counts. That said, we're a week behind with TIFF reviews so we have to crank them out somehow -- better short-takes than no takes at all! 

Museo
The ever prolific Gael García Bernal continues to be a gift to world cinema. He has a small role in The Kindergarten Teacher (which... more on later) but fully carries Museo, a restless gem from Mexico. The movie begins with a formative father and son memory and memorable newsreel footage of an ancient statue being hauled across Mexico as a prized museum acquisition. Years later in 1985, the son Juan Nunez (García Bernal), or "Shorty," as his often derisive family calls him, remains obsessed with the story and robs the National Museum of Anthropology in Mexico City of 140 more mobile pre-Hispanic pieces...

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TIFF: Christian Petzold returns with "Transit"

Nathaniel R reporting from the Toronto International Film Festival

Fans of the haunting post-war German drama Phoenix (well loved right here), will want to check out the latest from one of Germany's greatest directors Christian Petzold. Like Phoenix, Transit is a story of lives tragically ruined by war and new identities emerging from the rubble. Transit isn't as much of an eery mystery as Phoenix, but it plays with similar themes. Our protagonist Georg played by the arresting, highly watchable Franz Rogowski (Happy End) initially appears to be an opportunist, doing two dangerous jobs for cash involving personal letters or actual transport for desperate people trying to escape attention in Germany on their way out of the country, and stealing another man's identity as his own ticket out. But our first impression is quickly complicated...

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