The New Classics: Frances Ha

By Michael Cusumano  

Scene: Paris
Frances is a dancer by trade, but I think it’s fair to say that throughout Noah Baumbach’s Frances Ha her real art is poor decision making. In that regard, her impromptu trip to Paris is her masterpiece. 

The spontaneous journey to France is the quintessential youthful indulgence. “Oh to be so young and free that I could drop everything and jet off to Europe.” Unfortunately for Frances, Baumbach’s films delight in subverting such self-consciously grand gestures. In Kicking and Screaming a character engages in the classic end-of-movie race to the airport only to find he can’t get a last minute ticket. When the cashier offers him a ticket for the following day he deflates and declines. The moment will have passed by then. Frances doesn’t merely run to the airport, she flies to the other side of the Atlantic. As such, her antics earn her an even more brutal dismantling...

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Horror Actressing: Greta Gerwig in "The House of the Devil"

by Jason Adams

When I wrote up last week's entry in our "Great Moments in Horror Actressing" series, about the latest greatest entry in what I dubbed the "Horror Movie Funny Friend Hall of Fame," I didn't intend to make a series-within-series out of it... even though I did name-check several other favorite performances that fit within this kind of role, up to and including today's entry. I didn't intend it but why fight it when today is the great Greta Gerwig's birthday, and her work in Ti West's 2009 low-key Satanic Panic shocker The House of the Devil is one of its finest examples...

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Jo March across time

by Cláudio Alves

19192019

Since its original publication, Louisa May Alcott's Little Women has been one of the most beloved works of American Literature. Even beyond the US, Alcott's semiautobiographical novel has had a great impact, becoming many a young girl's beloved book for over a century. Considering such success, it's no wonder that the story of the four March sisters was quick to jump from the page to the big screen. The first cinematic adaptations way back in the silent era in 1917 and 1918.

Unfortunately, those two features have been lost, though we still have four widely available talkies based on the novel. Let's look at those four features after the jump...

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Greenberg's 10th and Gerwig as Muse

by Cláudio Alves 

Once upon a time, long before she was an Academy Award-nominated director and screenwriter, Greta Gerwig was the acting princess of mumblecore. Along with the Duplass brothers and Joe Swanberg, she helped solidify the identity of that often-maligned subgenre, full of naturalistic dialogue and very little in the ways of storytelling. The actress quickly transcended the limitations of mumblecore and became a starlet of the independent American cinema from 2010 to 2016, starring in such gems as Damsels in Distress, Jackie and 20th Century Women. 

Among her more frequent collaborators, Noah Baumbach stood out. She was his muse and he knew how to capture her talents like no other. Or was it the other way around? In any case, their first collaboration marked a turning point in both their careers. We're talking about Greenberg, which celebrates 10 years today…

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The modernity of Little Women's costumes

by Cláudio Alves

Last Sunday, the great Jacqueline Durran became a two-time Academy Award winner thanks to Little Women. As the umpteenth costume designer to tackle Louisa May Alcott's classic tale, Durran had the challenge of dressing these well-known characters in a bold reinterpretation. Eschewing the strict historical accuracy with which Collen Atwood tackled the subject in 1994, Jacqueline Durran evoked the fashions of the 1860s by infusing them with character-specific idiosyncrasies and a general sense of 21st-century modernity.

Her designs are not as bound to their filmmaker's contemporary styles as the Little Women of 1933 or 1949. However, there's no denying that the current iteration of the March sisters is filtered through the sensibilities of artists living in the 2010s… 

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