The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Thursday, October 29, 2020 at 9:30PM Since the last posting of this kind we've had six new submissions announced for Oscar's International Feature Film race, bringing the total to 25 thus far. We're tracking both here on the Oscar charts and at letterboxd. (We usually end up around 90 titles but we suspect there will be fewer titles this year due to the pandemic and the resulting cinema chaos.)
Wednesday, October 21, 2020 at 9:00AM 
Coverage from the 56th annual Chicago Film Festival
by Nick Taylor
Undine opens immediately after the titular character (Paula Beer) has been told by her boyfriend Johannes (Jacob Matschenz) that he’s leaving her for another woman. Seated at an outdoor café, Beer’s expression remains piquant and internalized as Johannes explains himself, half listening to him talk and half deciding how to respond. When she makes up her mind, she informs Johannes they’re still in love, and if he’s not at the café when she gets back from work in half an hour she’ll kill him. He’s not there, obviously. But after hearing an unexpected figure call out her name, she meets a man named Christoph (Franz Rogowski). The two are instantly captivated by each other, and their meet-cute is so strange, heartfelt, and semi-chaotic I’d hate to spoil it. It might be the best scene in the film...
Monday, October 19, 2020 at 7:00PM Germany will reportedly decide between these ten films for their Oscar submission this year which they'll announce near the end of this month. If you've seen any of these pictures, do share your opinion!
Thursday, April 30, 2020 at 8:00AM by Tony Ruggio
1920... Eerily and surprisingly, wasn't so different from 2020. A new generation had upended social norms, a deadly pandemic had spread throughout the world, and a major western democracy was in the throes of a post-war identity crisis. A country in search of a tyrant, Germany was a mere decade away from learning the name Adolf Hitler, and the nation’s artistic output reflected as such.
It’s astonishing to realize that feature films have been around for more than a hundred years, that our grandest medium of pop art has endured for so long. The cinema has persevered through war, competing technology, and economic calamity. Such questions of perseverance are ripe for discussion again in the midst of our current pandemic, one that has shuttered movie theaters around the world. A film like The Cabinet of Dr. Caligari, currently streaming on Criterion and now 100 years young, makes clear to us that movie-making will never go the way of the dinosaurs...
Saturday, March 14, 2020 at 2:30PM 
In these days of "social distancing" and delayed releases, the cinephiles among us must satiate our hunger for cinema in the privacy of their own homes. Streaming services are saviors during such trying times, offering a respite from the chaos. Among them, The Criterion Channel continues to shine brightest as a paragon for the promotion of the seventh art's best triumphs. Just this month, two of Rainer Werner Fassbinder's most beloved and accessible masterpieces were made available for streaming. We're talking about 1974's Ali: Fear Eats the Soul and 1979's The Marriage of Maria Braun.
Join us as we peruse the glamor and doom, fear and fury of these singular films…
