Nathaniel Gives Thanks, 2020

by Nathaniel R

HAPPY THANKSGIVING, READERS! It occured to me the other day that for as crappy as pandemic shut-in 2020 has been, we should be grateful for it... at least here in the US. Without the pandemic, despite a quarter million lives lost, we would surely have been stuck with the worst and most corrupt government in our history and the end of Democracy as fascists cemented their rule. It's not that the threat is gone exactly. Due to numerous ills embedded in American society, we could still see Democracy vanquished. But we have bought ourselves at least a couple of years reprieve (more if we're lucky and continue getting out the vote). So, I never thought I'd say this but "thank you, COVID" (?)

On a lighter and more movie-site note here are 15 showbiz things that I was personally grateful for this past year...

 • The opportunity to moderate a Beanpole discussion at Film Forum (before movie theaters closed *cries*) for the absurdly talented 28 year-old Russian director Kantemir Balagov. The movie wasn't nominated at the Oscars but at least it made the international finals!

• The sound design of Sound of Metal for putting us inside Riz Ahmed's head. It's the closest we've ever been to his perfect face and we're grateful...

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How Mulan got the Rey Palpatine Treatment

by Ginny O'Keefe

After I watched Mulan (2020), the lackluster live-action remake of the beloved 1998 animated movie, I couldn’t help but be reminded of the bitterness and anger I felt after watching The Rise of Skywalker back in December. The feelings of disappointment and resentment were incredibly familiar, all stemming from the fact that both Mulan (2020) and The Rise of Skywalker (2019) refute the idea that a hero can be anyone and come from anywhere. This is where both films ultimately fail their two female leads. 

In the original animated film, Mulan is an ordinary girl who feels incredibly out of place and cannot seem to do right by her family or the deeply ingrained misogynistic society that surrounds her. She has no fighting skills, no hunger for war, no royal heritage, no outstanding measure of beauty. She has nothing that could suggest she is “special” besides her brave and kind heart...

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Gong Li: Goddess of the Silver Screen

by Cláudio Alves

Earlier this month, Sean Donovan wrote a beautiful piece about Tilda Swinton's 2005 Hollywood adventure. The movies mentioned in that text mean a great deal to me since they represent the first time I ever came across the alien allure of that British thespian. Even as an eleven-year-old, I was hooked on this beguiling creature of the screen. Surprisingly enough, Swinton wasn't the only performer whose 2005 forays into mainstream American movies served as a gateway for my love of auteur cinema and über-glamourous deities of the big screen. 

For that was also the year when Chinese superstar Gong Li blessed Rob Marshall's unfortunate Memoirs of a Geisha with her electrifying presence…

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How had I never seen... "Farewell My Concubine" (1993)

In this new series, members of Team Film Experience watch and share their reactions to classic films they’ve never seen. 

by Tim Brayton

I wish there was a good reason why it took me 26 years to catch up with Chen Kaige's Farewell My Concubine, co-winner of the 1993 Palme d'Or, two-time Oscar nominee for Best Cinematography and Best Foreign-Language Film, and the film that did more than probably any other single title to present Chinese art cinema to international audiences in the 1990s. Instead, I only have a very terrible reason: it's 171 minutes long, and I never quite managed to make it my top priority in those moments when I had three uninterrupted hours.

To the surprise of nobody, including myself, that turns out to have been a terrible mistake. As long as the film is – and I'd be fibbing if I said that I never once felt that running time – it's unquestionably filling every last one of those minutes with a whole lot of immensely appealing stuff. That Best Cinematography nomination wasn't for show: this is an unbelievably lavish epic of 20th Century history, surely one of the most gorgeous motion pictures of its decade...

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Mulan Teases. Maleficent Flies Again.

by Nathaniel R

It isn't enough for Disney that they have the top four box office hits of the year thus far (Endgame, Captain Marvel, Aladdin, and Toy Story 4) with The Lion King still on the way to make it a top five. No, they'd now like to remind you that they still have movies coming in 2019 and will also be dominating 2020. In the past 24 hours or so Maleficent: Mistress of Evil got another trailer and Mulan delivered its first teaser and poster. That's all after the jump...

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