Podcast: Loving "Little Women"

In this hour long conversation Nathaniel and Murtada welcome special guest Kim Rogers (no relation to Nathaniel) from Head Over Feels to discuss Greta Gerwig's reworking of the classic oft-adapted Little Women starring Saorsie Ronan. Compare and contrast conversations to the 1994 version can't be helped but our opinions differ here and there on the 2019 film's sucess in various areas. We discuss the ambiguous ending, Eliza Scanlan versus Claire Danes, Florence Pugh playing Amy the whole way through and more. Spoilers, obviously, for this 151 year-old story. 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Little Women

Review: Little Women

By Lynn Lee

Did we need another one?

That question hangs over any movie based on a novel that’s already been adapted multiple times – even moreso if there’s a previous adaptation that’s particularly beloved.  It may not, however, be the right question.  As potential movie material, perhaps great books should be treated more like great plays are for the stage, in the sense that if the work has enduring appeal, every new era deserves its own adaptation.  So perhaps the better question is whether this adaptation speaks to us, the viewers of today?

As applied to Greta Gerwig’s Little Women, the answer is yes…with a few caveats.  Full disclosure: I came to the movie as someone who read Louisa May Alcott’s coming-of-age classic so many times that my copy literally fell apart at the seams, and my devotion to Gillian Armstrong’s near-perfect 1994 adaptation starring Winona Ryder (which you should absolutely see if you haven’t) is a matter of TFE record .

While Armstrong’s version remains my favorite, I found a lot to like and admire about Gerwig’s...

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Honorary Oscars 2019 - The Speeches

by Nathaniel R

Our dream is to one day attend that invite only Honorary Oscars / Governor's Awards. The ceremonies aren't televised but for clips for YouTube and such but everyone who is anyone in Hollywood is there with an emphasis on Hollywood's golden history which we here at The Film Experience have always appreciated. Sites that only cover new releases -- what are you doing with your lives?!?

Here are the speeches and some notes from the special night.  First up Geena Davis, Jean Hersholt Humanitarian Award winner who shares that it was really Thelma & Louise (1991) that changed her life (you and me both, diva!) and set her on the path that she's now being honored for. Her face when Tom Hanks says her name... ❤

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Yes No Maybe So: Greta Gerwig's "Little Women"

by Eurocheese

Greta Gerwig's follow up to the brilliant Lady Bird looks like a potential Christmas smash hit waiting to happen. Can it stick the landing with such high expectations? Well, if the trailer is any indicator, we may be in for a treat. The Yes No Maybe So™ breakdown follows after the jump...

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The New Classics - 20th Century Women

Michael Cusumano here to thank you for making this post part of your own personal Mike Mills film today. I'm honored.

image via "books in movies"

To watch a Mike Mills movie is to continually ask, “Why don’t more people make movies with this much freedom?” 

His films deploy everything from news clips to rotating narrators to archival footage from a century ago. The screenplay will jump backwards in time, skimming through the characters’ biographies, or forwards to glimpse the details of their death. The focus can zoom in to the most granular details or out to encompass the entire cosmos. I doubt he will ever make a film that doesn’t include a shot of the stars. At least I hope he doesn’t... 

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